The side of his van reads: “Crime Scene Cleaners: Homicides, Suicides and Accidental Death.” Whenever a hotel guest permanently checks out, the cops finish an investigation, or an accidental death is reported, Smither’s crew pick up the pieces after the police cruisers and ambulances have left.Alan Emmins offers a glimpse at this little-known aspect of America’s most gruesome deaths. Filled with details as fascinating as they are gory, Mop Men examines not just the public fascination with murder but also how a self-made success like Smither can make a fortune just by praying for death.

    A collection of truly comforting, down-to-earth thoughts and meditations -- including the authentic voices of survivors -- for anyone grieving the loss of a loved one.

    There are two times most people turn to it: for love and loss. The Art of Losing will be the first anthology of its kind, delivering poetry with a purpose. Editor Kevin Young has introduced and selected 150 devastatingly beautiful poems that embrace the pain and heartbreak of mourning. Divided into five sections (Reckoning, Remembrance, Rituals, Recovery, and Redemption), with poems by some of our most beloved poets as well as the best of the current generation of poets, The Art of Losing is the ideal a gift for a loved one in a time of need and for use by ministers, rabbis, and palliative care workers who tend to those who are experiencing loss. Among the poets included: Elizabeth Alexander, W.H. Auden, Amy Clampitt, Billy Collins, Emily Dickinson, Louise Gluck, Ted Hughes, Galway Kinnell, Kenneth Koch, Philip Larkin, Li-Young Lee, Philip Levine, Marianne Moore, Sharon Olds Mary Oliver, Robert Pinsky, Adrienne Rich, Theodore Roethke, Anne Sexton, Wallace Stevens, Dylan Thomas, Derek Walcott, and James Wright.

    Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths?All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath.So push open the rusting gate, push back the ivy, and take a look inside...

    Le Guin." --Salon"She never loses touch with her reverence for the immense what is." --Margaret Atwood"There is no writer with an imagination as forceful and delicate as Le Guin's." --Grace PaleyLegendary author Ursula K. Le Guin was lauded by millions for her ground- breaking science fiction novels, but she began as a poet, and wrote across genres for her entire career. In this clarifying and sublime collection--completed shortly before her death in 2018--Le Guin is unflinching in the face of mor- tality, and full of wonder for the mysteries beyond. Redolent of the lush natural beauty of the Pacific Northwest, with rich sounds playfully echoing myth and nursery rhyme, Le Guin bookends a long, daring, and prolific career.From "How it Seems to Me" In the vast abyss before time, self is not, and soul commingleswith mist, and rock, and light. In time, soul brings the misty self to be.Then slow time hardens self to stone while ever lightening the soul, till soul can loose its hold of self . . .Ursula K. Le Guin is the author of over sixty novels, short fiction works, translations, and volumes of poetry, including the acclaimed novels The Left Hand of Darkness and The Dispossessed. Her books continue to sell millions of copies worldwide. Le Guin died in 2018 in her home in Portland, Oregon.

    So when the image of baby Jesus appears on a Babybel cheese wheel, she’s not buying the idea that God’s got a dairy obsession. Soon, religious signs begin turning up all over Del’s hometown, tiny Clemency, Texas. Overnight, news vans fill the streets and religious pilgrims start searching for God in the discount aisle of the grocery store.Hell-bent on proving the so-called miracles are fake, Del convinces her best friend, Gabe, to help her find the truth. While Gabe’s willing to play detective, as a preacher’s son he’s more interested in finding evidence that supports the miracles. But when the whole town becomes caught up in religious fervor and even the late-night talk show hosts have stopped laughing and started to believe, finding the truth might cause more trouble than Del can handle. This novel is neither pro nor anti-religion, and will appeal to fans of contemporary YA novels that explore deep themes with an element of humor. The voice and characters are funny, strong, and full of heart. This is a book for anyone who loved Saved!

    But no-one had ever imagined that she might take her own life. Bright, sophisticated, and swept up in the progressive politics of the 1960s, Hannah was a promising academic and the wife of a rising entrepreneur. Surrounded by success, she seemed to live a gilded life.But there was another side to Hannah, as Jeremy Gavron's searching memoir of his mother reveals. Piecing togetherthe events that led to his mother's suicide when he was just four, he discovers that Hannah's success came ata price, and that the pressures she faced as she carved out her place in a man's world may have contributed to her death. Searching for the mother who was never talked about as he grew up, he discovers letters, diaries, and photos that paint a picture of a brilliant but complex young woman grappling to find an outlet for her creativity, sexuality, and intelligence.A Woman on the Edge of Time not only documents the too-short life of an extraordinary woman; it is a searchingexamination of the suffocating constrictions in place on intelligent, ambitious women in the middle of the twentieth century.

    Utilizing his background in medicine, he led the investigations of more than eight thousand individual deaths, becoming a key figure in some of New York’s most bizarre death cases and eventually taking charge of the largest forensic investigation ever attempted: identifying the dead in the aftermath of the September 11 tragedies.Now, in this mesmerizing book, Ribowsky pulls back the curtain on the New York City’s medical examiner’s office, giving an enthralling, never-before-seen glimpse into death and the city. Born and raised in New York City’s orthodox Jewish community, Ribowsky seems an unlikely candidate for this macabre profession. Nevertheless he has forsaken a promising career of medical work with the living, descending instead into the realm of the dead, enticed by the challenge of confronting death on a daily basis. Taking you through the vermin-infested Bowery flophouses and posh Upper East Side apartments of the city’s dead, Ribowsky explores in gruesome detail the skeletons that hang in the Big Apple’s closets. Combing through the autopsy room, he also exposes the grim secrets that only a scalpel and a dead body can tell and explains how forensic investigation does not merely solve crimes—it saves lives.But it is in the aftermath of September 11 that the ME’s office is handed its biggest challenge: to identify as many of the fallen as possible. With poignant descriptions, Ribowsky provides a dramatic account of the office’s diligent and unflappable work with the families of the victims, helping them emerge from the ashes of this tragedy while displaying the strength, grit, intelligence, and compassion that Americans expect from true New Yorkers.At once compelling and heartbreaking, Dead Center is a story of New York unlike any other, blending the haunting with the sublime, while painting a striking portrait of death (and life) in the city that never sleeps.

