A young girl is bleeding from her hands and feet and claims to be talking to the Virgin Mary. But Nightingale soon realises that all is not as it seems - and the girl is in mortal danger. Still Bleeding is about 14,000 words, about forty pages, perfect if you have half an hour to spare. Stephen Leather is one of the UK's most successful thriller writers, an ebook and Sunday Times bestseller and author of the critically acclaimed Dan “Spider’ Shepherd series and the Jack Nightingale supernatural detective novels. Before becoming a novelist he was a journalist for more than ten years on newspapers such as The Times, the Daily Mirror, the Glasgow Herald, the Daily Mail and the South China Morning Post in Hong Kong. He is one of the country’s most successful ebook authors and his ebooks have topped the Amazon Kindle charts in the UK and the US. In 2011 alone he sold more than 500,000 eBooks and was voted by The Bookseller magazine as one of the 100 most influential people in the UK publishing world. Born in Manchester, he began writing full time in 1992. His bestsellers have been translated into fifteen languages. He has also written for television shows such as London's Burning, The Knock and the BBC's Murder in Mind series and two of his books, The Stretch and The Bombmaker, were filmed for TV. You can find out more from his website www.stephenleather.com and you can follow him on Twitter at twitter.com/stephenleather

    Gene Wolfe, of whom The Washington Post said, “Of all SF writers currently active none is held in higher esteem,” has selected the short fiction he considers his finest into one volume.  There are many award winners and many that have been selected for various Year’s Best anthologies among the thirty-one stories, which include: “Petting Zoo,” “The Tree Is My Hat,” “The Island of Dr. Death and Other Stories,” “The Hero as Werewolf,” “Seven American Nights,” “The Fifth Head of Cerberus,” “The Detective of Dreams,” and “A Cabin on the Coast.” Gene Wolfe has produced possibly the finest and most significant body of short fiction in the SF and fantasy field in the last fifty years, and is certainly among the greatest living writers to emerge from the genres.  This is the first retrospective collection of his entire career.  It is for the ages.Contents11 • The Island of Doctor Death and Other Stories • [Archipelago] • (1970) • shortstory by Gene Wolfe23 • Afterword (The Island of Doctor Death and Other Stories) • essay by Gene Wolfe25 • The Toy Theater • (1971) • shortstory by Gene Wolfe30 • Afterword (The Toy Theater) • essay by Gene Wolfe31 • The Fifth Head of Cerberus • (1972) • novella by Gene Wolfe76 • Afterword (The Fifth Head of Cerberus) • essay by Gene Wolfe78 • Beech Hill • (1972) • shortstory by Gene Wolfe83 • Afterword (Beech Hill) • essay by Gene Wolfe84 • The Recording • (1972) • shortstory by Gene Wolfe86 • Afterword (The Recording) • essay by Gene Wolfe88 • Hour of Trust • (1973) • novelette by Gene Wolfe112 • Afterword (Hour of Trust) • essay by Gene Wolfe114 • The Death of Dr. Island • [Archipelago] • (1973) • novella by Gene Wolfe158 • Afterword (The Death of Dr. Island) • essay by Gene Wolfe159 • La Befana • (1973) • shortstory by Gene Wolfe162 • Afterword (La Befana) • essay by Gene Wolfe163 • Forlesen • (1974) • novelette by Gene Wolfe201 • Afterword (Forlesen) • essay by Gene Wolfe202 • Westwind • (1973) • shortstory by Gene Wolfe208 • Afterword (Westwind) • essay by Gene Wolfe209 • The Hero as Werwolf • (1975) • shortstory by Gene Wolfe221 • Afterword (The Hero as Werwolf) • essay by Gene Wolfe222 • The Marvelous Brass Chessplaying Automaton • (1977) • novelette by Gene Wolfe236 • Afterword (The Marvelous Brass Chessplaying Automaton) • essay by Gene Wolfe237 • Straw • (1975) • shortstory by Gene Wolfe243 • Afterword (Straw) • essay by Gene Wolfe244 • The Eyeflash Miracles • (1976) • novella by Gene Wolfe291 • Afterword (The Eyeflash Miracles) • essay by Gene Wolfe292 • Seven American Nights • (1978) • novella by Gene Wolfe331 • Afterword (Seven American Nights) • essay by Gene Wolfe333 • The Detective of Dreams • (1980) • shortstory by Gene Wolfe346 • Afterword (The Detective of Dreams) • essay by Gene Wolfe347 • Kevin Malone • (1980) • shortstory by Gene Wolfe355 • Afterword (Kevin Malone) • essay by Gene Wolfe356 • The God and His Man • (1980) • shortstory by Gene Wolfe360 • Afterword (The God and His Man) • essay by Gene Wolfe361 • On the Train • [Redwood Coast Roamer] • (1983) • shortfiction by Gene Wolfe362 • Afterword (On the Train) • essay by Gene Wolfe363 • From the Desk of Gilmer C. Merton • (1983) • shortstory by Gene Wolfe367 • Afterword (From the Desk of Gilmer C. Merton) • essay by Gene Wolfe368 • Death of the Island Doctor • [Archipelago] • (1983) • shortstory by Gene Wolfe372 • Afterword (Death of the Island Doctor) • essay by Gene Wolfe373 • Redbeard • (1984) • shortstory by Gene Wolfe377 • Afterword (Redbeard) • essay by Gene Wolfe379 • The Boy Who Hooked the Sun • (1985) • shortstory by Gene Wolfe381 • Afterword (The Boy Who Hooked the Sun) • essay by Gene Wolfe382 • Parkroads—A Review • (1987) • shortfiction by Gene Wolfe384 • Afterword (Parkroads—A Review) • essay by Gene Wolfe385 • Game in the Pope's Head • (1988) • shortstory by Gene Wolfe390 • Afterword (Game in the Pope's Head) • essay by Gene Wolfe391 • And When They Appear • (1993) • novelette by Gene Wolfe408 • Afterword (And When They Appear) • essay by Gene Wolfe409 • Bed and Breakfast • (1996) • shortfiction by Gene Wolfe (variant of Bed & Breakfast)426 • Afterword (Bed and Breakfast) • essay by Gene Wolfe427 • Petting Zoo • (1997) • shortstory by Gene Wolfe431 • Afterword (Petting Zoo) • essay by Gene Wolfe433 • The Tree Is My Hat • (1999) • novelette by Gene Wolfe452 • Afterword (The Tree Is My Hat) • essay by Gene Wolfe454 • Has Anybody Seen Junie Moon? • (1999) • shortstory by Gene Wolfe464 • Afterword (Has Anybody Seen Junie Moon?) • essay by Gene Wolfe466 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe475 • Afterword (A Cabin on the Coast) • essay by Gene Wolfe

