Overwhelmed, overwrought, and overweight, an everyday housewife walks into the Sonoran Desert to die.But there's more to a desert than sand or death. There's thorns, venom, claws, heat, thirst, other people—and unexpected adventure.As she says, "It's because your gums are receding and your hair is thinning and your neckline is sagging. It's because all you ever had was your youth, and you spent that so long ago now it's hard to remember what you bought with it. Mrs. Warner shuddered in her loosening skin, was almost running now. It's because you're scared. Lately you're so scared and so aimless and so useless you sleep half the day and panic half the night. In between, you watch TV to ward off the evil of watching yourself. So—if not death, then what?"When she tripped over a rock—and in tripping, plunged over the edge of a cliff—Mrs. Warner had forgotten the desert, the cacti, the heat, the hunger, the thirst. All that was left was an ever increasing panic and an ever deepening desperation. And then there was the shock of falling and the screaming inside: Here we go, here we go—but don't hurt, don't hurt. Oh god, please! Don't hurt!After that, there was nothing."Until she woke up at the bottom of an arroyo with a lot of surviving to do. And all she had was her purse. It wasn't much to face a desert with, but Mrs. Warner, born Molly Brock, was in a fight for her life, the life she didn't want until she was just about to lose it.What's an everyday housewife to do? In Molly's case, a lot. And every bit of it changing her from ordinary to extraordinary.

    At a busy taxi rank, a woman kills a man with her shoe. A genomicist is accused of playing God when she creates a fatherless child. Intruders is a collection that explores how it feels not to belong. These are stories of unremarkable people thrust into extraordinary situations by events beyond their control.With a unique and memorable touch, Mohale Mashigo explores the everyday ills we live with and wrestle constantly, all the while allowing hidden energies to emerge and play out their unforeseen consequences. Intruders is speculative fiction at its best.

    Cathy Park Hong's passionate and artful poem sequence weaves an ultimately revitalizing dialogue on shared experience in a globalized world, using language as subversion and disguise.

    His sparkling, original talent has won acclaim from critics and audiences worldwide.

    Justine Larbalestier has collected 11 key stories--many of them not easily found, and all of them powerful and provocative--and sets them alongside 11 new essays, written by top scholars and critics, that explore the stories' contexts, meanings, and theoretical implications. The resulting dialogue is one of enormous significance to critical scholarship in science fiction, and to understanding the role of feminism in its development. Organized chronologically, this anthology creates a new canon of feminist science fiction and examines the theory that addresses it. Daughters of Earth is an ideal overview for students and general readers.Content: 1. The Fate of Poseidonia - Clare Winger Harris, 19272. The Conquest of Gola - Leslie F. Stone, 19313. Created He Them - Alice Eleanor Jones, 19554. No Light in the Window - Kate Wilhelm, 19635. The Heat Death of the Universe - Pamela Zoline, 19676. And I Awoke and Found Me Here on the Cold Hill Side - James Tiptree Jr., 19717. Wives - Lisa Tuttle, 19768. Rachel in Love - Par Murphy, 19879. The Evening and the Morning and the Night - Octavia E. Butler, 198710. Balinese Dancer - Gwyneth Jones, 199711. What I Didn't See - Karen Joy Fowler, 2002

    All she wants to do is survive the pyros, bullies, and power-tripping counselors, get through senior year, and start her life somewhere new. She’ll do just about anything to protect that future. But when an encounter with another camper goes awry and ends with Spooky hiding in the woods, something else finds her. Something ancient and powerful has sent out feelers, hoping to catch a human alone. For its purposes, one human is as good as any other. Even a delinquent teen will do. If Spooky wants to survive to see any kind of future, she will have to figure out how to gain leverage over a god. And as if the one wasn’t bad enough, a pantheon of dark entities are lining up between her and the life she’s always wanted...For fantasy fans, comes one girl’s journey through dark worlds of magic, gods, and monsters.

    Their fragile story considers the important questions we all face, exploring creativity, wisdom, suffering and transcendence in a time when imagination still ruled the world.

