Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings; Hepburn herself felt very conflicted about balancing the roles of mother and movie star. With a colorful cast of characters including Truman Capote, Edith Head, Givenchy, "Moon River" composer Henry Mancini, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the country, changing fashion, film, and sex for good. Indeed, cultural touchstones like Sex and the City owe a debt of gratitude to Breakfast at Tiffany's.In this meticulously researched gem of a book, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills, presenting Breakfast at Tiffany's as we have never seen it before—through the eyes of those who made it. Written with delicious prose and considerable wit, Fifth Avenue, 5 A.M. shines new light on a beloved film and its incomparable star.

    Originally published in 1960, Zolotow's book was the first to take Marilyn seriously as an actress at a time when she was thought to be just an eccentric, gorgeous blonde. 16 pages of photographs.

    He died two years later and his fiery widow, Eleanor, wanted nothing more than to keep his memory alive. With her forceful will, she and the irascible producer Samuel Goldwyn quickly agreed to make a film based on Gehrig's life, The Pride of the Yankees. Goldwyn didn't understand -- or care about -- baseball. For him this film was the emotional story of a quiet, modest hero who married a spirited woman who was the love of his life, and, after a storied career, gave a short speech that transformed his legacy. With the world at war and soldiers dying on foreign soil, it was the kind of movie America needed. Using original scrips, letters, memos, and other rare documents, Richard Sandomir tells the behind-the-scenes story of how a classic was born. There was the so-called Scarlett O'Hara-like search to find the actor to play Gehrig; the stunning revelations Elanor made to the scriptwriter Paul Gallico about her life with Lou; the intensive training Cooper underwent to learn how to catch, throw, and hit a baseball for the first time; and the story of two now-legendary Hollywood actors in Gary Cooper and Teresa Wright whose nuanced performances endowed the Gehrigs with upstanding dignity and cemented the baseball icon's legend. Sandomir writes with great insight and aplomb, painting a fascinating portrait of a bygone Hollywood era, a mourning widow with a dream, and the shadow a legend cast on one of the greatest sports films of all time.

    From the grisly end of Sharon Tate at the hands of the Manson family and the mysterious demise of Bob Crane to the peaceful passings of Lucille Ball and George Burns, "The Hollywood Book of Death" is a captivating and appealingly packaged volume of more than 125 television and movie stars' final curtain calls.Arranged by manner of death, these well-researched accounts include details of celebrities' colorful lives and unusual deaths, their funerals, and the intriguing aftermath. With more than 100 rare photographs and a special "necrology" index of more than 6,000 stars and directors, along with a section revealing where Hollywood personalities are resting in eternal sleep, this enthralling reference promises to be on every film and television buff's "Top 10" gift list.

    Gilmore obsesses on a relentless panorama of sex, violence and death in five new chronicles of So Cal sickness: *the sex-and-drug soaked Wonderland murders featuring porn legend John Holmes *Sexpot Starlet Barbara Payton's hellbent descent into the gutters of Tinseltown *the Hollywood Hooker who landed in San Quentin's gas chamber, the Ice Blonde Murderess Barbara Graham For those already steeped in the canon of John Gilmore's work, this is the long-awaited true-crime capstone to a celebrated collection of works, a blood-and-semen-soaked noir trail of all-night diners, nightclubs and cheap motels.

    Tyson. The judge sends Bill McDaniel, head of the Texas Rangers, on a manhunt with two murder warrants; both for Clay Brentwood. The judge's last words to Bill McDaniel were, "Bring him back, dead or alive. And I don't care which."

