Let yourself be carried away to a grandiose SciFi world. With this COMPLETE collection you are holding all four Betania Breed SciFi romance novels in your hands – and mysterious background material is included. In over 800 pages, you will be up close and personal on an adventurous and dramatic voyage through the universe. The Captive Betania Breed Book One I am one of the few people who hasn’t given up the fight against the Sethari yet. I would rather die than surrender to the aliens who have enslaved us humans for more than one hundred years. Then the unthinkable happens: I am awarded to the leader of the aliens, so I can bear him healthy, viable children. I am prepared for anything, except this one thing – that this merciless warrior, with his strange eyes and scaly skin, would awaken feelings in me... The Prey Betania Breed Book Two Johar is the most merciless and successful bounty hunter there is. His reputation is legendary, for he has never let any prey slip through his fingers. His creator’s beautiful daughter hates Johar and lets him feel it every waking minute. But Johar knows something about her that nobody else knows. Not even she herself... The book takes place a few months after the events of book 1. The Human Betania Breed Book Three Talon Delkhari was the mightiest warlord of his people, until he dared to contradict his king. Instead of granting him an honorable death in the fight against their enemies, the king made him his chamberlain. His newest conquest is from Earth. He won her in a game, and Talon is supposed to deliver her safely to his bed. An easy assignment for someone like Talon. That’s what he thought, anyway, until this human woman awakens the predator lurking under his skin… The book takes place a few years after the events of book 2. The Dragon Betania Breed Book Four The fourth volume takes place shortly after the events in book 3. Coran Burke is an elite undercover agent from Earth. The tough and emotionless fighter has never failed. His new mission leads him to Dassuria where he is pursuing a dangerous dragon lord. At the center of his investigation is a woman who has a lot to hide - but despite her entanglement with the dragon lord, Coran can’t get her out of his head... Dark. Powerful. Sexy. This will be a ride you won't want to miss. * * * A SciFi Alien Alpha Romance Collection. Book 1-4 of the Betania Breed Series. * * * Warning: Intended for mature audiences only. Length: Total over 800+ pages

    The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner’s Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater. And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city. “Told with all the wit and style readers could wish for” (Booklist) Michael Riedel presents the drama behind every mega-hit or shocking flop. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.

    Four young women – members of the rebel army – are struggling to survive. Yet sometimes, the greatest threat comes not from the enemy, but from the brutality of those on your own side. Winner of the NAACP, Helen Hayes, and Best New Play awards, Eclipsed is a funny, compassionate, and daring new work.

    It was directed by Tony Speciale; it was produced by Dixon Place; the original music was by Duncan Sheik; the visuals were by Matthew Sandager; and the clothing was by Paul Marlow.

    Literally.She never wanted to go to the grand opening of the new Stark Megastore store. That was her sister Frida’s idea. But that day changed her life. In an attempt to save her sister Frida from certain harm, Em tries to push Frida out of the way, getting crushed by a falling television screen in the process.When Em wakes up in the hospital, she has no idea what happened. She can only recall bits of what happened that day, such as a certain gorgeous British singer and songwriter, Gabriel Luna, who sneaks into the hospital to give her flowers. But that’s not the only strange thing that happens. Her voice sounds funny, and soon her supposed best friend and celebutante Lulu Collins and her supposed boyfriend Brandon Stark kidnap her from the hospital and take her back to her supposed penthouse apartment. And Em has no idea why she’s being whisked off by famous people that’s she’s only heard of from skimming her sister Frida’s magazines. Until, of course, she finds out that she’s stuck in supermodel Nikki Howard’s body.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Weird. Crazy. These are the names tossed around seventeen-year old Jane Watts by her fellow classmates. But things aren’t always as they seem. Sometimes there’s a reason for talking to yourself in the hallway at school.Adjusting to her new home and school after an abrupt move, Jane just wants to be like everyone else at school. Although she does manage to make one friend, Evan — sixteen, charming and protective. Evan is everything a girl could want in a best friend, with one minor caveat: He’s dead.Caught somewhere between life and death, Evan is tied to Jane and the living world, unable to complete the journey to the other side. She thinks he’s here to be her friend, to take care of her, and that’s why no one else can see or hear him.That is, until a new boy shows up at school after a rumored stretch in juvie. Connor can see Evan and is not convinced that the ghost is completely honest. Past experience taught him how ghosts tend to need something from the humans they connect to and Evan, despite his arguments, isn’t any different.Jane is resentful of Connor’s intrusion but soon realizes that her ghostly friend has secrets about his past. And now Evan's family, still reeling from his tragic death, is in danger. Jane must face her fears and battle Evan’s human demons to free both of them.

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    This is where they send the new, the under-qualified, the old. And most of all the British. Mars is full of blonde Americans. It's like they're building the master race out there.Billions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.Alistair McDowall's play X premiered at the Royal Court on 30 March 2016 in the Jerwood Theatre Downstairs.

    Now middle-aged women, they were teenagers when Dean filmed Giant two decades ago in nearby Marfa. One of them, an extra in the film, has a child whom she says was conceived with Dean during the shoot. The ladies' congenial reminiscences mingle with flash backs to their youth; then the arrival of a stunning but familiar stranger se

    The only problem is Imogen’s protective best friend, Wynonna Jones. Wynonna has blue hair, jams to '80s rock, and has made a career out of tormenting Ezra for as long as he can remember.Then, on the night of a total solar eclipse, something strange happens to Ezra and Wynonna--and they wake up in each other’s bodies. Not only that, they begin randomly swapping back and forth every day! Ezra soon discovers Wynonna’s huge crush on his best friend, Holden, a five-foot-nothing girl magnet with anger management problems. With no end to their curse in sight, Ezra makes Wynonna a proposition: while swapping bodies, he will help her win Holden’s heart…but only if she helps him woo Imogen.Forming an uneasy alliance, Ezra and Wynonna embark on a collision course of mistaken identity, hurt feelings, embarassing bodily functions, and a positively byzantine production of Twelfth Night. Ezra wishes he could be more like Wynonna’s badass version of Ezra--but he also realizes he feels more like himself while being Wynonna than he has in a long time…Wildly entertaining and deeply heartfelt, Where I End and You Begin is a brilliant, unapologetic exploration of what it means to be your best self.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.