Edited by literary critic Isagani R. Cruz, this collection spans from 1925 to 1998. In this book readers will meet both famous and unfamiliar writers in both conventional and unexpected renditions of the genre. Although many of the stories are acknowledged masterpieces, the editor also chose stories on the basis of their ability to represent a particular author or decade. The stories of the 25 men and women writers represented here depict a vast gamut of human experience and emotions that, collectively, produce a stunning portrait of Philippine life and society. Dr. Cruz is a professor of literature at De Lasalle University, where he is also publisher of DLSU Press. He is himself a multi-awarded author and columnist, and the founding chair of the Manila Critics Circle. In a country where English has been the medium of instruction since the turn of the century, it is but fitting for the Philippines to share with the rest of the world its own vibrant treasury of short fiction. This richly satisfying collection represents the very best to emerge out of the Philippines in our century.

    This novel challenged its readers to solve or alleviate the festering wound of Philippine society: the widespread feudalism in the countryside. Francisco identifies the cause of poverty of the farmers and describes their helplessness in the hands of the landlord. He introduces characters of a different kind: one that does not allow oneself to be carried away by the flood of life, and instead acts according to one’s own principle and goal of helping others.

    Adrian is rich, innocent, handsome—the son of a leading family; Anna has been widowed in the rebel struggle and was herself detained and tortured by the military; Eliza, the beautiful daughter of a courtesan, is now the object of the perverted desires of the depraved Colonel Amor, Anna's tormentor.As the heat of the carnival brio rises, so do intimations of revolution, for somewhere in the jungle the rebel leader Guevara is plotting a terrorist act: a bomb will be placed at the speakers' stand timed to explode when the governor appears. Anna makes contact with the rebels, while Eliza plots to kill Amor for what he has done to her friend. And Adrian is captured and drugged by the colonel.As the tension builds, the novel moves back in time, in the Book of Numbers, on a headlong, magical, sometimes hallucinatory reprise of Filipino history and the history of the families of the three young people. We learn of the Japanese atrocities, Filipino greed and treachery, American coldness and venality. We learn how Adrian's fortune was made, how Anna became the strange and silent thinker she is, how Eliza is distantly related by European blood to Anna. And we meet characters whose literally fabulous—a woman who forces icons to respond prayers, a distillery owner who is also master of forty-two ways of self-indulgence, a self-contained maid who determines her master's fat, a boy who falls in love with saxophone, a teenage Chinese girl with bound feet who dreams of the return of the Manchu Dynasty, a German chemist unable to brew beer...Finally, in the Book of Revelations, we reawaken to the present: once again we are at the festival on K_____, about to witness the novel's shattering conclusion, its terrifying finale.Like Isabel Allende's The House of The Spirits, Ninotchka Rosca's novel is both a work of art and a powerful illumination of an entire culture and a country in conflict. Her achievement is timeless as well as masterful.

    Released by Summit Books, the book compiles over 100 of their craziest, naughtiest, and most laugh-out-loud Top 10 lists.The Best of Chico & Delamar’s The Morning Rush Top 10 is guaranteed to keep a smile on your face all day with page after page of quotable quotes, pick-up lines, statements, and more. The Morning Rush with Chico & Delamar has been airing on RX 93.1 since 1996 and has already been awarded as Best Comedy Program in the 19th KBP Golden Dove Awards.-The Manila Bulletin Newspaper Online (mb.com.ph)

    But Excel knows that his family is far from normal. His mother, Maxima, was once a Filipina B-movie action star who now makes her living scamming men online. The old man they live with is not his grandfather, but Maxima’s lifelong martial arts trainer. And years ago, on Excel’s tenth birthday, Maxima revealed a secret that he must keep forever. “We are ‘TNT’—tago ng tago,” she told him, “hiding and hiding.” Excel is undocumented—and one accidental slip could uproot his entire life.Casting aside the paranoia and secrecy of his childhood, Excel takes a leap, joining Sab on a journey south to a ramshackle desert town called Hello City. Populated by drifters, old hippies, and washed-up techies—and existing outside the normal constructs of American society—Hello City offers Excel a chance to forge his own path for the first time. But after so many years of trying to be invisible, who does he want to become? And is it possible to put down roots in a country that has always considered you an outsider?

    Philippine Literature: A History and Anthology gives direction to the study of Philippine Literature and provides an interpretation of literary development in the Philippines.

    So the kind and character of his works: very rare, exceptional, unique, maverick, exceedingly original fiction: rara avis that's a quantum leap away and departure... At least three or four in this collection already strike one as veritable classics." - GREGORIO C. BRILLANTES

    Set against the turbulent history of East Asia in the twentieth century and by turns erotic and tragic, Magdalena vividly depicts three generations of strong Filipino women. Aimee Liu, author of Cloud Moutain Cecilia Manguerra Brainard s novel Magdalena takes its title from a protagonist descended from several generations of equally compelling female characters. . . Brainard uses a nonlinear narrative and multiple points of view to describe the history of the Philippines that roughly corresponds to its contact with the United States from the Spanish American War to the war in Vietnam. The novel brings into focus not only the romantic and social conflicts of different generations of women but also economic and racial divisions in the Philippines . . . Interspersed throughout the novel are archival photographs of places and people, photographs that remind the reader that while the characters are fictional, the backdrop is historical reality. Kathleen Flanagan, Longwood University, World Literature Today With her second novel, Magdalena, Cecilia Brainard adds new portraits to the gallery in Philippine literature. She has always had a strong sense of place. Here, she provides an inner landscape as well. Together, these provide the coordinates for the family secrets that bind the characters as securely as bloodlines. Linda Ty-Casper, author of The Stranded Whale In this novel, Brainard blends a series of multiple perspectives to create a polyphony of voices that enacts Philippine society before and during the Second World War. The narrative is a nuanced vision of the workings of culture, social class, obligation and the Filipino personality. Rocio G. Davis, author of Transcultural Reinventions: Asian American and Asian Canadian Short Story Cycles I have been looking for a good story about the war. N.V.M. Gonzalez, author of The Bread of Salt and Other Stories (upon reading Winning Hearts and Minds, one chapter of Magdalena.) About Brainard s first novel When the Rainbow Goddess Wept The strengthening of the national spirit; the loss of innocence in two generations these themes are explored by the author, who was born in the Philippines, with persuasive conviction and stark realism. (Publishers Weekly) A fast-paced, sensitively written first novel about the psychological damage war wreaks, seen through the eyes of an intelligent, resilient young girl ... Brainard s appealing characters are larger-than-life people who change before our eyes, yet remain utterly convincing. (Kirkus Review) "