    Here, young Scottish surgeon Felix Carswell and Chief Constable Major Giles Vernon are tasked to uncover the truth in three complex tales of murder and detection set in Early Victorian England. The Hanging Cage Summoned to the bleak market town of Whithorne in the midst of a winter storm, Major Giles Vernon and police surgeon Felix Carswell are embroiled in another challenging investigation. A beautiful young heiress has been found dead in her bed, and although suicide seems the most likely cause, the circumstances soon point to a tangle of illicit relationships and painful secrets. As Major Vernon pursues the truth behind Annabella Barker's death, further shocking events soon unfold, including another suicide At the same time, called in to deliver a son and heir, Carswell is drawn into the affairs of the eccentric Yardley family at Whithorne Castle, but it is no distraction from his anxieties about his troubled relationship with Sukey Connolly. Major Vernon, for his part, unexpectedly encounters an old acquaintance and is forced to question both his past and his future. When a partial skeleton is found in a culvert, events begin to take a still darker turn, and Vernon and Carswell must pursue an unimaginable evil. As November floods threaten the bridges of Northminster itself, dangerous enemies emerge close to home and the struggle for justice becomes a matter of life and death. The Hanging Cage is the fourth Northminster Mystery, featuring early Victorian detectives Vernon and Carswell. The Ghosts of Ardenthwaite Something is amiss at Ardenthwaite. Ghostly apparitions have been seen, so terrifying that the mistress of the house and the servants have deserted the place. Colonel Parham, the tenant, asks his landlord Felix Carswell and Major Giles Vernon to determine what is going on. But their investigations soon takes an unexpected turn, leaving them in confusion and doubting their own sanity. Shortly afterwards, a man dies in Northminster Infirmary, the victim of a brutal and systematic attack which seems to point to dangerous criminal forces hitherto unknown in the city. Vernon has his suspicions as to who is behind it, and with Carswell's assistance he begins to unpick a complex network of alliances and enemies. Yet, as their best witnesses meet brutal fates, they are forced to face the grim possibility of failure. Having been forced into unpleasant compromises to gain access to the truth, Giles is further unsettled by the return of Emma Maitland to Northminster, now engaged to another man. As she assists him with the case, he begins to realise all that he has lost. For Felix Carswell, a bizarre and other-worldly encounter with a beautiful, spirited young woman throws up the possibility of an extremely advantageous marriage. Eleanor Blanchfort is an heiress and Lord Rothborough's ward. Has destiny brought them together as she suggests, and can Felix find the will to resist such a dazzling temptation? The Echo at Rooke Court Felix Carswell returns from his blissful wedding journey and is at once called to the bedside of a young man fighting for his life.

    Fly, beautiful, and quick-witted Storm doesn't chase money-money chases her; But it wasn't always that way. Born into poverty then later abandoned by her mother Storm was raised by her mentally abusive drug-addicted aunt. After partaking in acts that no child should even have to witness; Storm survives her turbulent childhood and stands stronger than ever. Soon Storm begins to feel that her life is complete; she has the money, the life, and a wonderful man who gave up his womanizing ways just t be with her...

    A classic Wild West novel, tough and true. "The key to being a live gunfighter instead of a dead one is not to gun fight," said Wyatt Earp."How the hell do I do that?" Ronas said."Get up close and pistol-whip the son of a bitch. Buffalo him to his knees. Shove the barrel in his mouth and make him weep for mercy. Then arrest and shackle him. He won't want to trouble you again."

    To the daughter he’d left many years before. After crossing the desert, at the Colorado River, he comes across a woman and her young grandson, survivors of a brutal stage robbery. He finds himself in a small mining town in Arizona territory, wearing the badge of a Deputy U.S. Marshal, being the arm of the law in the town, tracking down outlaws and uncovering a sinister plot based on deception and corruption. A plan to rob, kill and terrorize, in the interests of cleaning out the Broke Knife Mine once and for all. Taking the wealth, and leaving nothing but dust and dead men behind. Pete Cooper encounters men who are cold blooded killers. He encounters honest men who work hard for a living. He also encounters a refined woman who, in spite of his rough edges, falls in loves with him. ‘The Guns of the Broke Knife Mine’, is a tale of the west. There’s action, intrigue, adventure, and even a little romance. It’s a tale of good men overcoming evil, and in a few cases, men overcoming the evil that lives within themselves. Does he ever make it back to Kansas to see his daughter? You ask. Well, I reckon you’ll have to read it to find out. Saddle up pard.

