The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

    He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

    The director of two feature films with Buddhist themes (the international sensation The Cup and Travelers and Magicians), this provocative teacher, artist, and poet is widely known and admired by Western Buddhists.Moving away from conventional presentations of Buddhist teachings, Khyentse challenges readers to make sure they know what they're talking about before they claim to be Buddhist. With wit and irony, Khyentse urges readers to move beyond the superficial trappings of Buddhism beyond a romance with beads, incense, and exotic people in robes straight to the heart of what the Buddha taught.In essence, this book explains what a Buddhist really is, namely, someone who deeply understands the truth of impermanence and how our emotions can trap us in cycles of suffering. Khyentse presents the fundamental tenets of Buddhism in simple language, using examples we can all relate to.

    Words that are by turns inspiring, moving, courageous, and heartbreaking. Their powerful stories create a compelling portrait of the lives, struggles, and successes of this extraordinary nation and its extraordinarily resilient women. With an introduction by Laura Bush, honorary founding co-chair of the U.S.-Afghan Women’s Council.Afghanistan has been described as “the worst nation in the world to be a woman.” More than fifty percent of girls who are forced into marriage are sixteen or younger. Too many women live in fear and in many areas, education and employment for women are still condemned. The women featured in We Are Afghan Women are fighting to change all that. From rug weavers to domestic violence counselors to business owners, educators, and activists, these courageous women are charting a new path for themselves, their families, their communities, and their nation. Told in their own voices, their stories vividly capture a country undone by decades of war and now struggling to build a lasting peace.Meet Dr. Sakena Yacoobi, who ran underground schools for girls until the Taliban fell, and today has established educational centers across Afghanistan to teach women and girls basic literacy. Or Freshta Hazeq, who as a female business owner, has faced death threats, sabotage, and even kidnapping threats against her children. Naheed Farid is the youngest female member of Afghanistan’s parliament. During her campaign, opponents cut Naheed’s face out of campaign posters and her family risked complete ruin, but her husband and father-in-law never wavered, encouraging her to persevere. Here, too are compassionate women such as Masooma Jafari, who started a national midwives association. Her own mother was forced into marriage at age twelve and gave birth to her first child at age thirteen.With an introduction by former First Lady Laura Bush, We Are Afghan Women chronicles the lives of young and old, daughters and mothers, educated, and those who are still learning. These determined women are defying the odds to lead Afghanistan to a better future. Their stories are a stark reminder that in some corners of the world the struggle continues and that women’s progress in society, business, and politics cannot be taken for granted. Their eloquent words challenge all of us to answer: What does it truly mean to be a woman in the twenty-first century?

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.