McKiernan the bestselling author of the Mithgar novels, presents a new version of a fable that fires the imagination and touches the heart....Once upon a winter's night, a poor crofter trades his daughter Camille to wed Prince Alain of the Summerwood in exchange for a lifetime of riches. Though love blossoms between Camille and the prince, he is haunted by sadness and will not allow her to see his unmasked face. Believing she can lift whatever curse has been bestowed upon him, Camille acts on her own-- with devastating results, all she loves is swept away.Now, to regain what she has lost, she must embark on a desperate quest through the hinterlands of Faery, seeking a mysterious place lying somewhere east of the sun and west of the moon....

    As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

    A young nobleman glimpses the legendary Firebird as it steals cherries from his father's orchards, and he journeys through a fantastical version of Old Russia to find the Firebird and fall in love.

    Set in two distinct time periods, prepare to travel back to medieval times and learn the tragic back-story of the Piper family, a medieval-era family of traveling minstrels. Then, jump into the present to follow a tale of espionage as Peter Piper slowly hunts down his evil brother for a heinous crime, pitting Peter's talents as a master thief against Max's dark magical powers.Based on the long-running and award-winning comic book series Fables, Peter & Max is its own tale. Readers don't have to be familiar with the comics to fully enjoy and understand this book.

    Picture instead a masterfully evoked Old West where you are more likely to find coyotes as the seven dwarves. Insert into this scene a plain-spoken, appealing narrator who relates the history of our heroine’s parents—a Nevada silver baron who forced the Crow people to give up one of their most beautiful daughters, Gun That Sings, in marriage to him. Although her mother’s life ended as hers began, so begins a remarkable tale: equal parts heartbreak and strength. This girl has been born into a world with no place for a half-native, half-white child. After being hidden for years, a very wicked stepmother finally gifts her with the name Snow White, referring to the pale skin she will never have. Filled with fascinating glimpses through the fabled looking glass and a close-up look at hard living in the gritty gun-slinging West, this is an utterly enchanting story…at once familiar and entirely new.

    One gloomy, windswept morning, as she stands in a convent garden overlooking the icy sea, she witnesses a miracle: a glittering mermaid emerging from the waves, a nearly drowned man in her arms. By the time Margrethe reaches the shore, the mermaid has disappeared into the sea. As Margrethe nurses the handsome stranger back to health, she learns that not only is he a prince, he is also the son of her father's greatest rival. Sure that the mermaid brought this man to her for a reason, Margrethe devises a plan to bring peace to her kingdom.Meanwhile, the mermaid Princess Lenia longs to return to the human man she carried to safety. She is willing to trade her home, her voice, and even her health for legs and the chance to win his heart...A surprising take on the classic tale, Mermaid is the story of two women with everything to lose. It will make you think twice about the fairy tale you heard as a child, keeping you in suspense until the very last page.

    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    His religion fills his heart and his mind, and he strives for the knowledge and leadership his father demonstrates. But on the day of the Feast of Sacrifices, Orasmyn makes a foolish choice that results in a fairy's wretched punishment: He is turned into a beast, a curse to be undone only by the love of a woman. Thus begins Orasmyn's journey through the exotic Middle East and sensuous France as he struggles to learn the way of the beast, while also preserving the mind of the man. This is the story of his search, not only for a woman courageous enough to love him, but also for his own redemption.

    But when she is seventeen, Lord Hugh, whom she hasn’t seen in years, dies under mysterious circumstances. Marian is left alone again—a widow who has never been a bride. But now, like all unmarried young ladies of fortune, she is made the ward of King Richard the Lionheart. Since Richard is away on Crusade, Marian’s fate lies in the hands of his mother, the formidable Queen Eleanor of Aquitaine. The bridegroom Eleanor selects will get Marian’s lands and, in return, pledge his loyalty—and silver—to the king. Marian herself is irrelevant and she knows it. Determined not to be sold into another sham marriage, she seeks out the one man who can help uncover the queen’s intentions: Robin Hood, the notorious Saxon outlaw of Sherwood Forest.Marian is surprised to discover that the famed “prince of thieves” is not only helpful but handsome, likeable, and sympathetic to her plight. Robin’s men intercept a letter from Queen Eleanor, from which Marian learns, to her horror, that she is to marry her late husband’s brother. His family has a history of mysterious deaths, and Marian knows she is in danger. Once married, she can be easily disposed of—a fate she may have escaped once already. On the eve of her wedding, Robin Hood spirits Marian back to the forest. The Queen believes her to be dead, and Marian begins a new life with Robin Hood’s outlaws, who pledge to help her regain her fortune and expose the treachery of her enemies.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    But what of her stepsisters, the homely pair exiled into ignominy by the fame of their lovely sibling? What fate befell those untouched by beauty ... and what curses accompanied Cinderella's looks?Set against the backdrop of seventeenth-century Holland, Confessions of an Ugly Stepsister tells the story of Iris, an unlikely heroine who finds herself swept from the lowly streets of Haarlem to a strange world of wealth, artifice, and ambition. Iris's path quickly becomes intertwined with that of Clara, the mysterious and unnaturally beautiful girl destined to become her sister. While Clara retreats to the cinders of the family hearth, Iris seeks out the shadowy secrets of her new household -- and the treacherous truth of her former life.

    And, stranger still, she sees that her mother is none other than the beautiful enchantress who cursed the castle and all its inhabitants. Shocked and confused, Belle and the Beast will have to unravel a dark mystery about their families that is 21 years in the making.As Old as Time is the third book in a new YA line that reimagines classic Disney stories in surprising new ways.

    A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away, the mythic figures of our childhoods and the source of so much of our wonder are transformed by Michael Cunningham into stories of sublime revelation. Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans. Re-imagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

    Brimming with ballads, riddles, and magical transformations, here is the timeless tale of a charismatic bard whose talents earn him a two-edged otherworldly gift.A minstrel lives by his words, his tunes, and sometimes by his lies. But when the bold and gifted young Thomas the Rhymer awakens the desire of the powerful Queen of Elfland, he finds that words are not enough to keep him from his fate. As the Queen sweeps him far from the people he has known and loved into her realm of magic, opulence—and captivity—he learns at last what it is to be truly human. When he returns to his home with the Queen’s parting gift, his great task will be to seek out the girl he loved and wronged, and offer her at last the tongue that cannot lie.

    Both evoke a similar sensation in us — we find them beautiful and magical, but also spooky, sometimes horrifying.In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairytales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairystory.Written with Sara's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.