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    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.

    She is in love with young Artashes Otaryan, son of Elizbarov's late companion. Soon Artashes reveals to her the secret that his family has kept for years -- Elizbarov had stolen the fortune of his former companion; as a proof he presents to her Elizbarov's letters to his father. Margarita is appalled by her father's loss of honor, and is torn between her duty as a daughter and her sense of right and wrong.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    I’m gonna make him mine.I’m young and fresh and pretty. I’m bouncy and bubbly and everybody tells me I’m gorgeous.I can get any man I want, and I deserve a man like Vince.He’s so dreamy, so accomplished, so powerful.His pathetic wife is nothing compared to me.Oh sure, she used to be a runway model, but let’s face it, she’s not that firm anymore, and the stretch marks are beginning to show.Which is why I don’t even care if Vince stays married to her.I’ll just have my fun with him and rub it in her face.I’ll invite myself over to his house and make his wife prepare a candle-lit dinner for us.I’ll cuddle and smooch Vince in front of his wife and mock her while she refreshes my drink.She'll be lurking in the dark watching me and her husband.Her jaw hanging and her abdomen clenched.She’ll probably be excited by the whole scene.Isn’t that pathetic?Whatever. I don’t care. She can watch.She’d better not do anything weird though.That would be so pathetic.

    With her mother Florrie missing, and her spineless father no use at all, it fell to Kate to look after the family. But life in East London at the end of the nineteenth century had never been easy, and with her cruel half-brother Alex becoming more and more difficult, she despaired of ever seeing her beloved mother again. Her fortunes change when one day, searching for Florrie around the docks, she meets a friendly face in the form of John Kelly, a cheery Irishman who rescues her from a tricky situation. Together with his grandparents, John reminds her how good life can be – and she soon dreams of happiness with him. But the dark shadow of Alex hangs over her still, and when he learns of her new friendship, his cruelty slides into madness. Harbouring unnatural desires for his beautiful half-sister, he will never allow the Irishman to take her away – but Kate has inherited her mother’s spirit as well as her looks, and vows to forge her own way: discovering what became of Florrie, and giving herself a deserved chance of love… Bow Belles is an unputdownable saga from a master of the genre, sure to enthral readers of Dilly Court, Sally Warboyes, and Katie Flynn.

    It moves with how he went on a roller coaster ride of emotions while dealing with these pretty nymphs and his own idea of life, where relationships are beyond the emotional tie ups, have zero expectations and absolutely no commitment.Karan was fortunate enough to experience the real flavours of love in the form of warm affection, spicy sex and sour betrayal. His idea of romantic relationship is something which starts with a friendship, progresses with fingerlicious food at a restaurant, gets intense in a pub, gets sealed with a lip lock and later dissolves into a one-night stand. However, destiny had a different plan where he ended up falling in love with a girl, whom he thought to be, just another pawn in his journey of self-satisfaction.Sometimes even a short-lived relationship or an incident creates a huge impact on a person’s mind and may change the direction of his life. Life goes through a drastic change for Karan due to an incident and he realizes the importance of relationships.

    and Patrice Balark teamed up to bring you book one of this new and exciting drama filled series, The Wife of a Kingpin: Malik & Micah’s Story. Of course, romance, sex, deceit, backbiting, and illegal dealings will be served up like a five course meal. After losing his mom at the age of 18 during his senior year of high school, Malik Jefferson took comfort in the only thing that made sense to him at the time... the streets. Malik along with his best friend and right hand man, Rico “Goo” Grady, were taken under the wings and learned everything street by the connect who happened to be dating Goo's mom. They started out as corner boys and were making smooth waves along the way. After the connects demise, Malik and Goo went from the corner to the top. After being challenged for the top position over and over, the duo answered the call of being as ruthless as they wanted to be, thus informing Chicago and the world a new Kingpin had arrived. Eighteen year old Micah Sanders is all about her business. Not only is she a full-time student at the University of Illinois, but she also works part-time while being an unknown boss on the side. Coming from a life of privilege, Micah doesn't rebel against her upbringing, but she prefers to rely on herself to make her own way in the world. Despite having it all, she is only missing one thing, her now deceased brother. While everyone else may have forgotten about his untimely death, it stays at the forefront of Micah’s mind along with seeking revenge on whomever committed this heinous crime. Will she get the answer to the question that has been nagging her for so long? The first encounter was at random. The second encounter was accidental. But, the third encounter and every one afterwards were by design. After crossing paths with the beautiful mystery woman, Malik had to have her. It had been a while since the last time a woman captivated and held his interest that much. However, it was something more to the lady than meets the eye. He was on a mission to claim and to make Micah his woman. Malik and Micah are on the verge of starting something great. But, what happens when two bosses collide? Who will rule in the end? I don't know, but find out in book one of this new series. Warning: This book contains a cliffhanger.

    He and his Candace are the model successful couple to the outside world but Jaxon hasn't always played for the female team. When an old acquaintance comes to town the world that Jaxon thought he knew is turned upside down. Jaxon must fight his old ways to regain their lives but he soon learns he is not the only one with secrets. The truth can break hearts and wreck lives but will the Athens family survive? Find out what happens to Jaxon and Candace in the Down Low Love ***Get the COMPLETE STORY http://amzn.to/1HMvZpX***