On Stalin's orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. In one famous image, several Party members disappeared from an official photograph, to be replaced by a sylvan glade. For the past three decades, author and photohistorian David King has assembled the world's largest archive of photographs, posters, and paintings from the Soviet era. His collection has grown to more than a quarter of a million images, the best of which have been selected for The Commissar Vanishes. The efforts of the Kremlin airbrushers were often unintentionally hilarious. A 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, for example, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. The Commissar Vanishes is nothing less than the history of the Soviet Union, as retold through falsified images, many of them published here for the first time outside Russia. In each case, the juxtaposition of the original and the doctored images yields a terrifying - and often tragically funny - insight into one of the darkest chapters of modern history.

    But not until now has there been a memoir of life inside the camps written from the perspective of an actual employee of the Secret police. In this riveting memoir, superbly translated by Deborah Kaple, Fyodor Mochulsky describes being sent to work as a boss at the forced labor camp of Pechorlag in the frozen tundra north of the Arctic Circle. Only twenty-two years old, he had but a vague idea of the true nature of the Gulag. What he discovered was a world of unimaginable suffering and death, a world where men were starved, beaten, worked to death, or simply executed. Mochulsky details the horrific conditions in the camps and the challenges facing all those involved, from prisoners to guards. He depicts the power struggles within the camps between the secret police and the communist party, between the political prisoners (most of whom had been arrested for the generic crime of "counter-revolutionary activities") and the criminal convicts. And because Mochulsky writes of what he witnessed with the detachment of the engineer that he was, readers can easily understand how a system that destroyed millions of lives could be run by ordinary Soviet citizens who believed they were advancing the cause of socialism. Mochulsky remained a communist party member his entire life--he would later become a diplomat--but was deeply troubled by the gap between socialist theory and the Soviet reality of slave labor and mass murder. This unprecedented memoir takes readers into that reality and sheds new light on one of the most harrowing tragedies of the 20th century.

    It spanned the globe - from Greece to China, Hungary to Cuba - and lasted for almost half a century. It has shaped political relations to this day, drawing new physical and ideological boundaries between East and West.In this meticulously researched account, Bridget Kendall explores the Cold War through the eyes of those who experienced it first-hand. Alongside in-depth analysis that explains the historical and political context, the book draws on exclusive interviews with individuals who lived through the conflict's key events, offering a variety of perspectives that reveal how the Cold War was experienced by ordinary people. From pilots making food drops during the Berlin Blockade and Japanese fishermen affected by H-bomb testing to families fleeing the Korean War and children whose parents were victims of McCarthy's Red Scare, The Cold War covers the full geographical and historical reach of the conflict.Accompanying a landmark BBC Radio 4 series, A New Oral History of Life Between East and West is essential reading for anyone seeking to understand how the tensions of the last century have shaped the modern world, and what it was like to live through them.

    He has written the history of a utopian illusion and the tragic consequences it had for the people of the Soviet Union and the world." -- David Remnick, The New York Review of Books "In Martin Malia, the Soviet Union had one of its most acute observers. With this book, it may well have found the cornerstone of its history." -- Francois Furet, author of Interpreting the French Revolution "The Soviet Tragedy offers the most thorough scholarly analysis of the Communist phenomenon that we are likely to get for a long while to come...Malia states that his narrative is intended 'to substantiate the basic argument,' and this is certainly an argumentative book, which drives its thesis home with hammer blows. On this breathtaking journey, Malia is a witty and often brilliantly penetrating guide. He has much wisdom to impart." -- The Times Literary Supplement "This is history at the high level, well deployed factually, but particularly worthwhile in the philosophical and political context -- at once a view and an overview." -- The Washington Post

    The Bolsheviks, however, pursued their goals with an iron fist rather than with a free and idealistic hope that nurtured the individual. Russell was also staunchly opposed to the way that Bolshevism saw itself as a religion, with practices and beliefs that could brook no doubt. This, he determined, was no better than the Catholic Church, which he opposed.Anyone with an interest in Communism and the Soviet Union will find this a deeply thoughtful book.British philosopher and mathematician BERTRAND ARTHUR WILLIAM RUSSELL (1872-1970) won the Nobel Prize for Literature in 1950. Among his many works are Why I Am Not a Christian (1927), Power: A New Social Analysis (1938), and My Philosophical Development (1959).

    In the light of the soviet collapse her penetrating but not unsympathetic criticism becomes a grave indictment and her fears for the Communists uncannily prophetic of events to come.

    It is here that agents are brought to be trained, disciplined, and when necessary, broken.In shocking fashion, Suvorov recounts the first day of training when he is forced to watch a film that shows a disaffected GRU agent being burned alive. This is how the GRU reveals to its trainees that there is only one way out of the organization – death. Other GRU methods are as physically torturous as the viewing of that film is terrifying: electric shocks used to punish a failure of memory; being pushed off a speeding train; hand-to-hand combat with death row prisoners recruited for their viciousness. All are employed in the training of a top agent.It is the agent's job – once he is in the field – to gather information in any way he can. No source of information is too small or too banal. Agents of the GRU are said to have attended every exhibition on the planet in the last fifty years – from exhibits of military electronics and tanks to cats and flowers, with one of their most successful missions carried out at an exhibition of Chinese goldfish. Above all else, loyalty to the GRU is stressed. Agents are to trust no one and to be prepared to take even the life of a best friend for an act against the GRU. Gradually, Suvorov became disillusioned with the GRU, and it was when he was forced to betray one of his best friends that he made up his mind to defect.

