She is quickly identified as Katie Pine, a teenager who had disappeared months ago. At the time, Detective John Cardinal insisted that Katie was no ordinary runaway. His relentless pursuit and refusal to give up on the case, and his lack of results, got him demoted from Homicide. But now the police force wants Cardinal back on the case—with a new associate by his side, Lise Delorme. As these two untrusting partners gather evidence of a serial murder spree, a pair of sociopaths is closing in on the next victim.

    For generations the Erskine clan has lived in poverty and isolation on North Mountain, shunned by the God-fearing people of nearby Gideon. Now, Albert Erskine comes down off the mountain hoping to change the future for his brothers and sisters and sets in motion a chain of events that will change everything. Inspired by a true story. From best-selling novelist Lauren B. Davis comes the deeply compassionate story of what happens when we view our neighbors as "The Other," as well as the transcendent power of unlikely friendships. OUR DAILY BREAD is a compelling narrative set in a closely observed, sometimes dark, but ultimately life-enhancing landscape. Lauren B Davis' vivid prose and empatheticaly developed characters will remain in the reader's mind long after the final chapter has been read." -- Jane Urquhart, prize winning author of AWAY and THE STONE CARVERS.

    When Hannah returns to the lonely saltbox house to prepare her mother for the transition into assisted living, her childhood home is anything but welcoming. Dilapidated from years of hoarding and neglect, the walls are crumbling, leaving Hannah’s wellness crumbling along with them.While packing her mother's things, Hannah discovers a trap door to the house’s attic, the one she believed for most of her life had been permanently sealed shut. Blinded by curiosity, Hannah enters the attic and finds a mysterious bedroom riddled with dark secrets. Desperate to know more, Hannah begins to scramble for answers, combing the house for clues that may lead her to the truth.Hannah must navigate through the violent outbursts of her senile mother, the prying questions of a nosy hospice nurse, and the rage of the coastal wind that threatens the structure of the house. Piece by piece, she assembles a picture of her mother’s not-so-distant past—a twisted tangle of infatuation, lies, and maybe even murder.The Woman in the Attic is a claustrophobic psychological thriller wrought with suspense. This novel will put you on the edge of your seat . . . and make you wary of the unused spaces collecting dust in your home.• Winner — Rakuten Kobo Emerging Writer Prize (Mystery)• Winner — NL Reads 2021• Gold Medal Winner — Independent Publisher (Canada - East - Regional Fiction)• Finalist — Crime Writers of Canada Awards (Best First Crime Novel)• Long-listed — BMO Winterset Award

    When his father dies, Anil becomes the de facto head of the Patel household and inherits the mantle of arbiter for all of the village’s disputes. But he is uneasy with the custom, uncertain that he has the wisdom and courage demonstrated by his father and grandfather. His doubts are compounded by the difficulties he discovers in adjusting to a new culture and a new job, challenges that will shake his confidence in himself and his abilities.Back home in India, Anil’s closest childhood friend, Leena, struggles to adapt to her demanding new husband and relatives. Arranged by her parents, the marriage shatters Leena’s romantic hopes and eventually forces her to make a desperate choice that will hold drastic repercussions for herself and her family. Though Anil and Leena struggle to come to terms with their identities thousands of miles apart, their lives eventually intersect once more—changing them both and the people they love forever.

    But, also like his father, Octavio has never mastered the art of reading and his only knowledge of the world beyond the bakery door comes from his own imagination. Just a few streets away, Isabeau works out of sight in the basement of the Louvre, trying to forget her disfigured beauty by losing herself in the paintings she restores and the stories she reads. The two might never have met, but for a curious chain of coincidences involving a mysterious traveller, an impoverished painter, a jaded bookseller, and a book of fairytales, lost and found . . .

    The war is over, and as the initial phase of de-Nazification winds down, the citizens of Vienna struggle to rebuild their lives amidst the rubble.Anna Beer returns to the city she fled nine years earlier after discovering her husband's infidelity. She has come back to find him and, perhaps, to forgive him. Traveling on the same train from Switzerland is 18-year-old Robert Seidel, a schoolboy summoned home to his stepfather's sickbed and the secrets of his family's past.As Anna and Robert navigate an unrecognizable city, they cross paths with a war-widowed American journalist, a hunchbacked young servant girl, and a former POW whose primary purpose is to survive by any means and to forget. Meanwhile, in the shells of burned-out houses and beneath the bombed-out ruins, a ghost of a man, his head wrapped in a red scarf, battles demons from his past and hides from a future deeply uncertain for all.In The Crooked Maid, Dan Vyleta returns to the shadows of war-darkened Vienna, proving himself once again "a magical storyteller, master of the macabre" (David Park).

    . .The Humans is a funny, compulsively readable novel about alien abduction, mathematics, and that most interesting subject of all: ourselves. Combine Douglas Adams’s irreverent take on life, the universe, and everything with a genuinely moving love story, and you have some idea of the humor, originality, and poignancy of Matt Haig’s latest novel.Our hero, Professor Andrew Martin, is dead before the book even begins. As it turns out, though, he wasn’t a very nice man--as the alien imposter who now occupies his body discovers. Sent to Earth to destroy evidence that Andrew had solved a major mathematical problem, the alien soon finds himself learning more about the professor, his family, and “the humans” than he ever expected. When he begins to fall for his own wife and son--who have no idea he’s not the real Andrew--the alien must choose between completing his mission and returning home or finding a new home right here on Earth.

