He chronicled that tragic experience in A Grace Disguised, a book that has become a classic on the topic of grief and loss. Now he asks: How do we live meaningfully, even fruitfully, in this world and at the same time long for heaven? How do we respond to the paradox of being a new creature in Christ even though we don't always feel or act like one? How can we trust God is involved in our story when our circumstances seem to say he isn't? While A Grace Disguised explored how the soul grows through loss, A Grace Revealed brings the story of Sittser's family full circle, revealing God's redeeming work in the midst of circumstances that could easily have destroyed them. As Sittser reminds us, our lives tell a good story after all. A Grace Revealed will helps us understand and trust that God is writing a beautiful story in our own lives.

    When something goes horribly wrong and the contestants realize no one is coming to save them, they must question their very reality—and how much of the game is really for show. Each contestant has their own reasons—and their own secrets—for joining the new virtual reality show CUT/OFF that places a group of teenagers alone in the wilderness. It’s a simple premise: whoever lasts the longest without “tapping out” wins a cash prize. Not only that, new software creates a totally unprecedented television experience, allowing viewers to touch, see, and live everything along with the contestants. But what happens when “tapping out” doesn’t work and no one comes to save you? What happens when the whole world seemingly disappears while you’re stranded in the wild? Four teenagers must confront their greatest fears, their deepest secrets, and one another when they discover they are truly cut off from reality.

    So when he enlisted his eighty-one-year-old dad to help him build his own casket, he thought of it mostly as an opportunity to sharpen his woodworking skills and to spend time together. But the unexpected deaths of his mother and, a year later, his best friend, coupled with the dawning realization that his father wouldn’t be around forever for such offbeat adventures—and neither would he—led to a harsh confrontation with mortality and loss. Over the course of several seasons, Giffels returned to his father’s barn in rural Ohio, a place cluttered with heirloom tools, exotic wood scraps, and long memory, to continue a pursuit that grew into a meditation on grief and optimism, a quest for enlightenment, and a way to cherish time with an aging parent. With wisdom and humor, Giffels grapples with some of the hardest questions we all face as he and his father saw, hammer, and sand their way through a year bowed by loss. Furnishing Eternity is “an entertaining memoir that moves through gentle absurdism to a poignant meditation on death and what comes before it” (Publishers Weekly). “Tender, witty and, like the woodworking it describes, painstakingly and subtly wrought. Furnishing Eternity continues Giffels’s unlikely literary career as the bard of Akron, Ohio…Only a very skilled engineer of a writer can transform the fits and starts, the fitted corners and sudden gouges of the assembly process into a kind of page-turning drama” (The New York Times Book Review).

    Each year, Kean University in Union, New Jersey, offers an exclusive class called Death in Perspective. Led by Professor Norma Bowe, the objective of the class is to “develop an understanding of the nature and experiences of the stages of dying, death, and bereavement.” It has a three-year waiting list.But as acclaimed journalist Erika Hayasaki discovers, by teaching mortality, Dr. Bowe is quietly rescuing students from tragedy. As she takes her students to cemeteries, prisons, morgues, and hospitals, she shows how the contemplation of the end can change an adult’s beginning. Over the course of two years, she intervenes with one student and her suicidal mother, mentors another with a mentally ill brother, and redeems a third from his life in a gang. And in the end, the students themselves heal Dr. Bowe herself from the lingering pain of a childhood she has long repressed. On one level, The Death Class is about the loss of life; on another level, it’s a celebration of what the human spirit can conquer. It’s about how we can survive and learn to live a meaningful life.

    

    Death is always with us, in the marrow of every passing moment. She is the secret teacher hiding in plain sight, helping us to discover what matters most in life.Life and death are a package deal. They cannot be pulled apart and we cannot truly live unless we are aware of death. The Five Invitations is an exhilarating meditation on the meaning of life and how maintaining and ever-present consciousness of death can bring us closer to our truest selves. As a renowned teacher of compassionate care-giving and the cofounder of the Zen Hospice Project, Frank Ostaseski has sat on the precipice of death with more than a thousand people. In The Five Invitations, he distills the lessons gleaned over the course of his career, offering an evocative and stirring guide that points a radical path to transformation.The Five Invitations:-Don’t Wait-Welcome Everything, Push Away Nothing-Bring Your Whole Self to the Experience-Find a Place of Rest in the Middle of Things-Cultivate Don’t Know MindThese invitations show us how to wake up fully to our lives. They can be understood as best practices for anyone coping with death or navigating any sort of transition or crisis; they guide us toward appreciating life’s preciousness. Death can be a valuable companion on the road to living well, forging a rich and meaningful life, and letting go of regret. The Five Invitations is a powerful and inspiring exploration of the essential wisdom dying has to impart to all of us.

    In tense, searing prose, punctuated with the blackest of humor, Cooney documents the slow erosion of her mother's mind, the powerful bond the two shared, and her own descent into drink and despair.But the coping mechanism that finally serves this eloquent writer best is writing, the ability to bring to vivid life the memories her mother is losing. As her mother gropes in the gathering darkness for a grip on the world she once loved, succeeding only in conjuring sad fantasies of places and times with her late husband, Cooney revisits their true past. Death in Slow Motion becomes the mesmerizing story of Eleanor's actual childhood, straight out of the pages of John Cheever; the daring and vibrant mother she remembers; and a time that no longer exists for either of them.

