Her sister may be speedy at spelling, her friend fast at braiding hair, and her brother brave with bulls, but when it comes to chickens, nobody is faster or braver than Lami. That is, until the day when Lami chases a little too fast, up the baobab tree, and reaches a little too far…ow! How can she catch chickens with an ankle that’s puffed up like an angry lizard? Could it be, as Nana Nadia says, that quick thinking is more important than quick running? Award-winning author Atinuke celebrates Nigerian village life in a story vibrantly illustrated by Angela Brooksbank with a universal message at its heart.

    When she realizes she is lost, she begins to panic. A large grey wolf makes a sudden appearance between some distant trees. Using his sense of smell, he determines where she came from and decides to help her. Through a series of questions from the wolf, the little girl realizes she had the knowledge and skill to navigate herself--she just needed to remember that those abilities were there all along.

    Nadia Sammurtok lovingly invites the reader into the amautik―the pouch in the back of a mother’s parka used to carry a child―to experience everything through the eyes of the baby nestled inside, from the cloudlike softness of the pouch to the glistening sound of Anaana’s laughter.Sweet and soothing, this book offers a unique perspective that will charm readers of all ages.

    Based on the true story of Margaret Pokiak-Fenton, and complemented by evocative illustrations, Not My Girl makes the original, award-winning memoir, A Stranger at Home, accessible to younger children. It is also a sequel to the picture book When I Was Eight. A poignant story of a determined young girl’s struggle to belong, it will both move and inspire readers everywhere.

    And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger. Though her father reassures her that Mi’kmaq is who she is from her eyes to her toes, Swift Fox doesn’t understand what that means. Her family welcomes her with smiles and hugs, but when it’s time to smudge and everyone else knows how, Swift Fox feels even more like she doesn’t belong. Then she meets her cousin Sully and realizes that she’s not the only one who’s unsure—and she may even be the one to teach him something about what being Mi’kmaq means.

    Sophie's dad holds the platter so Sophie can push the elevator button for the tenth floor. But on the way up, the elevator stops to let the Santucci brothers get on. Then on the next floor, Vicky, Babs and their dog, Norman, get in. And as the elevator ascends, it keeps stopping, and more neighbors squeeze in to the crowded space: the Habibs, the Flores family, Mr. Kwan, Vi Tweedle with her Chihuahua, Minx. Everyone is going to the party!Playfully combining the excitement and anticipation of a party with children's universal love of riding in elevators, Sherry J. Lee's picture book story is ultimately about community and a sense of belonging. With characters from many cultural backgrounds, it showcases the everyday diversity that many urban children experience. Charlene Chua's illustrations provide loads of funny details and visual narratives that aren't in the text, making for a multilayered reading experience. The book's tall, narrow trim size adds to the effect of the rising elevator.

    Lyrically and lovingly written, this visually stunning book is infused with the Inuit values of love and respect for the land and its animal inhabitants.

    Who will earn the honor in this story?The First Laugh Ceremony is a celebration held to welcome a new member of the community. As everyone--from Baby's nima (mom) to nadi (big sister) to cheii (grandfather)--tries to elicit the joyous sound from Baby, readers are introduced to details about Navajo life and the Navajo names for family members. Back matter includes information about other cultural ceremonies that welcome new babies and children, including man yue celebration (China), sanskaras (Hindu) and aquiqa (Muslim).

    Here, the homes are on stilts and everyone travels around by boat—even to school! When the rainy season comes, they must leave their village and relocate to higher ground for a while. But after moving this year, Cauã and Inaê realize they’ve left behind something important: their pet tortoise, Titi! Unlike turtles, tortoises can’t swim, and Cauã and Inaê are really worried. So the pair sneaks back at night on a journey along the river to rescue him. Will they be able to save Titi?This picture book, first published in Brazil, offers kids a unique look into the lives of children who live along Brazil’s beautiful Tapajós River.

    Fry bread is food.It is warm and delicious, piled high on a plate.Fry bread is time.It brings families together for meals and new memories.Fry bread is nation.It is shared by many, from coast to coast and beyond.Fry bread is us.It is a celebration of old and new, traditional and modern, similarity and difference.

    . . and his voice. The entire village is silenced by grief, and the young child's anger at the ocean grows. Then one day his neighbor, Mr. Hirota, begins a mysterious project—building a phone booth in his garden. At first Makio is puzzled; the phone isn't connected to anything. It just sits there, unable to ring. But as more and more villagers are drawn to the phone booth, its purpose becomes clear to Makio: the disconnected phone is connecting people to their lost loved ones. Makio calls to the sea to return what it has taken from him and ultimately finds his voice and solace in a phone that carries words on the wind.The Phone Booth in Mr. Hirota's Garden is inspired by the true story of the wind phone in Otsuchi, Japan, which was created by artist Itaru Sasaki. He built the phone booth so he could speak to his cousin who had passed, saying, "My thoughts couldn't be relayed over a regular phone line, I wanted them to be carried on the wind." The Tohoku earthquake and tsunami in 2011 destroyed the town of Otsuchi, claiming 10 percent of the population. Residents of Otsuchi and pilgrims from other affected communities have been traveling to the wind phone since the tsunami.

    From Uncle she gathers stories of long-ago traditions, about dances and sharing and gratitude. Windy can tell such stories herself–about her dog, Itchy Boy, and the way he dances to request a treat and how he wriggles with joy in response to, well, just about everything. When Uncle and Windy Girl and Itchy Boy attend a powwow, Windy watches the dancers and listens to the singers. She eats tasty food and joins family and friends around the campfire. Later, Windy falls asleep under the stars. Now Uncle's stories inspire other visions in her head: a bowwow powwow, where all the dancers are dogs. In these magical scenes, Windy sees veterans in a Grand Entry, and a visiting drum group, and traditional dancers, grass dancers, and jingle-dress dancers–all with telltale ears and paws and tails. All celebrating in song and dance. All attesting to the wonder of the powwow.

    He's ready to make a splash!I'm ready to pull off the perfect cannonball, but everyone has advice."You need more weight""Bigger shorts!""More muscles!""BIGGER SHORTS!"All it really takes is listening to your own voice and finding the courage to make the perfect cannonball.

    Every day, on the way to and from school, he had something to say. Sometimes, he told the kids silly stories. Sometimes, he taught the kids a new word in Cree."Nimoshom and His Bus" introduces basic Cree words. A glossary is included in the back of the book.

    She doesn't see herself as wahine (girl) OR kane (boy). She's happy to be in the middle. But not everyone sees it that way.When Ho'onani finds out that there will be a school performance of a traditional kane hula chant, she wants to be part of it. But can a girl really lead the all-male troupe? Ho'onani has to try . . .Based on a true story, Ho'onani: Hula Warrior is a celebration of Hawaiian culture and an empowering story of a girl who learns to lead and learns to accept who she really is--and in doing so, gains the respect of all those around her.Ho'onani's story first appeared in the documentary A Place in the Middle by filmmakers Dean Hamer and Joe Wilson.