    In order to get at the truth, this meticulously researched work covers the lives of both these men, from their youth right up to their ultimate collision. The Man Who Killed Rasputin is a superb retelling of a major historical event and is based on new revelations from the St. Petersburg police files. The book features many previously unpublished photographs, including the recently released Rasputin death pictures.At the time of the murder, Prince Youssoupov owned palaces throughout Russia. Just two years later, he and his wife were reduced to selling their possessions to survive. And wherever he went, he was always pointed out as the man who killed Rasputin.

    For the authors of this work, however, it instead represented the disappearance of a counterweight to colonialism and imperialism. They ask whether the Soviet demise was indeed inevitable, as the triumphalist right has claimed, suggesting that without the policies of Mikhail Gorbachev in the late 1980s the answer is "no." They examine the policies of Gorbachev as the product of ideological debates that had been continuing in the Communist Party since Lenin's time and as a response to the development of a second private economy within the overall socialist framework. Gorbachev's reforms of 1987, seen as comparable to policies pushed by Kruschev during 1954-1963 and advocated by Bukharin in the 1920s, discarded central tenets of Marxism-Leninism and prompted the collapse of the Soviet order. Annotation ©2004 Book News, Inc., Portland, OR

    From the persecution of his family under Stalin to his first political steps to his extraordinary rise within the Communist Party, Gorbachev recounts the events that led to his own disillusionment, without which the eventual implosion of communism would not have taken place. of photos.

    Music for Silenced Voices looks at Shostakovich through the back door, as it were, of his fifteen quartets, the works which his widow characterized as a "diary, the story of his soul." The silences and the voices were of many kinds, including the political silencing of adventurous writers, artists, and musicians during the Stalin era; the lost voices of Shostakovich's operas (a form he abandoned just before turning to string quartets); and the death-silenced voices of his close friends, to whom he dedicated many of these chamber works.Wendy Lesser has constructed a fascinating narrative in which the fifteen quartets, considered one at a time in chronological order, lead the reader through the personal, political, and professional events that shaped Shostakovich's singular, emblematic twentieth-century life. Weaving together interviews with the composer's friends, family, and colleagues, as well as conversations with present-day musicians who have played the quartets, Lesser sheds new light on the man and the musician. One of the very few books about Shostakovich that is aimed at a general rather than an academic audience, Music for Silenced Voices is a pleasure to read; at the same time, it is rigorously faithful to the known facts in this notoriously complicated life. It will fill readers with the desire to hear the quartets, which are among the most compelling and emotionally powerful monuments of the past century's music.

    Born in 1812, the illegitimate son of a wealthy Russian landowner, he became one of the most important revolutionary and intellectual figures of his time: as theorist, polemicist, propagandist, and political actor. Fifty years after his death, Lenin revered him as the father of Russian revolutionary socialism. Tolstoy said he had never met another man "with so rare a combination of scintillating brilliance and depth." His monumental autobiography is an unparalleled record of his—and his century's—remarkable life.Herzen's story of his privileged childhood among the Russian aristocracy is lit with the insight of a great novelist. With a trained historian's sense of the interaction of people and events, he limns the grand line of revolutionary development from the earliest stirrings of Russian radicalism throughthe tumultuous ideological debates of the international. His close friends and enemies—Marx, Wagner, Mill, Bakunin, Garibaldi, Kropotkin—are brought brilliantly alive. Dwight Macdonald's knowledgeable and fluent abridgment makes this great work readily available to the modern reader.

    Drawing on family diaries, on the contemplation of intriguing photographs in an old family album, and on stories passed down from father to son, he comes to terms with the meaning of his family's memories and histories. Focusing on his grandparents, Count Paul Ignatieff and Princess Natasha Mestchersky, he recreates their lives before, during, and after the Russian Revolution.

    There has never existed such a revolution of such significance and scale in the history of humanity’. – Hồ Chí Minh From Cuba to Vietnam, from China to South Africa, the October Revolution remains as an inspiration. After all, that Revolution proved that the working class and the peasantry could not only overthrow an autocratic government but that it could form its own government, in its image. It proved decisively that the working class and the peasantry could be allied. It proved as well the necessity of a vanguard party that was open to spontaneous currents of unrest, but which could guide a revolution to completion. This book explains the power of the October Revolution for the Third World. It is not a comprehensive study, but a small book with a large hope – that a new generation will come to see the importance of this revolution for the working class and peasantry in that part of the world that suffered under the heel of colonial domination. Vijay Prashad is the Executive Director of Tricontinental: Institute for Social Research. He is the author or editor of several books, including The Darker Nations: A Biography of the Short-Lived Third World and The Poorer Nations: A Possible History of the Global South (both from LeftWord). He is a columnist for Frontline and Alternet. He is Chief Editor at LeftWord Books.

    Drawing on newly opened archives and the reminiscences of the major players, John Lewis Gaddis explains not just what happened but why—from the months in 1945 when the U.S. and the U.S.S.R. went from alliance to antagonism to the barely averted holocaust of the Cuban Missile Crisis to the maneuvers of Nixon and Mao, Reagan and Gorbachev. Brilliant, accessible, almost Shakespearean in its drama, The Cold War stands as a triumphant summation of the era that, more than any other, shaped our own.