    As her organs failed, she entered into an extraordinary near-death experience where she realized her inherent worth . . . and the actual cause of her disease. Upon regaining consciousness, Anita found that her condition had improved so rapidly that she was able to be released from the hospital within weeks . . . without a trace of cancer in her body!     Within these pages, Anita recounts stories of her childhood in Hong Kong, her challenge to establish her career and find true love, as well as how she eventually ended up in that hospital bed where she defied all medical knowledge.     As part of a traditional Hindu family residing in a largely Chinese and British society, she had been pushed and pulled by cultural and religious customs since she had been a little girl. After years of struggling to forge her own path while trying to meet everyone else’s expectations, she had the realization, as a result of her epiphany on the other side, that she had the power to heal herself . . . and that there are miracles in the Universe that she had never even imagined.      In Dying to Be Me, Anita freely shares all she has learned about illness, healing, fear, “being love,” and the true magnificence of each and every human being!This is a book that definitely makes the case that we are spiritual beings having a human experience . . . and that we are all One!

    At forty-four, Tom Jokinen decided to quit his job in order to become an apprentice undertaker, setting out to ask the questions: What is the right thing to do when someone dies? With the marketplace offering new options (go green, go anti-corporate, go Disney, be packed into an artificial reef and dropped in the Atlantic...), is there still room for tradition? In a year of adventures both hair-raising and hilarious, Jokinen finds a world that is radically changed since Jessica Mitford revised The American Way of Death, more surprising than Six Feet Under, and even funnier and more illuminating than Stiff.If Bill Bryson were to apprentice at a funeral home, searching for the meaning of life and death, you'd have Curtains.

    Their stories unfold in this explosive new book told in free verse. A story of teen angst like no other, it is based on fictional characters but is rooted in the realities of the teen experience. When Natalie moves to a new high school she befriends three unwitting victims into her spider-web of manipulations, lies and deceit. Through the poetry and assignments of an English class we glimpse the world of the four teens. Natalie, whose alcoholic parents, years of neglect and ultimate rape by her father's friend has shaped her into a cruel and manipulative teen; Tricia, dealing with her blended family, is drawn into Natalies' forbidden world of partying and rebellion; Kyle, a would-be musician is in love with Tricia and Miguel who lusts for Natalie while hiding the secrets of his family.The story weaves us through their poetry, their lives and culminates at a party where the four lives fishtail out of control. English class will never be the same.

    It helped thousands by giving clear instructions to doctors, nurses, and families on how to handle a patient's request for euthanasia.In the wake of court cases and legislative mandates, this revised and updated third edition goes far beyond the original to provide new information about the legality of euthanasia and assisted suicide, and a thoughtful examination of the personal issues involved. It has become the essential source to help loved ones and supportive doctors remain within existing laws and keep a person's dying intimate, private, and dignified.With deep compassion and sensitivity, it spells out why a living will may not be sufficient to have a person's wishes carried out—and what document is a better alternative. It updates where to get proper drugs and exactly how to carry out the quickest, most peaceful way to make a final exit. Finally, it gently talks to a person considering self-deliverance about alternatives, planning, and the means to make every death a "good death" at our time of greatest need.

    In The Dead Moms Club, she walks readers through her experience of stumbling through grief and loss, and helps them to get through it, too. This isn't a weepy, sentimental story, but rather a frank, up-front look at what it means to go through gruesome grief and come out on the other side.An empathetic read, The Dead Moms Club covers how losing her mother changed nearly everything in her life: both men and women readers who have lost parents or experienced grief of this magnitude will be comforted and consoled. Spencer even concludes each chapter with a cheeky but useful tip for readers (like the "It's None of Your Business Card" to copy and hand out to nosy strangers asking about your passed loved one).

    Insightful, intimate, and inspiring, How We Choose to Be Happy lets readers learn by example, and take substantial steps toward joining the ranks of the extremely happy.

    But it also means the Owens family has to move to New York, thousands of miles away from Thyme’s best friend and everything she knows and loves. The island of Manhattan doesn’t exactly inspire new beginnings, but Thyme tries to embrace the change for what it is: temporary.After Val’s treatment shows real promise and Mr. Owens accepts a full-time position in the city, Thyme has to face the frightening possibility that the move to New York is permanent. Thyme loves her brother, and knows the trial could save his life—she’d give anything for him to be well—but she still wants to go home, although the guilt of not wanting to stay is agonizing. She finds herself even more mixed up when her heart feels the tug of new friends, a first crush, and even a crotchety neighbor and his sweet whistling bird. All Thyme can do is count the minutes, the hours, and days, and hope time can bring both a miracle for Val and a way back home.

    Packed with extraordinarily helpful insights and inspiring true stories, award-winning journalist and prominent end-of-life speaker Katy Butler shows how to thrive in later life (even when coping with a chronic medical condition), how to get the best from our health system, and how to make your own “good death” more likely. This handbook of step by step preparations—practical, communal, physical, and sometimes spiritual—will help you make the most of your remaining time, be it decades, years, or months. Butler explains how to successfully age in place, why to pick a younger doctor and how to have an honest conversation with her, when not to call 911, and how to make your death a sacred rite of passage rather than a medical event. This down-to-earth manual for living, aging, and dying with meaning and even joy is based on Butler’s own experience caring for aging parents, as well as hundreds of interviews with people who have successfully navigated a fragmented health system and helped their loved ones have good deaths. It also draws on interviews with nationally recognized experts in family medicine, palliative care, geriatrics, oncology, hospice, and other medical specialties. Inspired by the medieval death manual Ars Moriendi, or the Art of Dying, The Art of Dying Well is the definitive update for our modern age, and illuminates the path to a better end of life.