But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    Recording the events and observations of a journey across the length and breadth of the country that he loves dearly, this travelogue brings Portugal to life as only a writer of Saramago's brilliance can. Forfeiting sources of information such as tourist guides and road maps, he scours the country with the eyes and ears of an observer fascinated by the ancient myths and history of his people. Whether an inaccessible medieval fortress set on a cliff, a wayside chapel thick with cobwebs, or a grand mansion in the city, the extraordinary places of this land come alive with the kings, warriors, painters, explorers, writers, saints, and sinners who have fed its rich store of myth and history. Always meticulously attentive to those elements of ancient Portugal that persist today, he examines the country in its current period of rapid transition and growth.Infused with the tenderness and intelligence that have become familiar to his readers, Saramago's Journey to Portugal is an ode of love for a country and its rich traditions.About the AuthorJosé Saramago was born in Portugal in 1922. His work includes plays, poetry, short stories, nonfiction, and seven novels, including Baltasar and Blimunda and The History of the Seige of Lisbon. In 1998 he was awarded the Nobel Prize for Literature.Amanda Hopkinson translates contemporary literature, mainly from Latin America, and reviews for leading British newspapers.Nick Caistor, journalist and producer of BBC programs, has translated the work of several authors including Eduardo Mendoza and Juan Carlos Onetti.

    They can survive in the harshest of conditions like nobody else. The noble inmouchar Gacel Sayah, is the master of a large extension of the desert. One day, two fugitives arrive from the north and Gacel, following his ancient and sacred hospitality laws, gives them shelter. However, Gacel doesn't realise that his act of kindness will lead him towards a deadly adventure.

    The Travels recounts Polo's journey to the eastern court of Kublai Khan, the chieftain of the Mongol empire which covered the Asian continent, but which was almost unknown to Polo's contemporaries. Encompassing a twenty-four year period from 1271, Polo's account details his travels in the service of the empire, from Beijing to northern India and ends with the remarkable story of Polo's return voyage from the Chinese port of Amoy to the Persian Gulf. Alternately factual and fantastic, Polo's prose at once reveals the medieval imagination's limits, and captures the wonder of subsequent travel writers when faced with the unfamiliar, the exotic or the unknown.

    Macedonio (known to everyone by his unusual first name) worked on this novel in the 1930s and early '40s, during the heyday of Argentine literary culture, and around the same time that At Swim-Two-Birds was published, a novel that has quite a bit in common with Macedonio's masterpiece. In many ways, Museum is an "anti-novel." It opens with more than fifty prologues—including ones addressed "To My Authorial Persona," "To the Critics," and "To Readers Who Will Perish If They Don’t Know What the Novel Is About"—that are by turns philosophical, outrageous, ponderous, and cryptic. These pieces cover a range of topics from how the upcoming novel will be received to how to thwart "skip-around readers" (by writing a book that’s defies linearity!). The second half of the book is the novel itself, a novel about a group of characters (some borrowed from other texts) who live on an estancia called "la novella" . . . A hilarious and often quite moving book, The Museum of Eterna's Novelredefined the limits of the genre, and has had a lasting impact on Latin American literature. Authors such as Jorge Luis Borges, Julio Cortázar, and Ricardo Piglia have all fallen under its charm and high-concepts, and, at long last, English-speaking readers can experience the book that helped build the reputation of Borges's mentor.

    Brings together three hilarious pieces by America's comic genius: Without Feathers, a secret journal that addresses life's "big" questions; Getting Even, Woody as psychologist, historian, and philosopher; and Side Effects, Woody's take on UFOs and more.

    Drawing on memories of his childhood in theAlps, Cognetti explored the roots of life in the mountains, truly getting to know the communities and the nature that forged this resilient, almost mythical region. Accompanying him was Remigio, a childhood friend who had never left the mountains of Italy, and Nicola, a painter he had recently met. Joined by a stalwart team of local sherpas, the trio started out in the remote Dolpo region of Nepal. From there, a journey of self-discovery shaped by illness, human connection, and empathy was born.Without Ever Reaching the Summit features line illustrations drawn by the author.

    Making his way to Paris at the end of World War II, Clébert took to living on the streets, and in Paris Vagabond, a so-called “aleatory novel” assembled out of sketches he jotted down at the time, he tells what it was like. His “gallery of faces and cityscapes on the road to extinction” is an astonishing depiction of a world apart—a Paris, long since vanished, of the poor, the criminal, and the outcast—and a no less astonishing feat of literary improvisation: Its long looping breathless sentences, streetwise, profane, lyrical, incantatory, are an adventure in their own right. Praised on publication by the great novelist and poet Blaise Cendrars, and embraced by the young Situationists as a kind of manual for living off the grid, Paris Vagabond—here published with the starkly striking photographs of Clébert’s friend Patrice Molinard—is a raw and celebratory evocation of the life of a city and the underside of life.

    As an impoverished writer in need of rejuvenation, Miller travelled to Greece at the invitation of his friend, the writer Lawrence Durrell. The text is inspired by the events that occurred. The text is ostensibly a portrait of the Greek writer George Katsimbalis, although some critics have opined that is more of a self-portrait of Miller himself.[1] Miller considered it to be his greatest work.

    An adaptation of the ballad singing culture of the gaucho minority that saw its way of life threatened by social and political changes of the 19th century.

    Photographs.

    Very quickly the Castro government suppressed his writing and persecuted him for his homosexuality until he was finally imprisoned.

    In the late 90s, post–Soviet Union, he decided to explore Siberia—this time by truck, by bus, by boat. The result is an evocative account of an extraordinary region. He travels through exotic cities and deserted villages, meets nostalgic old Stalinists and aggressive Orthodox churchmen, and generally interweaves Siberia's fascinating history with a description of the place today.

    The garden burns with sunlight; the macaws laugh sweetly. Otilia, Ismail's wife, is ashamed of his peeping and suggests that he pay a visit to Father Albornoz. Instead, Ismail wanders the town visiting old friends, plagued by a tangle of secret memories. "Where have I existed these years? I answer myself; up on the wall, peering over." When the armies slowly arrive, the profesor's reveries are gradually taken over by a living hell. His wife disappears and he must find her. We learn that not only gentle, grassy hillsides surround San Joseacute; but landmines and coca fields. The reader is soon engulfed by the violence of Rosero's narrative that is touched not only with a deep sadness, but an extraordinary tenderness.

    In a series of sharply etched scenes, he portrays the languages and cultures of the people who fill its bazaars, cafes, and streets. The book presents vivid images of daily life: the storytellers in the Djema el Fna, the armies of beggars ready to set upon the unwary, and the rituals of Moroccan family life. This is Marrakesh -described by one of Europe’s major literary intellects in an account lauded as "cosmopolitan in the tradition of Goethe" by the New York Times. "A unique travel book," according to John Bayley of the London Review of Books.