    V. M. Gonzalez has influenced an entire generation of young Philippine writers and has also acquired a devoted international readership. His books, however, are not widely available in this country. The Bread of Salt and Other Stories provides a retrospective selection of sixteen of his short stories (all originally written in English), arranged in order of their writing, from the early 1950s to the present day.This is a powerful collection, both for the unity and universality of the author's subjects and themes and for the distinctive character of his prose style. As Gonzalez remarks in his Preface: "In tone and subject matter, [these stories] might suggest coming full circle - in the learning of one's craft, in finding a language and, finally, in discovering a country of one's own."Gonzalez has traveled widely and has taught the writer's craft in various countries. Nonetheless, his primary metaphor is his colonial island homeland, and his stories are peopled with the farmers and fishermen, the schoolteachers and small-town merchants, "the underclass who constitute the majority in all societies." He portrays, in the men, women, and children of the peasantry, an ordinary and enduring people who live lives of stark dignity against a backdrop of forgotten and unknown gods. A broad humanity suggests itself: "This feeling of having emerged out of a void, or something close to it, is not uncommon, and we face our respective futures predisposed, by an innocence, to prayer and hope."Colonization, Gonzalez feels, has created in Filipinos "a truly submerged people." The stories in The Bread of Salt explore this rich vein at several levels, from the river-crossed wilderness of the kaingin farmers, stoic in the hard face of nature; to the commercial centers of the town dwellers, cut off from the mythic animism of the land; to the America of the contemporary sojourner, exiled from the old ways without the guidance of new traditions. Gonzalez writes: "It was in America that I began to recognize my involvement in the process of becoming a new person . . . of trying to shed my skin as a colonial."Gonzalez's social commentary is implicit throughout his stories. His message is humane, moral, tellingly accurate, and gently ironic; he is neither sentimental nor doctrinaire. His narratives are presented without intrusive explanation, invoking instead the reader's own powers of contemplation and discovery. His strong prose style, spare yet lyrical suggests the cadences of Philippine oral narrative traditions.Each of these sixteen tales is a small masterpiece. The language and its imagery, the characters and their aspirations, all connect powerfully with the reader and serve to illuminate the dreams of exiles and colonials, suggesting what it was like, as a Filipino, to witness the endless interacting of cultures.

    His two-year-old blog This is a Crazy Planets has gained a large following on SPOT.ph, and his best works are now compiled in a book of the same title. With Lourd's various entries on everyday life's absurdities, This is a Crazy Planets mirrors Filipino pop culture in a way that is both humorous and endearing. "Lourd is able to say what we're dying to say, but can't-or can't articulate well enough," says Sison.

    It’s been exactly ten years since the murders at Freddy Fazbear’s Pizza, and Charlotte, who goes by the name Charlie, has spent the last ten years trying to forget. Her father had owned Freddy Fazbear’s Pizza and had built its four adult-sized animatronic animals. After meeting up with her friends, curiosity leads them back to the old pizza place, and they find it hidden, but still standing. They discover a way inside, but things are not as they used to be: the four mascots that delighted and entertained them as children have changed. The animatronic animals have a dark secret and a murderous agenda.

    Arceo. A story not only of Filipinos imbued with a strong inner dignity but also more particularly of the young Filipino Andres, who refuses to surrender to either American or Filipino oppressors.

    This book of poetry contains musings on: adventure, anniversaries, the beach, breakfast, childhood, clouds, constellations, courage, delayed gratifications, dragonflies, eating alone, falling in love, first dates, frenemies, goodbyes, growing up, half-truths, heartbreak, holding hands, homecomings, insecurities that follow you around, the internet, jealousy, kisses, marshmallows, memory, mornings, mortality, newsletters, opposites, paper cuts, pixie dust, plane crashes, popularity, queues, rain, report cards, room service, science, a sea of coffee, shipwrecks, sick days, souvenirs, space, tattoos, tense lunches with mom, trains, travel, waiting, weekends, white dresses, yoga

    Although her mother labels her life in exile a diminished one, Amparo believes her struggles are a small price to pay for freedom...Like Amparo, Beverly Obejas—an impoverished Filipina waitress—forsakes Manila and comes to Oakland as a mail-order bride in search of a better life. Yet even in the land of plenty, Beverly fails to find the happiness and prosperity she envisioned.As Amparo works to build the immigrant's dream, she becomes entangled in the chaos of Beverly's immigrant nightmare. Their unexpected collision forces them both to make terrible choices and confront a life-changing secret, but through it all they hold fast to family, in all its enduring and surprising transformations.

    First published in 1946, this autobiography of the well known Filipino poet describes his boyhood in the Philippines, his voyage to America, and his years of hardship and despair as an itinerant laborer following the harvest trail in the rural West. Bulosan does not spare the reader any of the horrors tha accompanied the migrant's life; but his quiet, stoic voice is the most convincing witness to the terrible events he witnessed.