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    Life with Hazel's father is strained at best, but it's got to be better than her marriage to dominating tech billionaire, Byron Gogol. For over a decade, Hazel has been quarantining in Byron's family compound, her every movement and vital sign tracked. So when Byron demands to wirelessly connect the two of them via brain chips, turning Hazel into a human guinea pig, she makes a run for it. Will Hazel be able to free herself from Byron's virtual clutches before he finds her?

    Throughout Toronto, a murderer strikes randomly, leaving bodies mutilated and dismembered, and taunting the police with cryptic notes. The group reads each other their own dark, unsettling tales. Angela tells of child-stealer Sandman. Patrick, though, finds fantasy and reality blurring. Is the maniac at large the Sandman? What does Angela really know? And does the killer stalk his pursuer? Only when his son is snatched does Patrick journey toward the elusive figure.

    Kambirinachi believes that she is an Ogbanje, or an Abiku, a non-human spirit that plagues a family with misfortune by being born and then dying in childhood to cause a human mother misery. She has made the unnatural choice of staying alive to love her human family but lives in fear of the consequences of her decision.Kambirinachi and her two daughters become estranged from one another because of a trauma that Kehinde experiences in childhood, which leads her to move away and cut off all contact. She ultimately finds her path as an artist and seeks to raise a family of her own, despite her fear that she won't be a good mother. Meanwhile, Taiye is plagued by guilt for what her sister suffered and also runs away, attempting to fill the void of that lost relationship with casual flings with women. She eventually discovers a way out of her stifling loneliness through a passion for food and cooking.But now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward.For readers of African diasporic authors such as Teju Cole and Chimamanda Ngozi Adichie, Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.

    She watches magnificent ships slowly making their way into Whelan’s Cove, the sense of exoticism bursting from their holds along with foreign goods. As a young woman, Azuba marries a seasoned merchant sea captain, Nathaniel Bradstock. Unwilling to have him away at sea for most of their married life, and anxious to see far shores, she extracts a promise that he will take her with him. But Azuba becomes pregnant soon after they marry and Nathaniel knows too well the perils of life on a ship. He reneges on his promise and refuses to allow Azuba to join him. When Nathaniel leaves on his journey, Azuba desperately misses her husband. Days turn into weeks and months – voyages can take two, three years before the ship and crew return home. Despite her loneliness, Azuba becomes a strong, independent woman, caring for her child and her home. With her parents and beloved grandmother nearby, she settles into a life of quietude and predictability, all the while yearning to be by her husband’s side aboard his ship. Her loneliness eventually propels her into a friendship with the local vicar, Reverend Simon Walton. He is a quiet, kind and contemplative man, and Azuba takes comfort and enjoyment in their increasingly intimate friendship. One afternoon, despite her misgivings, Azuba goes on a picnic with the vicar and becomes trapped by the tide. When they return home the next morning, Azuba and Reverend Walton have become a topic of gossip. When Nathaniel returns home he is enraged by her impropriety. Reluctantly he decides to take Azuba and their young daughter, Carrie, with him on his next voyage. Mother and child are loaded from a rowboat and hauled onto the weather deck along with barrels of coal and crates of chickens. Nathaniel has drawn a line across the deck. “You’ll never again cross that line,” he instructs Azuba.It is October 1862. It will be three years before Azuba sees the shores of Whelan’s Cove again. Aboard Traveller, the small family visits places Azuba dreamed she would one day see: London, San Francisco and exotic countries in Europe.  But she also experiences the terror that can come during a life at sea: a harrowing passage around Cape Horn, half-starvation while listlessly floating in the doldrums, and a stop at the Chincha Islands to pick up a load of guano, where she witnesses a mass suicide by slaves. She begins to question her decision to join her husband, particularly when she realizes there is “no way to erase horror from a child’s memory.”Misery follows misfortune and Azuba feels alone in a male world, surrounded by the splendour and the terror of the open sea. The voyage tests not only her already precarious marriage, but everything Azuba believes in. With a sure hand, Beth Powning captures life aboard a sailing ship – ferocious storms, the impossibly isolated ports of call, the gruelling daily routine – and shows how love evolves even in the most extreme circumstances.  The Sea Captain’s Wife is an awe-inspiring tour that captures the vigour of life in the last days of the Age of Sail and gives us an unforgettable young heroine who shows compassion, courage and love while under incredible duress.

    . .Nombeko Mayeki was never meant to be a hero. Born in a Soweto shack, she seemed destined for a short, hard life. But now she is on the run from the world ‘s most ruthless secret service, with three Chinese sisters, twins who are officially one person and an elderly potato farmer. Oh, and the fate of the King of Sweden - and the world - rests on her shoulders.As uproariously funny as Jonas Jonasson’s bestselling debut, this is an entrancing tale of luck, love and international relations.

    Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter. As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth

    Maggie’s English-speaking father has ambitions for his daughter that don’t include marriage to the poor French boy on the next farm over. But Maggie’s heart is captured by Gabriel Phénix. When she becomes pregnant at fifteen, her parents force her to give baby Elodie up for adoption and get her life ‘back on track’.Elodie is raised in Quebec’s impoverished orphanage system. It’s a precarious enough existence that takes a tragic turn when Elodie, along with thousands of other orphans in Quebec, is declared mentally ill as the result of a new law that provides more funding to psychiatric hospitals than to orphanages. Bright and determined, Elodie withstands abysmal treatment at the nuns’ hands, finally earning her freedom at seventeen, when she is thrust into an alien, often unnerving world.Maggie, married to a businessman eager to start a family, cannot forget the daughter she was forced to abandon, and a chance reconnection with Gabriel spurs a wrenching choice. As time passes, the stories of Maggie and Elodie intertwine but never touch, until Maggie realizes she must take what she wants from life and go in search of her long-lost daughter, finally reclaiming the truth that has been denied them both.