Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different—and rigidly enforced—level of technology. Horsetown is pre-industrial; in Neon Heights they have television and electric trains . . .Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue. But when a near-dead angel drops onto his dissecting table, Quillon's world is wrenched apart one more time, for the angel is a winged posthuman from Spearpoint's Celestial Levels—and with the dying body comes bad news.If Quillon is to save his life, he must leave his home and journey into the cold and hostile lands beyond Spearpoint's base, starting an exile that will take him further than he could ever imagine. But there is far more at stake than just Quillon's own survival, for the limiting technologies of the zones are determined not by governments or police, but by the very nature of reality—and reality itself is showing worrying signs of instability . . .Terminal World is a snarling, drooling, crazy-eyed mongrel of a book: equal parts steampunk, western, planetary romance, and far-future SF.

    Human and Arkari. Archaeologists with a story about an ancient derelict starship that few believe and a captain’s log that tells of an ancient genocidal war that no-one has ever heard of. But if no-one believes their story, then why are the authorities so keen to suppress it? Captain Michelle Chen of the Commonwealth Navy. Brave, cunning, merciless. Dangerous even. However she may be just the person her superiors have been looking for to start a war.Steven Harris. Secret agent with a conscience, who defied orders, ignored the chain of command and let his morals get in the way of his career.Quickchild. An AI of unknown origin and staggering power that does not know who it truly is.As the colonies of the human Commonwealth stand on the brink of war with the fanatic legions of the alien K’Soth Empire, these five individuals are drawn to the backward, arid planet of Maranos that stands between the two civilisations. As relations between human and alien deteriorate, Maranos is about to give up its ancient, terrifying secrets.

    The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square [sic – ed.], a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions—a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading, it is still a first-rate fictional introduction to the concept of the multiple dimensions of space. "Instructive, entertaining, and stimulating to the imagination." — Mathematics Teacher.

    A Nebula and Hugo Award-winning writer of science fiction presents a collection of essays that explores the various issues, concepts, challenges, and paradoxes that confront the science fiction writer.

    John Sutherland is perfectly suited to the task. He has researched, taught, and written on virtually every area of literature, and his infectious passion for books and reading has defined his own life. Now he guides young readers and the grown-ups in their lives on an entertaining journey 'through the wardrobe' to a greater awareness of how literature from across the world can transport us and help us to make sense of what it means to be human. Sutherland introduces great classics in his own irresistible way, enlivening his offerings with humor as well as learning: Beowulf, Shakespeare, Don Quixote, the Romantics, Dickens, Moby Dick, The Waste Land, Woolf, 1984, and dozens of others. He adds to these a less-expected, personal selection of authors and works, including literature usually considered well below 'serious attention' - from the rude jests of Anglo-Saxon runes to The Da Vinci Code. With masterful digressions into various themes - censorship, narrative tricks, self-publishing, taste, creativity, and madness - Sutherland demonstrates the full depth and intrigue of reading. For younger readers, he offers a proper introduction to literature, promising to interest as much as instruct. For more experienced readers, he promises just the same.

    Translated by Michael Kandel.

    This is a work that resonates with Vonnegut's singular voice: the magic sound of a born storyteller mesmerizing us with truth."Vonnegut is at the top of his form, and it is wonderful."--Newsday

    The Movement-was it the greatest con of all time, or the last true religion? A chilling novel about the evil of cults.

    With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    S. Lewis's adult religious books, a repackaged edition of the revered author’s treasury of essays and stories which examine the value of creative writing and imaginative exploration.C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—presents a well-reasoned case for the importance of story and wonder, elements often ignored by critics of his time. He also discusses his favorite kinds of stories—children’s stories and fantasies—and offers insights into his most famous works, The Chronicles of Narnia and the Space Trilogy.

    The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

    Crammed with fascinating insights, this generous spree takes us through decades of treats for the imagination: escape to other dimensions, flights to other planets, lost worlds, utopias, mechanical creatures and intelligent aliens. Amusing, intelligent and authoritative, it takes us on a tour through that zone where literature and science engage in an eternal flirtation. Examining the great writers SF has produced, and the images that have become the cultural wallpaper of the present day, this comprehensive expedition is for buffs and tenderfoots alike.

    "Wired" magazine sent him to Singapore to report on one of the world's most buttoned-up states. "The New York Times Magazine" asked him to describe what was wrong with the Internet. Rolling Stone published his essay on the ways our lives are all "soundtracked" by the music and the culture around us. And in a speech at the 2010 Book Expo, he memorably described the interactive relationship between writer and reader.These essays and articles have never been collected-until now. Some have never appeared in print at all. In addition, "Distrust That Particular Flavor" includes journalism from small publishers, online sources, and magazines no longer in existence. This volume will be essential reading for any lover of William Gibson's novels. "Distrust That Particular Flavor" offers readers a privileged view into the mind of a writer whose thinking has shaped not only a generation of writers but our entire culture.

    The first is a sharp analysis: through dialogues, parodies and essays, Burgess sheds new light on what he called 'an apocalyptic codex of our worst fears', creating a critique that is literature in its own right. Part two is Burgess' own dystopic vision, written in 1978. He skewers both the present and the future, describing a state where industrial disputes and social unrest compete with overwhelming surveillance, security concerns and the dominance of technology to make life a thing to be suffered rather than lived. Together these two works form a unique guide to one of the twentieth century's most talented, imaginative and prescient writers. Several decades later, Burgess' most singular work still stands.

    Twenty million people are your neighbors, huddled together in an ocean of rusted dwellings made from whatever Sedonia City, the towering metropolis in the distance, decides to throw away. Gang members, known as the T99s, are the heads of your community: smuggling tech, trafficking drugs, and fighting a constant guerilla war with the City’s bio-augmented EXO police force. There is little hope for survival. None for escape to a better life beyond the half-mile high Border between city and slum. This is Matteo’s world. A bright kid, but sick and weak since childhood, he is painfully dependent on Jogun: loving older brother, and hardened soldier for the T99s. When a luxury transport from Sedonia’s aerial traffic crash-lands in Rasalla, it threatens to change Matteo and Jogun’s fate forever. And all fates are connected. The Dwellers of Rasalla, bound by family in the scrap, ashes, and dirt. The Citizens of Sedonia, oblivious to danger in the buzzing twilight of the Neuro-Social Revolution. The EXOs, placing themselves in harm’s way to perform their duty to protect their homes and fellow officers. And The Ruling Elite, whose long-buried secrets and desperate plans could spell the end of civilization...or a new beginning. Son of Sedonia is an action-filled science fiction epic with a soul and a clear message. Its characters live, breathe, suffer, and love in their different worlds, each brought to the brink as the Third-World collides with the First. Their future could well be ours.