Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Presumed Innocent brings to life our worst nightmare: that of an ordinary citizen facing conviction for the most terrible of all crimes. It's the stunning portrayal of one man's all-too-human, all-consuming fatal attraction for a passionate woman who is not his wife, and the story of how his obsession puts everything he loves and values on trial—including his own life. It's a book that lays bare a shocking world of betrayal and murder, as well as the hidden depths of the human heart. And it will hold you and haunt you ... long after you have reached its shattering conclusion.

    He arrests whomever he is told to arrest. He dismisses the horrific death of a young boy because he is told to, because he believes the Party stance that there can be no murder in Communist Russia. Leo is the perfect soldier of the regime. But suddenly his confidence that everything he does serves a great good is shaken. He is forced to watch a man he knows to be innocent be brutally tortured. And then he is told to arrest his own wife. Leo understands how the State works: Trust and check, but check particularly on those we trust. He faces a stark choice: his wife or his life. And still the killings of children continue...

    That’s the mantra behind HR, Inc., an elite "placement agency" that doubles as a network of assassins-for-hire, taking down high-profile executives who wouldn't be able to remember an intern’s name if their lives depended on it.At the ripe old age of twenty-five, John Lago is already New York City’s most successful hit man. He’s also an intern at a prestigious Manhattan law firm, clocking eighty hours a week getting coffee, answering phones, and doing all the grunt work no one else wants to do. But he isn't trying to claw his way to the top of the corporate food chain. He was hired to assassinate one of the firm’s heavily guarded partners. His internship is the perfect cover, enabling him to gather intel and gain access in order to pull off a clean, untraceable hit.The Intern’s Handbook is John Lago's unofficial survival guide for new recruits at HR, Inc. (Rule #4: "Learn how to make the perfect cup of coffee: you make an exec the best coffee he’s ever had, and he will make sure you’re at his desk every morning for a repeat performance. That’s repetitive exposure, which begets access and trust. 44% of my kills came from my superior coffee-making abilities.")Part confessional, part how-to, the handbook chronicles John’s final assignment, a twisted thrill ride in which he is pitted against the toughest—and sexiest—adversary he’s ever faced: Alice, an FBI agent assigned to take down the same law partner he’s been assigned to kill.

    The twisted brainchild of the finest minds of the former Soviet Union, it was designed to be inaccessible and virtually invisible.But an American undersea research vessel has inadvertently pulled too close – and something has been sighted moving inside the allegedly deserted facility, something whose survival defies every natural law. And now, as scientists, soldiers, intelligence operatives, and unsuspecting civilians are drawn into Grendel’s lethal vortex, the most extreme measures possible will be undertaken to protect its dark mysteries – because the terrible truths locked behind submerged walls of ice and steel could end human life on Earth.

    Before she goes, a mysterious fortune teller warns her of danger, and an antique dealer asks her to search for pieces to a valuable chess set that has been missing for years...In the South of France in 1790 two convent girls hide valuable pieces of a chess set all over the world, because the game that can be played with them is too powerful....

    His job? Professional "cleaner." Nothing too violent, just disposing of bodies, doing a little cleanup if necessary. But in Brett Battles's electrifying debut novel, Quinn's latest assignment will change everything, igniting a harrowing journey of violence, betrayal, and revenge.The job seemed simple enough: investigating a suspicious case of arson. But when a dead body turns up where it doesn't belong, and Quinn's handlers at "the Office" turn strangely silent, he knows he's in over his head. With only a handful of clues, Quinn scrambles for cover, struggling to find out why someone wants him dead . . . and if it's linked to a larger attempt to wipe out the Office. Quinn's only hope may be Orlando, a woman from his past who's reluctant to help but who may hold the key to solving the case. Suddenly the two are prying into old crimes, crisscrossing continents, struggling to stay alive long enough to unbury the truth.But as the hunt intensifies, Quinn is stunned by what he uncovers: a chilling secret . . . and a brilliantly orchestrated conspiracy, with an almost unimaginable goal.Furiously paced, filled with superbly drawn characters and pitch-perfect dialogue, The Cleaner puts a powerful twist on all our expectations as it confirms Brett Battle's place as one of the most exciting new talents in suspense fiction today.

