This riveting book offers 20 harrowing, real-life tales of sea kayaking accidents that will not only keep readers on the edge of their seats, but also instruct them with potentially life-saving lessons.

    The worldwide admiration he commanded remains unparalleled by any artist of the 20th century. Chagall's paintings, steeped in mythology and mysticism, portray colourful dreams and tales that are deeply rooted in his Russian Jewish origins. The memories and yearning they evoke recall his native Vitebsk, and the great events that mark the life of ordinary people: birth, love, marriage and death. They tell of a world full of everyday miracles - in the room of lovers, on the streets of Vitebsk, beneath the Eiffel Tower in Paris. Heaven and earth seem to meet in a topsy-turvy world in which whimsical figures of people and animals float through the air with gravity-defying serenity. This art album presents Chagall's work.

    Time to move up.When Donald was a kid in the late 60's on the South Side of Chicago, he had a Schwinn Sting Ray bike. Everyone did. But everyone else had a five-speed. Donald's was a three-speed. It was good enough, as was explained by his parents, just as their Ford Maverick wasn't the neighbor's Le Mans, but it was good enough. And that's the way Donald was taught to live his life. It was a three-speed life. It was good enough. He marries Emily because she's good enough. Emily marries Donald because that's what she had planned, and she is not going to experience divorce as did her parents. Donald opens a law practice with his two best friends and roommates from college because it's good enough.Then the Roths meet their son's future in-laws and everything changes. Donald wonders if, in fact, he could get that five-speed.In this hilarious and thought-provoking novel, the whole concept of morals and convention is turned inside out. Everything is perception. If you like Richard Russo, Tom Perotta, and Jonathan Franzen, you're going to love this book.

    This biography charts the rise and fall and rise again of British art's darkest star.

    mainland from Puerto Rico and realizes that New York City might have more in common with San Juan than he initially thought.Miguel's pet frog, Coquí, is always with him: as he greets his neighbors in San Juan, buys quesitos from the pandería, and listens to his abuelo's story about meeting baseball legend Roberto Clemente. Then Miguel learns that he and his parents are moving to the U.S. mainland, which means leaving his beloved grandparents, home in Puerto Rico, and even Coquí behind. Life in New York City is overwhelming, with unfamiliar buildings, foods, and people. But when he and Mama go exploring, they find a few familiar sights that remind them of home, and Miguel realizes there might be a way to keep a little bit of Puerto Rico with him--including the love he has for Coquí--wherever he goes.

    Miriam befriends Kate, whose grandmother owns the diner next door, and finds comfort in the company of Maria, the motel’s housekeeper, and her Uncle Mordy, who comes to help out for the summer. She spends her free time helping Kate’s grandmother make her famous grape pies and begins to face her fears by taking swimming lessons in the motel’s pool.But when it becomes clear that only a miracle is going to save the Jewel from bankruptcy, Jewish Miriam and Catholic Kate decide to create their own. Otherwise, the No Vacancy sign will come down for good, and Miriam will lose the life she’s worked so hard to build.

    An Ivy League graduate who grew up on Park Avenue takes his first job at the most sensational tabloid newspaper in New York City - and soon finds himself writing promotional stories about a cash giveaway contest intended to keep the paper alive! Jack Stone is not your everyday reporter, and his real education doesn’t begin in earnest until he hooks up with streetwise photographer Vinnie Corcora to do stories about the contest winners - a cast of characters who bring new meaning to "your tired, your poor, your huddled masses yearning to breathe free.” It’s a wild ride that defies expectations and stereotypes, and along the way Jack earns a Ph.D in the human condition - while learning the true meaning of love, loyalty and friendship.

    A young immigrant girl joins her aunt and uncle in a new country that is unfamiliar to her. She struggles with loneliness, with a fierce longing for the culture and familiarity of home, until one day, her aunt takes her on a walk. As the duo strolls through their city park, the girl's aunt begins to tell her an old myth, and a story within the story begins.A long time ago, a group of refugees arrived on a foreign shore. The local king met them, determined to refuse their request for refuge. But there was a language barrier, so the king filled a glass with milk and pointed to it as a way of saying that the land was full and couldn't accommodate the strangers. Then, the leader of the refugees dissolved sugar in the glass of milk. His message was clear: Like sugar in milk, our presence in your country will sweeten your lives. The king embraced the refugee, welcoming him and his people.

    Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.Madly transfixing details—noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars—become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.Picked for American Book Review's 100 Best First Lines from Novels

     Lee Barnes, James’ best friend and neighbour, is awaiting the imminent release of his wife, Lydia, who has served six years for infanticide. But he’s not as prepared as he thought. In a last ditch effort to make things as perfect as possible his already troubled life takes a nose dive. Geraldine and James combine their wits to investigate several historical, unsolved murders for James’ latest book. James is impressed by her keen eye and instincts. However, because of her inability to keep her mouth shut, Geri, once again, finds herself the target of a crazed and vengeful killer.

    Jane Austen's classic story about love and money is updated in this imaginative series with a little bit of blood, a touch of mayhem, and a whole bunch of zombies! 2 Book Set.

    As panicked motorists swerved out of her way, she continued for almost two miles. Blowing horns, flashing lights, and waving arms did nothing to deter her. Rounding a curve in the road, she rocketed head on into an oncoming SUV. The vehicles seemed to explode as they hit. The minivan plunged downhill and burst into flames as the SUV was pushed across two lanes and struck by another SUV. In the smoldering vehicle and twisted metal scattered along the highway, lay the bodies of eight people.Days later came the headlines;"Wrong Way Crash Mom Drunk and High!"

    history in this biography. In 1854, a young African American woman named Elizabeth Jennings won a major victory against a New York City streetcar company, a first step in the process of desegregating public transportation in Manhattan.One hundred years before Rosa Parks refused to give up her seat on a bus in Montgomery, Alabama, Elizabeth Jennings’s refusal to leave a segregated streetcar in the Five Points neighborhood of Manhattan set into motion a major court case in New York City.On her way to church one day in July 1854, Elizabeth Jennings was refused a seat on a streetcar. When she took her seat anyway, she was bodily removed by the conductor and a nearby police officer and returned home bruised and injured. With the support of her family, the African American abolitionist community of New York, and Frederick Douglass, Elizabeth Jennings took her case to court. Represented by a young lawyer named Chester A. Arthur (a future president of the United States) she was victorious, marking a major victory in the fight to desegregate New York City’s public transportation.

    It’s dangerous work but as the three friends risk life and limb for their country, they will discover that their lives are only just beginning…

    The Seven Deadly Sins of Psychology diagnoses the ills besetting the discipline today and proposes sensible, practical solutions to ensure that it remains a legitimate and reliable science in the years ahead.In this unflinchingly candid manifesto, Chris Chambers draws on his own experiences as a working scientist to reveal a dark side to psychology that few of us ever see. Using the seven deadly sins as a metaphor, he shows how practitioners are vulnerable to powerful biases that undercut the scientific method, how they routinely torture data until it produces outcomes that can be published in prestigious journals, and how studies are much less reliable than advertised. He reveals how a culture of secrecy denies the public and other researchers access to the results of psychology experiments, how fraudulent academics can operate with impunity, and how an obsession with bean counting creates perverse incentives for academics. Left unchecked, these problems threaten the very future of psychology as a science--but help is here.Outlining a core set of best practices that can be applied across the sciences, Chambers demonstrates how all these sins can be corrected by embracing open science, an emerging philosophy that seeks to make research and its outcomes as transparent as possible.