Meanwhile, Granuaile MacTiernan starts a private war of her own against Loki, the lord of lies, and if it brings Ragnarok early—so be it. Not My Circus, Not My Monkeys by Delilah S. Dawson The number one rule of the circus? Don't kill your volunteers, even accidentally. That's how young magician Criminy Stain ends up on the run in a forest, where he meets a beautiful woman holding a bucket of blood. But is Merissa the answer to his prayers-- or the orchestrator of his ruin? Interlude: Swallow by Chuck Wendig Miriam Black is back. Miriam is tired of her curse and finally believes she knows how to be rid of her ability to see when and how other people die. She follows a lead to the mountains of Colorado, where she believes she sees signs of a serial killer she thought she already killed. (Set between THE CORMORANT and THUNDERBIRD.)

    A rationalist Victorian visits a haunted house in order to explain the nature of its ghostly inhabitants.First published in Blackwood's, August 1859.

    Considered one of the English language's greatest writers, he was acclaimed for his rich storytelling and memorable characters, and achieved massive worldwide popularity in his lifetime. The popularity of his novels and short stories has meant that not one has ever gone out of print. Dickens wrote serialised novels, the usual format for fiction at the time, and each new part of his stories was eagerly anticipated by the reading public. Among his best-known works are Sketches by Boz (1836), The Pickwick Papers (1837), Oliver Twist (1838), Nicholas Nickleby (1839), Barnaby Rudge (1841), A Christmas Carol (1843), Martin Chuzzlewit (1844), David Copperfield (1850), Bleak House (1853), Little Dorrit (1857), A Tale of Two Cities (1859), Great Expectations (1861) and Our Mutual Friend (1865).

    Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as "one of the finest science fiction novellas ever written" by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks' The Thing From Another World in 1951, and John Carpenter's The Thing in 1982. With a new Introduction by William F. Nolan, author of Logan's Run, and his never-before-published, suspenseful Screen Treatment written for Universal Studios in 1978, this is a must-have edition for scifi and horror fans!

    But that tranquility is shattered when he realizes a figure from his past has arrived in town, armed with a knife, his intentions clear from the man’s attempts to break into Evan’s house in the middle of the night. The authorities can do nothing.Evan can turn only to the nightmares that plague his sleeping hours for answers. But the question is: can those dreams save him, or are they part of the intruder’s plan?

    Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest – the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day… Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.

    Talk about the horse's mouth! This book is long overdue."- Peter Straub "Lovecraft opened the way for me, as he had done for others before me -- Robert Bloch, Fritz Leiber, and Ray Bradbury among them. The reader would do well to remember that it is his shadow, so long and gaunt, and his eyes, so dark and puritanical, which overlie almost all of the important horror fiction that has come since."- Stephen King "The oldest and strongest emotion of mankind is fear."- H.P. Lovecraft  In 1927, Howard Philips Lovecraft published a 30,000-word essay titled "Supernatural Horror in Literature." In it, the father of American horror writing  whose tales  presented one of the earliest scholarly studies of the supernatural in fiction, defined the horror story as one in which "a certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present." Those authors discussed in Lovecraft's seminal essay were used as the basis for the 1993 anthology H.P. Lovecraft's Book of Horror, edited by Dave Carson and Stephen Jones. With H.P. Lovecraft's Book of the Supernatural, Jones uses that same essay as inspiration for a new anthology of nineteen new selections, each preceded by an excerpt from Lovecraft. Included here are works from authors as varied as Edgar Allen Poe, Arthur Conan Doyle, Rudyard Kipling, and Robert Louis Stevenson. While these stories maycarry a classical pedigree, their contents remain just as chilling and disturbing as anything cooked up by modern-day horror writers. The book also includes a short essay from Lovecraft himself, "Notes on Writing Weird Fiction," in which he lays out tips and rules for mastering the form.

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    A famous short story, first collected in the United States in "Pierre and Jean, Ball-of-Tallow: The Complete Works of Guy de Maupassant."