    Kathryn Mannix has studied and practiced palliative care for thirty years. In With the End in Mind , she shares beautifully crafted stories from a lifetime of caring for the dying, and makes a case for the therapeutic power of approaching death not with trepidation, but with openness, clarity, and understanding. Weaving the details of her own experiences as a caregiver through stories of her patients, their families, and their distinctive lives, Dr. Mannix discusses the universal, but deeply personal, process of dying. With meditations on life, death, and the space between them, With the End in Mind describes the possibility of meeting death gently, with forethought and preparation, and shows the unexpected beauty, dignity, and profound humanity of life coming to an end.

    She spent ten years training and working as an Anatomical Pathology Technologist: where the mortuary slab was her desk, and that day's corpses her task list.Past Mortems tells Carla's stories of those years, as well as investigating the body alongside our attitudes towards death - shedding light on what the living can learn from dead and the toll the work can take on the living souls who carry it out. Fascinating and insightful, Past Mortems reveals the truth about what happens when the mortuary doors swing shut or the lid of the coffin closes . . .

    As a spiritual teacher based in the Washington, D.C., area, Erica Brown has attracted a strong following among those looking for practical wisdom based on the world’s most revered and treasured religious texts. Here she shares stories and ref lections on one of life’s most essential topics: how we pack each day with love and meaning precisely because we will not live forever. Erica helps us confront our fears about death—for ourselves and our loved ones—and demonstrates how the last days of life can be among the most inspiring if we learn to leave a legacy of words and values, to forgive and apologize, and to make important decisions about our last hours. Praised by New York Times columnist David Brooks for combining “extreme empathy with extreme tough-mindedness,” Erica Brown is a leading religious scholar with a sense of humor and a gift for storytelling. In Happier Endings, she meets people of all faiths who deal with death in enlightening ways, including a mother who arranged for her children to sprinkle her ashes on a favorite ski slope, an ex-nun who prepares people to die, a group of women who ritually wash the dead, and a family whose grandfather’s Ethical will is read by his survivors each year. Brown leads readers on an emotional journey to prepare for and accept death, drawing on the wisdom found in many spiritual traditions. The crucial step, Brown writes, is becoming comfortable discussing death—and not just in the abstract. This kind of honesty allows for important conversations, from financial wills to last words that reinforce to those you love most what matters most to you. After reading Happier Endings, you will have a greater understanding of what a good death can be and what a life well lived looks like.

    But not of the sexy, mysterious, or sparkling kind. The vampire Gideon prefers to drink nearly expired blood from the local morgue while watching over the humans around him—humans he calls “children,” because when you’re as old as he is, everyone else does seem like a child. And so many of these children are prepared to throw their lives away over problems that, in Gideon’s view, appear rather trivial.He sets about trying to fix them by means of an unofficial, do-it-yourself suicide hotline. He's sure that he's making a difference, maybe even righting the mistakes of his past. Then one day a troubled young girl calls, and his (undead) life gets turned upside down. Before he knows it, he’s got a surly, tech-addicted teenage roommate—and, at long last, he begins to grow up.

    The tumour was located in the area of the brain that controls speech and language, and would eventually rob him of the ability to speak. Tom was 53 when he died, leaving Marion and their son Eugene, just two years old, alone. In short bursts of beautiful, textured prose, Coutts describes the eighteen months leading up to Tom's death. The Iceberg is an unflinching, honest exploration of staring death in the face, finding solace in strange places, finding beauty and even joy in the experience of dying. Written with extraordinary narrative force and power, it is almost shocking in its rawness. Nothing is kept from the reader: the fury, the occasional spells of selfishness, the indignity of being trapped in a hopeless situation. It is a story of pain and sadness, but also an uplifting and life-affirming tale of great fortitude, courage, determination – and above all, love.

    I have loved and been loved. I have been given much and I have given something in return. Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.” —Oliver SacksNo writer has succeeded in capturing the medical and human drama of illness as honestly and as eloquently as Oliver Sacks. During the last few months of his life, he wrote a set of essays in which he movingly explored his feelings about completing a life and coming to terms with his own death. “It is the fate of every human being,” Sacks writes, “to be a unique individual, to find his own path, to live his own life, to die his own death.”Together, these four essays form an ode to the uniqueness of each human being and to gratitude for the gift of life.

    A year after the tragic death of her husband, the young widow discovers a horrifying secret. Heartbroken and humiliated, she resolved that no one could ever know. Now, back in her hometown with her three-year-old daughter, she’s ready for a fresh start. But Ashlyn is unprepared to find that an embarrassing memory, buried deep in her past, is about to resurface... Ryan Anderson was the last person Ashlyn expected to see. After the unexpected kiss they’d shared years earlier, she assumed she’d never see him again. Though she tries to avoid him at all costs, Ashlyn finds herself running into her former flame far more often than she’d like. Between her uncomfortable history with Ryan and the series of well-meaning suitors pursuing her, Ashlyn finds herself disenchanted with dating altogether. Yet as she and Ryan slowly become reacquainted, she feels her resolve to avoid a relationship slipping. But when moving forward with Ryan means revealing the secret she’s worked so hard to keep, will Ashlyn have the courage to leave behind her late husband’s legacy of deceit and learn to love again?