    In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.

    and there is no other option. No one who can help.No one but the Bricklayer. The Bricklayer is the pulse-pounding novel introducing Steve Vail, one of the most charismatic new heroes to come along in thriller fiction in many years. He's an ex–FBI agent who's been fired for insubordination but is lured back to the Bureau to work a case that has become more unsolvable — and more deadly — by the hour.A woman steps out of the shower in her Los Angeles home and is startled by an intruder sitting calmly in her bedroom holding a gun. But she is frozen with fear by what he has to say about the FBI — and what he says he must do...A young agent slips into the night water off a rocky beach. He's been instructed to swim to a nearby island to deposit a million dollars demanded by a blackmailer. But his mission is riddled with hazardous tests, as if someone wanted to destroy him rather than collect the money...Vail has resigned himself to his dismissal and is content with his life as a bricklayer. But the FBI, especially Deputy Assistant Director Kate Bannon, needs help with a shadowy group that has initiated a brilliant extortion plot. The group will keep killing their targets until the agency pays them off, the amount and number of bodies escalating each time the FBI fails. One thing is clear: someone who knows a little too much about the inner workings of the Bureau is very clever — and very angry — and will kill and kill again if it means he can disgrace the FBI. Steve Vail's options — and his time to find answers — are swiftly running out. Noah Boyd's The Bricklayer is written with the bracing authenticity only someone who has been a crack FBI investigator can provide. And in this masterful debut Noah Boyd has created a mind-bending maze of clues and traps inside a nonstop thrill ride that is sure to leave readers exhilarated and enthralled.

    Set against the ever-building pressure and pace of a large Boston medical center, the tensions flare-and explode-when a surgical operation tragically ends in death, raising countless questions. Was it accidental malpractice? A violation of the Hippocratic oath? Or cold-blooded murder?

    . .scientists are excavating the most extraordinary undersea discovery ever made. But is it the greatest archaeological find in history—or the most terrifying?Former naval doctor Peter Crane is urgently summoned to a remote oil platform in the North Atlantic to help diagnose a bizarre medical condition spreading through the rig. But when he arrives, Crane learns that the real trouble lies far below—on “Deep Storm,” a stunningly advanced science research facility built two miles beneath the surface on the ocean floor. The top secret structure has been designed for one purpose: to excavate a recently discovered undersea site that may hold the answers to a mystery steeped in centuries of myth and speculation.Sworn to secrecy, Dr. Crane descends to Deep Storm. A year earlier, he is told, routine drilling uncovered the remains of mankind’s most sophisticated ancient civilization: the legendary Atlantis. But now that the site is being excavated, a series of disturbing illnesses has begun to affect the operation. Scientists and technicians are experiencing a bizarre array of symptoms—from simple fatigue to violent psychotic episodes. As Crane is indoctrinated into the strange world of Deep Storm and commences his investigation, he begins to suspect that the covert facility conceals something more complicated than a medical mystery.The discovery of Atlantis might, in fact, be a cover for something far more sinister . . . and deadly.Like Lincoln Child’s spectacular bestsellers coauthored with Douglas Preston (The Book of the Dead, Relic), Deep Storm melds scientific detail and gripping adventure in a superbly imagined, chillingly real journey into unknown territory. Child is a master of suspense, and Deep Storm is his most ambitious novel to date.

    All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.An international publishing sensation, Stieg Larsson’s The Girl with the Dragon Tattoo combines murder mystery, family saga, love story, and financial intrigue into one satisfyingly complex and entertainingly atmospheric novel.

    This is the moment a CIA director most dreads. Like the new world of cyber-espionage from which it's drawn, The Director is a maze of double dealing, about a world where everything is written in zeroes and ones—and nothing can be trusted.

    A catlike psychopath whose love for the creature comforts of her luxurious lifestyle is second only to her love of the game, she specializes in murdering the world's richest and most powerful. But when she murders an influential Russian politician, she draws a relentless foe to her tail. Eve Polastri (not a codename) is a former MI6 operative hired by the national security services for a singular task: to find and capture or kill the assassin responsible, and those who have aided her. Eve, whose quiet and otherwise unextraordinary life belies her quick wit and keen intellect, accepts the mission. The ensuing chase will lead them on a trail around the world, intersecting with corrupt governments and powerful criminal organizations, all leading towards a final confrontation from which neither will emerge unscathed. Codename Villanelle is a sleek, fast-paced international thriller from an exciting new voice in fiction.

    Drummond Clark was once a spy of legendary proportions.  Now Alzheimer’s disease has taken its toll and he’s just a confused old man who’s wandered away from home, waiting for his son to fetch him.   When Charlie Clark takes a break from his latest losing streak at the track to bring Drummond back to his Brooklyn home, they find it blown sky high—and then bullets start flying in every direction.  At first, Charlie thinks his Russian “creditors” are employing aggressive collection tactics.  But once Drummond effortlessly hot-wires a car as their escape vehicle, Charlie begins to suspect there’s much more to his father than meets the eye.  He soon discovers that Drummond’s unremarkable career as an appliance salesman was actually a clever cover for an elaborate plan to sell would-be terrorists faulty nuclear detonators.  Drummond’s intricate knowledge of the “device” is extremely dangerous information to have rattling around in an Alzheimer’s-addled brain.  The CIA wants to “contain” him--and so do some other shady characters who send Charlie and Drummond on a wild chase that gives  “father and son quality time” a whole new meaning. With Once a Spy, Keith Thomson makes his debut on the thriller stage with energy, wit, and style to spare.From the Hardcover edition.