But did you know that if you turn an A upside down and round the point out a little, it becomes an ark? B is for balloon. But did you know that if you blow it up really big, the hole in the middle floats away like a balloon? In this wonderfully creative alphabet book, letters are pulled, twisted, reversed, and curled until they become part of what they represent. F becomes a fish, and Y becomes a yak! Young readers will be fascinated with the way the letters evolve into the final creation. They'll never look at the alphabet the same way again!

    But what happens when the sign is taken down? Told with Freeman's typical humor and simplicity, the book features breathtaking vistas of San Francisco. Will's Quill tells the story of Willoughby Waddles, a goose in Shakespearean London who longs to be useful. When he befriends a young playwright named Will, Willoughby may have found the perfect way to help out--by giving up some goosefeathers. Could these feathers--and this friendship--be just what the playwright needs?

    . . So begins this classic story of one summer on a Maine island from the author of One Morning in Maine and Blueberries for Sal. The spell of rain, the gulls and a foggy morning, the excitement of sailing, the quiet of the night, the sudden terror of a hurricane, and, in the end, the peace of the island as the family packs up to leave are shown in poetic language and vibrant, evocative pictures.

    But the proud tiger must suffer the consequences when he becomes ungrateful and forgets his humble origins. Marcia Brown’s magical woodcuts bring this Indian fable to life with the mastery that won her a second Caldecott Medal.

    He accepts, with one question: “May I bring a friend?” “Any friend of our friend is welcome here,” says the King. But their guest’s friend turns out to be someone they never expected! Beatrice Schenk de Regniers’s rhythmic text and the fantastical, jewellike artwork of Beni Montresor have made this book a favorite for more than twenty-five years.

    But do you have any idea how the age-old tale of the Spider and the Fly ends? Join celebrated artist Tony DiTerlizzi as he -- drawing inspiration from one of his loves, the classic Hollywood horror movies of the 1920s and 1930s -- shines a cinematic spotlight on Mary Howitt's warning, written to her own children about those who use sweet words to hide their not-so-sweet intentions.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    But soon a trumpet makes a duet, a french horn a trio, and so on until the entire orchestra is assembled on stage. Written in elegant and rhythmic verse and illustrated with playful and flowing artwork, this unique counting book is the perfect introduction to musical groups. Readers of all ages are sure to shout “Encore!” when they reach the final page of this joyous celebration of classical music.

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    In the song, a fox forages for food in the village to bring to his family back in the den. The music is also included so everyone can sing along.

    And who is the best partner? The wind, of course!   Grandmama Beasley says, “Can’t nobody put shackles on Brother Wind, chile. He be special. He be free.” With neighbors up and down Ridgetop suggesting all manner of strategies, and friend Ezel laughing at each foiled one, Mirandy grows ever more determined: she’ll get hold of that Brother Wind yet!             Patricia C. McKissack’s thoroughly engaging tale dances with spirit and rollicking good humor. Complemented by Jerry Pinkney’s rich, eye-catching watercolors of the rural South, here’s one of those rare, rewarding picture books that is sure to be read and enjoyed again and again.

    An assortment of animals introduce the letters of the alphabet.

    The first "manned" hot-air balloon is about to take off! But what are those noises coming from the basket? Based on the (POSSIBLY) true report of a day in 1783, this is the story of (PERHAPS) the bravest collection of flyers the world has ever seen, as (SORT OF) told to Marjorie Priceman.

    He was a farmboy and a kid with chickenpox and a soldier and, most of all, an artist. In this captivating new picture book, readers follow Grandpa Green's great-grandson into a garden he created, a fantastic world where memories are handed down in the fanciful shapes of topiary trees and imagination recreates things forgotten.In his most enigmatic and beautiful work to date, Lane Smith explores aging, memory, and the bonds of family history and love; by turns touching and whimsical, it's a stunning picture book that parents and grandparents will be sharing with children for years to come.This title has Common Core connections.Grandpa Green is a Publishers Weekly Best Children's Picture Books title for 2011. One of School Library Journal's Best Picture Books of 2011.

    When Clement falls in love with enchanting Pauline, he bids Hippolyte to join his quest to court her, and the two friends set out toward danger and adventure.Pauline is ward of the mysterious Monsieur Zabocat -- a plantation owner reputed to be a quimboiseur, a wizard -- and, defying his wishes, Pauline joins her new fiancé and his friend on their trek home. But the fruited fields and forests they traverse hide dark forces plotting to destroy the couple...and one night -- Tam! Tam! Tamtamtam! -- the distant sound of a drum lures Hippolyte into a deadly trap that forces him to choose between his friend's safety and his own.Robert D. San Souci and Brian Pinkney again combine their talents to bring to life a West Indian folktale that draws upon African, European, and South American traditions and imagery. The result is an extraordinary tale of romance, intrigue, and incomparable courage in which the truest of friends remain faithful to the very end.