volunteers Arthur to babysit the terrible Tibble twins, notorious for their mischief. The situation gets out of control, but Arthur comes up with a great idea to get the twins to behave. Text copyright 2004 Lectorum Publications, Inc.

    A fun way for children to learn about farm animals and the sounds they make! Old MacDonald (played by Vinko the Bear) is having a typical day on the farm: he feeds the chickens and collects their eggs as the hens “cluck-cluck;” he milks a cow as the other cows graze in the pasture and “moo-moo;” he shears the wool off a sheep as the other sheep envy the newly shorn sheep’s haircut and “baa-baa.” The only thing that’s different about this typical day on Old MacDonald’s farm is that young readers are clucking, mooing, baaing, and oinking as they sing the familiar song and learn about life on the farm and the sounds that farm animals make.

    Thought-provoking, surprising, infuriating, heartbreaking and heartwarming, AUGGIE & ME is a must-read for the thousands of readers who loved WONDER.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    Alexa is curious about what lies beyond the massive ramparts that surround the city and the walled roads that link Bridewell to nearby towns; soon after town leader Thomas Warvold passes away, Alexa finds herself outside the walls, acquires a stone with remarkable powers, and discovers that she's meant to stop a potential war from occurring.[Author notes in a video blog at http://www.patrickcarman.com/wp-conte..., about the series reading order that the books in the original trilogy (The Dark Divide #1, Beyond The Valley of Thorns #2 and The Tenth City #3) should be read in that order and that Stargazer #4 read after the original trilogy. Otherwise is up to reader preference. Into The Mist, is a chronological prequel to the trilogy, but the story is told by characters on the boat where The Tenth City left off; it can be read before or after the original trilogy.]

    The way the mice live is completely natural, which is how I think life ought to be. They appreciate and use everything that grows around them. Theirs is a loving, caring society, but the mice are not just serious and worthy. They have FUN! The much-loved Brambly Hedge mice first made their entrance in 1980 when four seasonal stories were published. Since then, readers have loved exploring the miniature hedgerow world and meeting the families who make their home there. Jill Barklem's warm, traditionally styled illustrations which evoke both drama and a sense of humour, are richly detailed, gentle and touching, and appeal to readers young and old.For the first time ever all the Brambly Hedge stories are brought together in one glorious volume, an exquisite gift book that will delight committed fans and introduce new readers to the wonders of Barklem's hedgerow life.The collection is introduced by Barklem herself, who explains how the stories came about, and what the world of Brambly Hedgemeans to her and to her legions of avid fans. A perfect gift for anyone who has ever basked in the warmth of these simple, romantic stories, The Complete Brambly Hedge is also an excellent way of introducing new readers to the wonders of the hedgerow, and is ideal for younger readers to enjoy with their parents, or for older, more confident readers to enjoy alone. (Age 4 and over) --Susan Harrison

    She doesn't dress as nicely as Melissa's mother. And she sings - in public! Tina's lunches even embarrass her. So when she meets a new girl, she tells her that her mother is her babysitter and Tina begins a trail of lies she has to struggle to maintain.

    After the mysterious disappearance of their parents, the sisters are sent to live with their grandmother--a woman they believed was dead! Granny Relda reveals that the girls have two famous ancestors, the Brothers Grimm, whose classic book of fairy tales is actually a collection of case files of magical mischief. Now the girls must take on the family responsibility of being fairy tale detectives.

    He used his unique skills to tell a tale that has had the lasting power of legend: the overwhelming defeat of the seven goblins of the spectrum who sought to take over the colors of the rainbow. Now almost twenty years later, Ul de Rico offers us the complementary tale of the eighth goblin, the white one, banished by his evil brothers to the colorless wastes of the North. There he has suffered in isolation until the day he learns of his brothers' catastrophe and sets out to enjoy the world of color again. He persuades the colorless Cave Goblins to venture out of their safe homes and follow him into the world where they can enjoy and feed themselves on all the colors of nature. Overcome by greed, they set up huge communities and rob the world of all its colors. In the end all sources are exhausted, and Ul de Rico's visionary paintings show us how a handful of Cave Goblins rediscover color's vital importance to life, and return the world to its blissful origins.

    But one stormy August day, furious flood water carry him off and dump him on an uninhabited island. Despite his determination and stubborn resourcefulness--he tried crossing the river with boats and ropes and even on stepping-stones--Abel can't find a way to get back home. Days, then weeks and months, pass. Slowly, his soft habits disappear as he forages for food, fashions a warm nest in a hollow log, models clay statues of his family for company, and continues to brood on the problem of how to get across the river--and home. Abel's time on the island brings him a new understanding of the world he's separated from. Faced with the daily adventure of survival in his solitary, somewhat hostile domain, he is moved to reexamine the easy way of life he had always accepted and discovers skills and talents in himself that hold promise of a more meaningful life, if and when he should finally return to Mossville and his dear Amanda again.

    Every day 'It' will grant each of them a wish that lasts until sunset, often with disastrous consequences.Never out of print since 1902. The Introduction to this edition examines Nesbit's life and her reading, showing the change in childrens' literature from Victorian times.

    Kids will love Alison Oliver’s colorful and cheeky illustrations bringing life to Little Master Carroll’s beloved children’s classic.

    But when a mysterious green violin enters his life he begins to imagine a life of freedom. Hannah is a soft-hearted, strong-willed girl from the tenements, who supports her family as a hotel maid when tragedy strikes and her father can no longer work. She learns about a hidden treasure, which she knows will save her family — if she can find it. And Frederick, the talented and intense clockmaker's apprentice, seeks to learn the truth about his mother while trying to forget the nightmares of the orphanage where she left him. He is determined to build an automaton and enter the clockmakers' guild — if only he can create a working head.Together, the three discover they have phenomenal power when they team up as friends, and that they can overcome even the darkest of fears.

    Life seems lonely when you're the middle kid in the family. Freddy feels like "the peanut butter part of a sandwich," squeezed between an older brother and little sister. But now for the first time it's Freddy's chance to show everyone, including himself, just how special he is!

    and Mrs. Brown first met Paddington, a most endearing bear from Darkest Peru on a railway platform in London. A sign hanging around his neck said, "Please look after this bear. Thank you" So that is just what they did.From the very first night when he attempted his first bath and ended up nearly flooding the house, Paddington was seldom far from imminent disaster. Jonathan and Judy were delighted with this havoc and even Mr. and Mrs. Brown had to admit that life seemed to be more filled with adventure when there was a bear in the house.