It was intolerably hot and stifling. Kolpakov, who had just dined and drunk a whole bottle of inferior port, felt ill-humoured and out of sorts. Both were bored and waiting for the heat of the day to be over in order to go for a walk.

    It was first published in the Easter supplement of Prager Tagblatt on 20 April 1924. During his final illness Kafka corrected the proofs of the story for the inclusion into collection A Hunger Artist (Ein Hungerkünstler) published by Verlag Die Schmiede after his death.

    One day a learned Persian theologian visits this coffee-house. He is a man who has spent his life studying the nature of the Deity, and reading and writing books upon the subject. He has thought, read, and written so much about God, that he eventually lost his wits, became quite confused, and ceased even to believe in the existence of a God. The Shah, hearing of this, banished him from Persia.

    

    This is a collection of gripping tales of crime, crisis or disaster, in which ordinary people find themselves tested in extraordinary circumstances.

    These seemingly undistinguished possessions, stuffed into a worn-out suitcase, take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them, occasioning a brilliant series of interconnected tales: A poplin shirt evokes the bittersweet story of a courtship and marriage, while a pair of boots (of the kind only the Nomenklatura can afford) calls up the hilarious conclusion to an official banquet. Some driving gloves—remnants of Dovlatov’s short-lived acting career—share space with neon-green crepe socks, reminders of a failed black-market scam. And in curious juxtaposition, the belt from a prison guard’s uniform lies next to a stained jacket that once belonged to Fernand Léger.Imbued with a comic nostalgia overlaid with Dovlatov’s characteristically dry wit, The Suitcase is an intensely human, delightfully ironic novel from “the finest Soviet satirist to appear in English since Vladimir Voinovich.”

    

    The Gambler chronicles Dostoevsky's own addiction, which he eventually overcame. Many have argued that Notes from the Underground contains several keys to understanding the themes of the longer novels, such as Crime and Punishment and The Idiot.Great Short Works of Fyodor Dostoevsky includes:Notes from the UndergroundThe GamblerA Disgraceful AffairThe Eternal HusbandThe DoubleWhite NightsA Gentle CreatureThe Dream of a Ridiculous Man

    But Bunin's other stories are not to be missed. In Sunstroke, Graham Hettlinger has selected the "Gentleman" and twenty-four other stories and translated them afresh—several for the first time in English. The result is a collection that is remarkable in its crystalline prose, surprising in its vibrancy. It includes, among others, "Raven," "Cold Fall," "Muza," "Styopa," "Antigone," "In Paris," and "Late Hour." Never has the last of the great "gentry" writers and the first Russian to win the Nobel Prize for Literature received a more caring and passionate translation. The lyric impulse that motivated so much of Bunin's writing is evident throughout the stories in Sunstroke. In the prose miniatures, such as "Summer Day" and "Sky Above a Wall," he seeks only to capture a momentary impression or a passing scene rather than to write a traditional narrative. And even in his longer works, Bunin displays little interest in exploring the psychology of his characters or creating detailed plots. Instead these stories are primarily shaped by an urge to express both the intense, sensual pleasure of existence and the tragic fleetingness of life. Thus, even as they depict a wide range of affairs, seductions, betrayals, and deaths, they tend to read more like poetry than potboilers, delivering their most powerful effects through the rhythms and pacing of their sentences, their highly detailed, sensuous imagery, and the connotative richness of their language.Sunstroke confirms Bunin's stature as one of the greatest—and most neglected—Russian writers of the twentieth century.

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    The Overcoat which is generally acknowledged as the finest of Gogol's memorable Saint Petersburg stories, is a tale of the absurd and misplaced obsessions.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    This translation originally published under title: Stories and Prose Poems London: Bodley Head, 1971.

    Glory is the wryly ironic story of Martin Edelweiss, a twenty-two-year-old Russian émigré of no account, who is in love with a girl who refuses to marry him.  Convinced that his life is about to be wasted and hoping to impress his love, he embarks on a "perilous, daredevil project"--an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919.  He succeeds--but at a terrible cost.

    Best known for his poetry, he also wrote sparkling prose that revealed his national culture with elegance and understated humour. Here, his gift for portraying the Russian people is fully revealed. "The Tales of Belkin", his first prose masterpiece, presents a series of interlinked stories narrated by a good-hearted Russian squire - among them "The Shot", in which a duel is revisited after many years, and the grotesque "The Undertaker". Elsewhere, works such as the novel-fragment "Roslavlev" and the "Egyptian Nights", the tale of an Italian balladeer seeking an audience in St. Petersberg, demonstrate the wide range of Pushkin's fiction. "A Journey to Arzrum", the final piece in this collection, offers an autobiographical account of Pushkin's own experiences during the 1829 war between Russia and Turkey, and remains one of the greatest of all pieces of journalistic adventure writing.