    The United States Bounty Hunter Western Adventures

    She doesn’t want to put them through losing another father. Then she meets Logan and his young sons who also lost a wife and mother. Will Sierra and Logan be able to put their pasts aside and form a new family? Colorado Secrets: Stephanie was actually glad for an excuse to move back to her family’s ranch. Then she discovered the reason why she was having so many health problems. Getting to know Bridger seemed too good to be true. Will Stephanie be able to accept Bridger’s love for her, despite scary health changes she will have to deal with the rest of her life? Colorado Destiny: Sadie has been dealing with anger ever since her daughter’s father abandoned them both. Then he turns up at her family ranch. He claims he wants to get to know his daughter and that he’s changed. Will Sadie be able to trust Hunter again and let him into both of their lives? Has he really changed like he insists he has, or will he leave them again? Colorado Dawn: Soon after Stella moves back to her family’s ranch, she receives news that her best friend in LA has died, and she left her young daughter for Stella to raise. Can Stella learn how to be a mother, as well as allow Cade into her life? Can she learn to forgive herself for her preconceived ideas about her mother’s death? Colorado Skies: Spencer and Emma met each other through an on-line dating service and have been writing each other through emails all summer long. Spencer invites Emma to his family ranch for a week so they can meet. Emma immediately falls in love with the Colorado mountains, and Spencer. But Spencer spends most of his time trying to solve the mystery of his father’s death. Will Spencer be able to move past what he discovers and make a commitment to Emma? Colorado Promises: All of Sheridan’s siblings have found love over the summer, but Sheridan is determined that he will always be alone. He doesn’t trust women ever since a previous girlfriend left him without warning. Then he gets a phone call. His girlfriend has died and she left him a gift; a son who is being cared for by his aunt, Megan. He quickly flies to Texas to meet his son. While there, he offers Megan a marriage of convenience. Will Sheridan and Megan learn to be parents to William? Can love be part of their marriage? Colorado Christmas: Come and visit with all the Collingsworth siblings as they celebrate their first Christmas together in years, along with their new families. You are also officially invited to the double wedding of Stella to Cade and Spencer to Emma!

    Reserved seats went on sale at premium prices. Audience members dressed up and arrived early to peruse the program during the overture that preceded the curtain's rise. And when the show began, it was--a rather disappointing film musical.In Roadshow!, film historian Matthew Kennedy tells the fascinating story of the downfall of the big-screen musical in the late 1960s. It is a tale of revolutionary cultural change, business transformation, and artistic missteps, all of which led to the obsolescence of the roadshow, a marketing extravaganza designed to make a movie opening in a regional city seem like a Broadway premier. Ironically, the Hollywood musical suffered from unexpected success. Facing doom after its bygone heyday, it suddenly broke box-office records with three rapid-fire successes in 1964 and 1965: Mary Poppins, My Fair Lady, and The Sound of Music. Studios rushed to catch the wave, but everything went wrong. Kennedy takes readers inside the making of such movies as Hello, Dolly! and Man of La Mancha, showing how corporate management imposed financial pressures that led to poor artistic decisions-for example, the casting of established stars regardless of vocal or dancing talent (such as Clint Eastwood in Paint Your Wagon). And Kennedy explores the impact of profound social, political, and cultural change. The traditional-sounding Camelot and Doctor Dolittle were released in the same year as Sergeant Pepper's Lonely Hearts Club Band, representing a vast gulf in taste. The artifice of musicals seemed outdated to baby boomers who grew up with the Cuban missile crisis, the Kennedy and Martin Luther King Jr. assassinations, race riots, and the Vietnam War.From Julie Andrews to Barbra Streisand, from Fred Astaire to Rock Hudson, Roadshow! offers a brilliant, gripping history of film musicals and their changing place in our culture.

    Lincoln, The Lady Eve, 12 Angry Men, On Golden Pond—helped define "American" in the twentieth century. He worked with movie masters from Ford and Sturges to Hitchcock and Leone. He was a Broadway legend. He fought in World War II and was loved the world over.Yet much of his life was rage and struggle. Why did Fonda marry five times—tempestuously to actress Margaret Sullavan, tragically to heiress Frances Brokaw, mother of Jane and Peter? Was he a man of integrity, worthy of the heroes he played, or the harsh father his children describe, the iceman who went onstage hours after his wife killed herself? Why did suicide shadow his life and art? What memories troubled him so?McKinney's Fonda is dark, complex, fascinating, and a product of glamour and acclaim, early losses and Midwestern demons—a man haunted by what he'd seen, and by who he was.

    By all industry predictions, the film should never have worked. What makes it work so amazingly well are the fascinating and uncompromising personalities that Haskell dissects here: Margaret Mitchell, David Selznick, and Vivien Leigh. As a feminist and onetime Southern adolescent, Haskell understands how the story takes on different shades of meaning according to the age and eye of the beholder. She explores how it has kept its edge because of Margaret Mitchell’s (and our) ambivalence about Scarlett and because of the complex racial and sexual attitudes embedded in a story that at one time or another has offended almost everyone.Haskell imaginatively weaves together disparate strands, conducting her story as her own inner debate between enchantment and disenchantment. Sensitive to the ways in which history and cinema intersect, she reminds us why these characters, so riveting to Depression audiences, continue to fascinate 70 years later.