The girls will stay at each other’s homes, attend school together, and record their experience in their journals. Catherine and her family have a beautiful home with plenty of space. Since Ivy June’s house is crowded, she lives with her grandparents. Her Pappaw works in the coal mines supporting four generations of kinfolk. Ivy June can’t wait until he leaves that mine forever and retires. As the girls get closer, they discover they’re more alike than different, especially when they face the terror of not knowing what’s happening to those they love most.From the Hardcover edition.

    And once she's there, things get even better. In no time, she catches the attention of two boys: one, a good-looking basketball star, the other, an interesting, fun boy who likes journalism. Shelley feels like the luckiest girl in the world. Now she's about to discover the magic of falling in love -- and a whole lot more!

    Young-sup is an expert at kite flying. He knows just what his kite wants him to do. Kee-sup has trouble handling his kite, but can build and design a kite fit for a king. Each brother knows his own talents as they practice together for the New Year kite-fighting competition. But according to tradition, Kee-sup, the first-born son, must represent the family. Young-sup knows he must help his older brother and stay in second place. But that doesn’t stop him from hoping for the chance to show his great skill as a kite fighter.

    Down in the Quarters people pray for freedom - they sing 'bout freedom, but to keep Mas' Henley from knowin' their true feelings, they call freedom "heaven." Everybody's mind is on freedom.But it is a word that aine never showed me no picture. While fannin' this afternoon, my eyes fell on "freedom" in a book William was readin'. No wonder I don't see nothin'. I been spellin' it F-R-E-D-U-M.I put the right letters in my head to make sure I remembered their place. F-R-E-E-D-O-M. I just now wrote it. Still no picture...

    His fearsome master has just one demand: steal Shakespeare's play "Hamlet"--or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama."A fast-moving historical novel that introduces an important era with casual familiarity." --School Library Journal, starred review

    Basil E. Frankweiler meets Chasing Vermeer in this clever middle-grade debut.When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather’s painting, she discovers what seems to be an old Renaissance masterpiece underneath. That’s great news for Theo, who’s struggling to hang onto her family’s two-hundred-year-old townhouse and support her unstable mother on her grandfather’s legacy of $463. There’s just one problem: Theo’s grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.With the help of some unusual new friends, Theo’s search for answers takes her all around Manhattan, and introduces her to a side of the city—and her grandfather—that she never knew. To solve the mystery, she’ll have to abandon her hard-won self-reliance and build a community, one serendipitous friendship at a time.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    Really, one kisses the air over his hand, and that's a good thing, for he's so glistening with lotions and powders to cover the liver spots on his skin, which he hates...Aunt Soap says he was a beautiful lad when he was young. "Prinny was the handsomest Prince ever. His curls were the colour of honey on toast, like that red-gold Russian sable the Princess de Lieven wears." Now, unfortunately, his beauty has quite fled. Perhaps he does wear a corset, as I once heard Lady C. remark--though I can't see that it does much good. (I'm sure she would be shocked to know I overheard. But I do wonder why so many people seem to think a young person's ears do not work unless they are instructed to by some adult.)

    Desperate for work, she'd taken on a seemingly impossible job -- teaching a child who was deaf, blind, and as ferocious as any wild animal. But Helen Keller needed more than a teacher. She needed someone daring enough to work a miracle. And if anyone was a match for Helen, it was the girl they used to call Miss Spitfire. For Annie, reaching Helen's mind meant losing teeth as raging fists flew. It meant standing up when everyone else had given up. It meant shedding tears at the frustrations and at the triumphs. By telling this inspiring story from Annie Sullivan's point of view, Sarah Miller's debut novel brings an amazing figure to sharp new life. Annie's past, her brazen determination, and her connection to the girl who would call her Teacher have never been clearer.

    Abandoned and set adrift on a small boat when she was just hours old, Crow's only companions are Osh, the man who rescued and raised her, and Miss Maggie, their fierce and affectionate neighbor across the sandbar.Crow has always been curious about the world around her, but it isn't until the night a mysterious fire appears across the water that the unspoken question of her own history forms in her heart. Soon, a chain of events is triggered, leading Crow down a path of discovery and danger.

    One day as she delivers lace to the palace, she is almost trampled by a crowd of courtiers -- only to be rescued by Marie Antoinette. Before Isabelle can believe it, she has a new job -- companion to the queen's daughter. Isabelle is given a fashionable name, fashionable dresses -- a new identity. At home she plies her needle under her grandmother's disapproving eye. At the palace she is playmate to a princess.Thrown into a world of luxury, Isabelle is living a fairy-tale life. But this facade begins to crumble when rumors of starvation in the countryside lead to whispers of revolution. How can Isabelle reconcile the ugly things she hears in the town with the kind family she knows in the palace? And which side is she truly on? Inspired by an actual friendship between the French princess and a commoner who became her companion, Kimberly Brubaker Bradley offers a vivid portrait of life inside the palace of Versailles -- and a touching tale of two friends divided by class and the hunger for equality and freedom that fueled the French Revolution.

    A pilgrim girl makes the exciting yet dangerous journey on the Mayflower, filling her diary with thoughts about new friends, contact with Native Americans at Plymoth Colony, and the sickness that leaves her motherless.

    When Hollis is sent to Josie, an elderly artist who is quirky and affectionate, she wants to stay. But Josie is growing more forgetful every day. If Social Services finds out, they'll take Hollis away and move Josie into a home. Well, Hollis Woods won't let anyone separate them. She's escaped the system before; this time, she's taking Josie with her. Still, even as she plans her future with Josie, Hollis dreams of the past summer with the Regans, fixing each special moment of her days with them in pictures she'll never forget. Patricia Reilly Giff captures the yearning for a place to belong in this warmhearted story, which stresses the importance of artistic vision, creativity, and above all, family.

    It's now 1943 and their life in Copenhagen is filled with school, food shortages, and the Nazi soldiers marching through town. When the Jews of Denmark are "relocated," Ellen moves in with the Johansens and pretends to be one of the family. Soon Annemarie is asked to go on a dangerous mission to save Ellen's life.

    The two-time Coretta Scott King Honor Book recipient offers a poignant narrative about a freed slave girl during the Reconstruction Era in the South.