A dream house that is hiding something sinister; two women having lunch who share a husband; an old woman doing her weekly supermarket shop with a secret past that no one could guess; a couple who don't know each other at all even after fifteen years together; and, in the story from which this collection takes its name, a bird and a servant girl in ancient Pompeii who cannot converse, but share a perfect understanding.In this new and varied collection of short stories, Penelope Lively shows that she remains a master of her craft, and one of our finest English writers.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    Major literary talent Ramona Ausubel, author of Sons and Daughters of Ease and Plenty, coming Summer 2016, combines the otherworldly wisdom of her much-loved debut novel, No One Is Here Except All of Us, with the precision of the short-story form. A Guide toBeing Born is organized around the stages of life—love, conception, gestation, birth—and the transformations that happen as people experience deeply altering life events, falling in love, becoming parents, looking toward the end of life. In each of these eleven stories Ausubel’s stunning imagination and humor are moving, entertaining, and provocative, leading readers to see the familiar world in a new way.In “Atria” a pregnant teenager believes she will give birth to any number of strange animals rather than a human baby; in “Catch and Release” a girl discovers the ghost of a Civil War hero living in the woods behind her house; and in “Tributaries” people grow a new arm each time they fall in love. Funny, surprising, and delightfully strange—all the stories have a strong emotional core; Ausubel’s primary concern is always love, in all its manifestations.

    Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.

    ' First published this Spring in the New Yorker, The Embassy of Cambodia is a rare and brilliant story that takes us deep into the life of a young woman, Fatou, domestic servant to the Derawals and escapee from one set of hardships to another. Beginning and ending outside the Embassy of Cambodia, which happens to be located in Willesden, NW London, Zadie Smith's absorbing, moving and wryly observed story suggests how the apparently small things in an ordinary life always raise larger, more extraordinary questions.

    Matilda Simpkin, rooting through a cupboard, comes across a small wooden club – an old possession of hers, unseen for more than a decade.Mattie is a woman with a thrilling past and a chafingly uneventful present. During the Women’s Suffrage Campaign she was a militant. Jailed five times, she marched, sang, gave speeches, smashed windows and heckled Winston Churchill, and nothing – nothing – since then has had the same depth, the same excitement.Now in middle age, she is still looking for a fresh mould into which to pour her energies. Giving the wooden club a thoughtful twirl, she is struck by an idea – but what starts as a brilliantly idealistic plan is derailed by a connection with Mattie’s militant past, one which begins to threaten every principle that she stands for.Old Baggage is a funny and bittersweet portrait of a woman who has never, never given up the fight.

    In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, strange in the dark; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: the stories focus in on crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys, or a young woman reads the diaries she comes across when she’s housesitting. Small acts have large consequences, and some of them reverberate across decades; things fantasised in private can reach out to affect other people, for better and worse. An older woman recovering from serious illness speaks to a lonely young man on a train; an old friend brings bad news to a dinner party; a schoolteacher in the throes of a painful affair in 1914 has mixed feelings about her pupils’ suffragette craze. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.Bad Dreams shows yet again that Tessa Hadley is a master of her art, one of the very finest writers at work in Britain today.

    She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.

    A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    An engraving of a woman giving birth to rabbits, a plague ballad, theological pamphlets, and an articulated skeleton are ingeniously fleshed out into rollicking tales. Whether she's spinning the tale of a soldier tricked into marrying a dowdy spinster, or a Victorian surgeon's attempts to "improve" women, Donoghue fills us with the sights and smells of the period as she summons the ghosts of ordinary people, bringing them to unforgettable life in fiction.

    Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.