    

    . . Alastair Reynolds burst onto the SF scene with the Arthur C. Clarke Award-shortlisted REVELATION SPACE, British Science Fiction Award-winning CHASM CITY, and REDEMPTION ARK. Now experience the phenomenal imagination and breathtaking vision of 'The most exciting space opera writer working today' (Locus) in these two tales of high adventure set in the same universe as his novels. The title story, 'Diamond Dogs', tells of a group of mercenaries trying to unravel the mystery of a particularly inhospitable alien tower on a distant world; 'Turquoise Days' is about Naqi, who has devoted her life to studying the alien Pattern Jugglers.

    From tales of The Shaper/Mechanist to Leggy Starlitz to his Chattanooga Stories, this anthology spans the gamut of Sterlings works from 1976 to 2007.Swarm --Spider Rose --Cicada queen --Sunken gardens --Twenty evocations --Green days in Brunei --Dinner in Audoghast --The compassionate, the digital --Flowers of Edo --The little magic shop --Our neural Chernobyl --We see things differently --Dori Bangs --Hollywood Kremlin --Are you for 86? --The littlest jackal --Deep eddy --Bicycle repairman --Taklamakan --The sword of Damocles --Maneki Neko --In paradise --The blemmye's strategem --Kiosk

    Carefully disguised, the monsters can sit down beside you or take up residence within you at the slightest twist of fate. Will you try to stop them? Will you want to?

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    One tale recounts the author's search for a Kafka story that can only be found in an elusive and quite possibly cursed edition. Other stories feature humans dressing in full-body protective exoskins in the personas of old Hollywood movie stars to barter old Earth movies for an alien aphrodisiac and a young boy coming to terms with creation and moulding his own man out of detritus from a nearby forest. In the title story, a great fantasy writer loses touch with the world he has created and pleads with his young assistant to help him visualise the story's end and enable him to complete his greatest novel ever.

    WuMorning Terrors — Peter CrowtherMisadventures in the Skin Trade — Don D’AmmassaCircle of Lias — Lawrence C. ConnollyWatching the Soldiers — Dirk StrasserOne in the A.M. — Rachel DrummondA Side of the Sea — Ramsey CampbellPainted Faces — Gerard Daniel HournerMonotone — Lawrence GreenbergDead Leaves — James C. DobbsFrom the Mouths of Babes — Bentley LittleThe Late Mr. Havel’s Apartment — David HerterUnion Dues — Gary BraunbeckEarshot — Glenn IsaacsonFee — Peter Straub

    Winner of the Hugo, Nebula, World Fantasy and Edgar awards, his acclaimed first book The Dying Earth and its sequels helped shape the face of modern heroic fantasy for generations of readers—and writers! In more than sixty novels, he has done more than any other author to define science fantasy and its preeminent form: the planetary adventure.Born in San Francisco in 1916, Vance wrote much of what you'll find between these covers both abroad and at home in the hills above Oakland, either while serving in the merchant marine or traveling the world with his wife Norma, all the while pursuing his great love of fine cuisine and traditional jazz.Now, at last, the very best of Vance's mid-length and shorter work has been collected in a single landmark volume. With a Preface by Vance himself and a foreword by long-time Vance reader George R.R. Martin, it stands as the capstone to a splendid career and makes the perfect introduction to a very special writer.Table of ContentsPreface, Jack VanceJack Vance: An Appreciation, George R.R. MartinIntroduction: Fruit from the Tree of LifeThe Dragon MastersLiane the WayfarerSail 25The Gift of GabThe Miracle WorkersGuyal of SfereNoiseThe Kokod WarriorsThe OverworldThe Men ReturnThe Sorcerer PharesmThe New PrimeThe SecretThe Moon MothThe Bagful of DreamsThe MitrMorreionThe Last CastleBiographical Sketch & Other Facts, Jack Vance

     A short story in the Oddjobs universe that tries to answer the age-old question: what Christmas present do you get for the demon who has everything?

    Mickey Wade is a recently-unemployed journalist who lucked into a rent-free apartment – his sick grandfather's place. The only problem: it's in a lousy neighborhood. The one where Mickey grew up, in fact. The one he was so desperate to escape.But now he's back. Dead broke. And just when he thinks he's reached rock bottom, Mickey wakes up in the past. Literally.At first he thinks it's a dream. All of the stores he remembered from his childhood, the cars, the rumble of the elevated train. But as he digs deeper into the past, searching for answers about the grandfather he hardly knows, Mickey meets the twelve-year-old kid who lives in the apartment below. The kid who will grow up to someday murder Mickey's father.

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch