World travel, famous people, and movie sets are her life. So are bodyguards, paparazzi, and constant chaos. Grace dreams of a normal life with regular school and real friends. She also dreams of knowing her father, whose identity her mother has never revealed. When her secretive mother announces they’re going to Martha’s Vineyard for the summer, Grace doesn’t know the island holds the keys to her family history. But once the connection becomes clear, she can’t resist searching for some answers. Grace makes some surprising moves along the way, from making a friend and piercing her ears to developing a strong suspicion of who her father is.

    . .A Treasure Appears . . .A Crime Unfolds . . .When Saba Khan’s apartment burns in a mysterious fire, possibly a hate crime, her Chicago high school rallies around her. Her family moves rent-free into a luxury apartment, Saba’s Facebook page explodes, and she starts (secretly) dating a popular boy. Then a quirky piece of art donated to a school fund-raising effort for the Khans is revealed to be an unknown work by a famous artist, worth hundreds of thousands of dollars, and Saba’s life turns upside down again. Should Saba’s family have all that money? Or should it go to the students who found the art? Or to the school? And just what caused that fire? Greed, jealousy, and suspicion create an increasingly tangled web as students and teachers alike debate who should get the money and begin to point fingers and make accusations. The true story of the fire that sets events in motion and what happens afterward gradually comes together in an innovative narrative made up of journal entries, interviews, articles, letters, text messages, and other documents.

    You likely already know what came after for Crash: the nationwide notoriety, the college recruitment, and, of course, the book deal. What you might not know is what came before: a story of two teens whose lives have been inextricably linked since grade school, who were destined, some say, to meet that day in the teachers' lounge of Meadows High. And what you definitely don't know are the words that Burn whispered to Crash right as the siege was ending, a secret that Crash has never revealed.Until now.Michael Hassan's shattering novel is a tale of first love and first hate, the story of two high school seniors and the morning that changed their lives forever. It's a portrait of the modern American teenage male, in all his brash, disillusioned, oversexed, schizophrenic, drunk, nihilistic, hopeful, ADHD-diagnosed glory. And it's a powerful meditation on how normal it is to be screwed up, and how screwed up it is to be normal.

    Virtually overnight, almost against their will, the two befriended the lonely old man; it wasn't long before they were more comfortable in his house than their own. But now Mr. Pignati is dead. And for John and Lorraine, the only way to find peace is to write down their friend's story - the story of the Pigman.

    He wears those crazy bell-bottoms and he really likes the word ennui and he shakes your hand when he meets you, but he’s the kind of guy who’s always up for a good time, always happy to lend a hand. Everybody likes Chris Goodman, which is why it’s so shocking when he’s murdered.How could a thing like this happen?

    She's got lots of friends, and her boyfriend is the school hunk. She's being encouraged to 'take the relationship to the next stage' by her friend Lizzie.Home is pretty much a non-event. Her mother seems distracted, her father breezes in and out but isn't really present, her brother is a stoner. Her life is turned upside down when Dad announces that he wants them to live on an off-shore island for a year and work to make it into a conservation island. Minna is horrified at the idea, as is her mother. All the more so when they discover that the whole venture is to be made into a reality TV series.To her utter dismay, Minna finds herself on an island, with only her family for company. There's no phone or email contact with the outside world. The helicopter ride to the island has made Mum sick and she doesn't seem to be recovering. Minna has to cope with new family dynamics, come to terms with the fact that her parents' marriage is doomed, and has to learn domestic arts that don't rate very highly on her excitement meter.Can you find a new you?

    Nothing, not even her reflection, seems familiar. As she stumbles through her junior year, the voices get louder, insisting she please the popular group while simultaneously despising them. But when Liv starts hanging around with Spencer, whose own mysterious past also has him on the fringe, life feels complete for the first time in, well, as long as she can remember.Liv knows the details of the car accident that put her in the coma, but as the voices invade her dreams, and her dreams start feeling like memories, she and Spencer seek out answers. Yet the deeper they dig, the less things make sense. Can Liv rebuild the pieces of her broken past, when it means questioning not just who she is, but what she is?

    A loner whose uncle doesn’t even know he’s missing. An Army brat whose family will never be able to raise enough money. And a cheerleader who can’t count on her stepdad, but knows her father will come through.

    But when her forward-thinking father is beaten senseless by the British police, she is forced to live with her grandfather's large traditional family, where the women live apart from the men and are meant to be married off as soon as possible.Vidya's only refuge becomes her grandfather's upstairs library, which is forbidden to women. There she meets Raman, a young man also living in the house who relishes her intellectual curiosity. But when Vidya's brother decides to fight with the hated British against the Nazis, and when Raman proposes marriage too soon, Vidya must question all she has believed in.Padma Venkatraman's debut novel poignantly shows a girl struggling to find her place in a mixedup world. Climbing the Stairs is a powerful story about love and loss set against a fascinating historical backdrop.

    And best of all, the poetry that helps forge her identity.July 24My mother named me Gabriella, after my grandmother who, coincidentally, didn't want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it's important to wait until you're married to give it up. So now, every time I go out with a guy, my mom says, "Ojos abiertos, piernas cerradas." Eyes open, legs closed. That's as far as the birds and the bees talk has gone. And I don't mind it. I don't necessarily agree with that whole wait until you're married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can't tell my mom that because she will think I'm bad. Or worse: trying to be White. Gabi is Isabel Quintero's debut novel.Named to Kirkus Reviews Best Books of 2014Named to School Library Journal Best Books of 2014

    The murder sparks riots in Delhi and for three days Sikh families are targeted and killed in retribution for the Prime Minister’s death. It is into this chaos that sixteen-year-old Maya and her Sikh father, Amar, arrive from their home in Canada. India’s political instability is the backdrop and catalyst for Maya’s awakening to the world.

    The judge gave him a year in a group home—said he had to write in a journal so some counselor could try to figure out how he thinks. The judge had no idea that he actually did Miguel a favor. Ever since it happened, his mom can’t even look at him in the face. Any home besides his would be a better place to live.But Miguel didn’t bet on meeting Rondell or Mong or on any of what happened after they broke out. He only thought about Mexico and getting to the border to where he could start over. Forget his mom. Forget his brother. Forget himself.Life usually doesn’t work out how you think it will, though. And most of the time, running away is the quickest path right back to what you’re running from.From the Hardcover edition.

    Talented photographer. Former baseball star. When a freakish injury ends his pitching career, Peter has some major things to figure out. Is there life after sports? Why has his grandfather suddenly given him thousands of dollars worth of camera equipment? And is it his imagination, or is the super-hot star of the girls' swim team flirting with him, right in front of the amazing new girl in his photography class? In his new novel, teen author Jordan Sonnenblick performs his usual miraculous feat: exploring deep themes of friendship, romance, family, and tragedy, while still managing to be hilariously funny. Reading Level: Age 12 and Up

    While under the influence of the monster, Kristina discovers her sexy alter-ego, Bree: "there is no perfect daughter, / no gifted high school junior, / no Kristina Georgia Snow. / There is only Bree." Bree will do all the things good girl Kristina won't, including attracting the attention of dangerous boys who can provide her with a steady flow of crank.

      When you’re sixteen, you have your whole life ahead of you. Unless you’re Sarah. Not to give anything away, but . . . she’s dead. Murdered, in fact. Sarah’s murder is shocking because she couldn’t  be  any more average. No enemies. No risky behavior. She’s just the girl on the sidelines.It looks like her afterlife, on the other hand, will be pretty exciting. Sarah has woken up dead at the Mall of America—where the universe sends teens who are murdered—and with the help of her death coach, she must learn to move on or she could meet a fate totally worse than death: becoming a mall walker.As she tries to finish her unfinished business alongside her fellow dead teens, Sarah falls hard for a cute boy named Nick. And she discovers an uncanny ability to haunt the living. While she has no idea who killed her, or why, someone she loves is in grave danger. Sarah can’t lose focus or she’ll be doomed to relive her final moments again and again forever. But can she live with herself if she doesn’t make her death matter?