    His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes - dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness - have earned him a permanent place in the history of the macabre.In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition.Contents:- Iä! Iä! Cthulhu Fhtagn! (1990) by Jim Turner [as by James Turner] - The Call of Cthulhu (1928) by H.P. Lovecraft- The Return of the Sorcerer (1931) by Clark Ashton Smith- Ubbo-Sathla (1933) by Clark Ashton Smith- The Black Stone (1931) by Robert E. Howard- The Hounds of Tindalos (1929) by Frank Belknap Long- The Space-Eaters (1928) by Frank Belknap Long- The Dweller in Darkness (1944) by August Derleth- Beyond the Threshold (1941) by August Derleth- The Shambler from the Stars (1935) by Robert Bloch- The Haunter of the Dark (1936) by H.P. Lovecraft- The Shadow from the Steeple (1950) by Robert Bloch- Notebook Found in a Deserted House (1951) by Robert Bloch- The Salem Horror (1937) by Henry Kuttner- The Terror from the Depths (1976) by Fritz Leiber- Rising with Surtsey (1971) by Brian Lumley- Cold Print (1969) by Ramsey Campbell- The Return of the Lloigor (1969) by Colin Wilson- My Boat (1976) by Joanna Russ- Sticks (1974) by Karl Edward Wagner- The Freshman (1979) by Philip José Farmer- Jerusalem's Lot (1978) by Stephen King- Discovery of the Ghooric Zone (1977) by Richard A. LupoffCover illustration by John Jude Palencar

    Niggle, the painter, is a kind hearted soul and goes out of his way to help his friends and neighbours but eventually finds that this prevents him from completing his masterpiece. He has a hard decision to make; when engrossed in his work, his neighbour asks him to fix his roof using his art supplies.

    A supermarket wants to build a major branch on their border. Some welcome the employment opportunities, while some object to the modernization of the local environment.Judith Mawson (local crank) knows the truth -- that Lychford lies on the boundary between two worlds, and that the destruction of the border will open wide the gateways to malevolent beings beyond imagination.But if she is to have her voice heard, she's going to need the assistance of some unlikely allies...

    Edwards is acknowledged as one of the best Victorian ghost story writers. She was one of the select band of authors invited by Charles Dickens to contribute ghost stories to the Christmas numbers of his magazine All the Year Round, and some of her tales—such as 'The Four-fifteen Express', 'Number Three', 'My Brother's Ghost Story', and the highly influential 'The Phantom Coach'—have become staples of ghost story anthologies.There was much more to Amelia Edwards than ghost stories, however, as Richard Dalby makes clear in his introduction. She was an indefatigable traveller, and she incorporated much of what she observed into her ghost stories, many of which are set in northern and central Europe. She was also an archaeologist of world renown, who was instrumental in ensuring that the treasures and antiquities of ancient Egypt were properly excavated and preserved.The Phantom Coach is the first book to collect together all of Amelia B. Edwards's supernatural fiction. In addition to all her known ghost stories, the volume also contains three additional items, including a delightful piece by Edwards herself about 'My Home Life': a fascinating look at one of the Victorian era's most fascinating women.Contents: Introduction by Richard Dalby; 'My Brother's Ghost Story'; 'The Eleventh of March'; 'Number Three'; 'The Discovery of the Treasure Isles'; 'The Phantom Coach'; 'The Recollections of Professor Henneberg'; 'An Engineer's Story'; 'The Four-fifteen Express'; 'The Story of Salome'; 'A Service of Danger'; 'The New Pass'; 'In the Confessional'; 'Sister Johanna's Story'; 'A Night on the Borders of the Black Forest'; 'Monsieur Maurice'; 'Was it an Illusion?'; Appendixes: 'Four Ghosts'; 'A Legend of Boisguilbert'; 'My Home Life'.

    His wife moved out, taking his son with her, and a devastated David hasn’t left his house since, terrified of the mysterious new power that followed him home from the ill-fated expedition.After months in seclusion, David’s ready for a fresh start, and ventures out, determined to keep his power in check. But David’s power isn’t the one he needs to worry about.

    But now there's a rash of sightings on the Metropolitan Line and these ghosts are frightening, aggressive and seem to be looking for something.Enter PC Peter Grant junior member of the Metropolitan Police's Special Assessment unit AKA The Folly AKA the only police officers whose official duties include ghost hunting. Together with Jaget Kumar, his counterpart at the British Transport Police, he must brave the terrifying the crush of London's rush hour to find the source of the ghosts.Joined by Peter's wannabe wizard cousin, a preschool river god and Toby the ghost hunting dog their investigation takes a darker tone as they realise that a real person's life might just be on the line.And time is running out to save them.With this new novella, bestselling author Ben Aaronovitch has crafted yet another wickedly funny and surprisingly affecting chapter in his beloved Rivers of London series.