    Having a fear of germs is inconvenient when you’re on a road-trip adventure. However, needing to know what it’s like to have a mom, and to finally see the beach means more than anything to an eleven-year-old.Some twenty years later, a man Sandy never wanted to see again shows up at her doorstep. When Sandy’s best friend places an ultimate life-changing decision in her hands, Sandy must venture back down the road, this time with the father she hates.Making these decisions will be much easier with Justin, a long-time friend, by Sandy’s side. Yet, Justin’s help only leads to continued mixed emotions Sandy has been fighting for some time.Sandy is searching for what she lost, but will she accept what she finds? A journey rich in history, the truth, and determining forgiveness with a touch of humor is the portrait of life.

    In the blue collar town of Hilo, on the Big Island, Lovey and her eccentric Japanese-American family are at the margins of poverty, in the midst of a tropical paradise. With her endearing, effeminate best friend Jerry, Lovey suffers schoolyard bullies, class warfare, Singer sewing classes, and the surprisingly painful work of picking on a macadamia nut plantation, all while trying to find an identity of her own. At once a bitingly funny satire of haole happiness and a moving meditation on what is real, if ugly at times, but true, Wild Meat and the Bully Burgers crackles with the language of pidgin--Hawai'i Creole English--distinguishing one of the most vibrant voices in contemporary culture.Stories from this enduring novel have been adapted into the film Fishbowl, by groundbreaking director Kayo Hatta.

    The untimely death of her father - and the gravitational pull of Hawai'i when she returns home for his funeral - causes Moana to question her motivations and her glamorous life in California. Between the Deep Blue Sea and Me is the story of Moana's struggle to understand her ancestral responsibilities, mend relationships, and find her identity as a Hawaiian in today's world.

    He used to have 'potential'. But now he's been expelled from five schools and only Cattle Rise, a tough inner-city school, will take him. All he has to do is survive these first few weeks because otherwise he's heading to the Detention Centre. But survival means keeping his head down, and that's not something Jake's very good at. What nobody knows is that Jake is drowning in grief - a grief that makes him angry and violent and unafraid. Then one night he hears screams in the night from the girl next door. Could it be that Robin's trapped in a fate worse than his? Perhaps, in helping her, he can help himself. But, as he's drawn into Robin's world, Jake realizes that he's about to discover what real danger is.

    She was beautiful and good-hearted. She was Monterey's best friend. She was the only girl Jamal cared about, the one who saw through his player act. She was the one who understood the burden of Eddie's family. She was the best singer anyone had ever heard, with a voice like vanilla incense, smoky and sweet. She was Savannah's rival, the one who wouldn't play by the rules. She was destined for greatness, already plucked from South Central Los Angeles by the record producers. She was only fifteen when she died.

    Every day we're the strongest we'll ever be. What doesn't kill you hasn't killed you yet." From Greek mythology to Top 40, Pavlov to Sartre, the space station to the zoo, "Everyone I Love is a Stranger to Someone" collides dark humor and unexpected sweetness.

    The many highlights include Lee Maracle's creation story, Salish style; Tomson Highway explaining why Cree is the sexiest of all languages; Joseph Boyden asking the eternal question, "Do Native people have less (or more) pubic hair?"; Marius P. Tungilik looking at the dark side of Inuit sex; and Marissa Crazytrain discussing her year as a stripper in Toronto, and how it shaped her life back in Saskatchewan.

    In her circle, drugs are cheap, ubiquitous, and sometimes feel like the only way out, and Road’s street psychopharmacology results in experiences that are both revelatory and tragic. Writing in a tradition of some of the finest transgressive authors, such as Jean Genet, William S. Burroughs, and Kathy Acker, Road depicts the damaged soul and psyche of her young protagonist with language as violent as the street and sex as raw as the language. Somewhere along this hyperreal tour, our heroine learns to leave her bad habits behind and emerge stronger and more independent, clean and open to love.