Moliere proves he is more than just the "master of the laugh," for behind the comic gestures of these matchless rogues, tight-fisted masters, possessive lovers and elegant ladies lurk fears, insecurities and their consequences.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    Deeply in love, Christophe and Joy Lammenais built Chateau Lammenais into a small but renowned Napa Valley winery and an idyllic home where they raised their beloved daughter, Camille, who takes on increasing responsibilities for the estate they all treasure. But after Joy's early death from breast cancer just after Camille's graduation from Stanford, a lonely Christophe soon falls prey to the machinations of a sophisticate from his native France-who moves, with her two reprobate sons, to consolidate her power over Camille and the property when Christophe is killed in a plane crash. With a French "fairy godmother" on the scene, however, the son of a neighboring vintner to assist, and a grand Harvest Ball on the horizon, lovely Camille may make some potent magic of her own..

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    A mystery, really. A man has been murdered. The mystery is, who he is, who murdered him and what were the circumstances? And to solve it, Wilson looks at the outsides and insides of his tiny, Middle Western town. He looks at a middle-aging woman who falls in love with the young man who comes to work in her cafe. He looks at a coarse, nasty woman mistreating her senile mother, who is obsessed with visions of Eldritch being evil and headed for blood-spilling. He looks at a tender relationship between a young man and a dreamy, crippled girl. But Wilson sees far more than this. He is grasping the very fabric of Bible Belt America, with its catchword morality ("virgin," "God-fearing") and its capability for the vicious. He senses the rhythm of its life and the cruelty it can impose. He understands the speech patterns of its loveless gossips, its sex-hungry boys, its compassionless preachers, its car-conscious blondes." In the end his portrait of Eldritch is full length, and the truth of its revelations will be pondered long after the stage lights have dimmed and the play has ended.

    In that small apartment, Black and White, as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the men though he is just as desperate to convince White of the power of faith as White is desperate to deny it. Their aim is no less than this: to discover the meaning of life. Deft, spare, and full of artful tension, The Sunset Limited is a beautifully crafted, consistently thought-provoking, and deceptively intimate work by one of the most insightful writers of our time.

    Before she began writing, Jane Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed - Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing, however, delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. This lively comedy of manners, with its witty and subtle exploration of relationships, is often seen as Jane Austen's masterpiece.Public Domain (P)2018 Audible, Ltd.

    Draupadi chose to be the wife of five.But Meera chose to be the devotee of just One.Life is ruled by our choices. And these choices hold the ultimate reins to everything our life depends on. These choices twist everybody’s life in this story.Udi is a force to reckon with. She is a strong and independent young woman who rules her emotions. Then Garv happens… the sweet, innocent and romantic man rocks her by the roots, and she is found treading down the paths that she had never vouched for herself.Her best friends, Rupali and Siddharth, are the only people she ever leans on. Rupali and Siddharth’s love story was a mistake from the start. Siddharth loves her with all his heart, but she has other desire, which leads her to her downfall, dragging Siddharth along.In this gamble of self-made choices, will Udi be found struggling to control her life?Will Garv stood up and make a choice?Will their choices by worth it?Read Oscar For Loving, Grammy For Not! Delve into the lives of Udi, Garv, Siddharth and Rupali, and find an inspiration to be strong, to find love, to maintain friendship, and to find the strength to live your life again… no matter what happens!

    I shall release you -SAKUNTALA When?KING When?When, like a bee, I kiss the bud of your unbruised lipAnd flood my thirsting mouth with nectar.Kalidasa's play about the love of King Dusyanta and Sakuntala, a hermitage girl, their separation by a curse, and eventual reunion, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone, in peformance The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, akin to certain types of mystical experience.The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation includes the famous version of the story from the Mahabharata, a poetic and dramatic text in its own right and a likely source for Kalidasa. The introduction discusses the play in the aesthetic and cultural context of ancient India.

    With her faith in academia beginning to erode and memories from her time in the Balkans and the Middle East haunting her, Nadia travels with her boyfriend, Philip Lucas, to rural England to visit her father, Oliver, who has his own past to reckon with. The challenge of Nadia's encounter with Oliver forces decisions on her that will affect her for the rest of her life.   For thirty-five years, David Hare has written plays that capture the flavor of our times and address the interconnection between our secret motives and our public politics. In The Vertical Hour, he continues his investigation of the morality of international intervention, and of how the war in Iraq impacts the lives of British and American citizens.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    Written immediately after the partition of the Indian subcontinent, the play is a profound meditation on the politics of violence and aggressive selfhood. The moral burden of the play is that every act of violence inevitably debases society as a whole. Alok Bhalla's translation captures the essential tension between the nightmare of self-enchantment, which the story of the Kauravas represents, and the ever-present possibility of finding a way out of the cycle of revenge into a redemptive ethicality.

    Like turtle doves. - In prison, I mean, for fuck's sake, the chances of that.PJ and Christy: sworn enemies destined to share one small room for twenty years. As the two men recall the joys and torments of life outside - the childhood excursions, a deadly brawl, past loves and summer dresses - slowly they uncover the tragic events that have lead them to their cell in Montjoy.A play that explores our capacity to commit the deadliest of crimes but also our capacity for survival, reconciliation and love, ON BLUEBERRY HILL by Sebastian Barry (twice winner of the Costa Book of the Year) premiered in a Fishamble production at the Pavilion Theatre as part of the Dublin Theatre Festival and at the Centre Culturel Irlandais in Paris in October 2017.

    Padma Nadir Majhi ( Bengali:,English title: Boatman of the River Padma or The Padma Boatman ) (1993) is an award-winning Indian Bengali feature film directed by Goutom Ghosh from novel,the same name Manik Banerjees Padma Nadir Majhi.Hossian Miya (Utpal Dutta),Bengali Muslim, a trader who offers to take this community to with an idealistic vision: he wants to establish a little utopia on an island (Moynadeep) in the Padma delta . and offer them a better life there. It is apparent that Hossian Miya has a flourishing business there, because he has recently purchased a huge boat because of expanding business.