Unlike those works, Ripple is a highly realistic story in terms of subject matter and drawing style. Martin is a floundering painter desperately attempting to pursue his fine art inclinations rather than toil in the world of commercial art. He hires a homely model, Tina, to pose for a series of "erotic" paintings that he hopes will be his breakthrough into the gallery world. Over time, Martin and Tina's relationship evolves from a tenuous working relationship to a confused sexual one. Martin's initial repulsion for Tina slowly turns to attraction and eventually lust, causing him to re-evaluate his own notions of beauty and sexuality. Meanwhile, Tina's own motives behind working for Martin are slowly turned upside down as well, building the book towards its inevitably explosive end. Throughout it all, Ripple is a complex love story poked and prodded from all angles, from Martin and Tina's physical and emotional feelings toward each other, Martin's dishonesty to himself, Tina's self-loathing, and everything in between. Sad, funny, and often uncomfortably titillating, Ripple is a remarkably introspective graphic novel, rendered with kinetic realism in a pen technique that calls to mind a more controlled Edward Sorel and Jules Feiffer.

    Written during the summer following her junior year at Berkeley High School in California, Potential recounts Ariel's first real relationship and first-time love with a girl, her quest to lose her virginity to a boy, and her parents' divorce -- as well as the personal and social complications of writing about her life as she lives it. Along the way she hangs out with her favorite teacher, obsesses over clothes, gets drunk, smokes pot, and tries to connect the biology she reads about in textbooks with the biology she's living.

    Nearly a century later, this structure is a design milestone. Meet Eileen Gray, the woman behind the E-1027 house and a pioneer of the Modern Movement in architecture. Like so many gifted female artists and designers of her time, Eileen Gray's story has been eclipsed by the men with whom she collaborated. Dzierzawska's exquisite visuals bring to life the tale of a young Irish designer whose work and life came to bloom during the 'Annees Folles' of early 20th century Paris.

    While her eccentric mother hatches an increasingly desperate series of plans to flee Cuba, Sonia joins the militia and volunteers as a medic at the Bay of Pigs — where she encounters her mortally wounded high school sweetheart as an enemy fighter, then is arrested and tortured for treating another CIA-trained brigadier.  Scarred, yet clinging to her revolutionary ideals, she seeks fulfillment in an artists’ collective, only to be further disillusioned by increasing repression under Castro. Finally, she flees to America where she has been a painter and influential arts activist.

    Parties, excessive drinking, and financial instability add to the commotion. Drawn in a beautiful minimal style with delicate two-color printing.

    Telling the true stories of humanity at its worst, this collection is a veritable rogues gallery of history's villains from the degenerate Roman Emperors, through Count Dracula to Mike Tyson and Liberace. Covering the truly despicable to the merely nauseating, this book lifts the lid on the dastardly deeds that humans inflict on one another. From the most reviled murderers of all time, to the worst singers, artists, poets, sports stars and scientific theories of the modern era.

    Stephen (The 101 Best Graphic Novels) Weiner takes us on a historical tour of this format with a bit of background on comics as a whole.

    This gripping illustrated history explores the impact and legacy of the Panthers, from their social, educational, and healthcare programs that were designed to uplift the Black community to their battle against police brutality through citizen patrols and frequent clashes with the FBI, which targeted the Party from its outset. Using dramatic comic book-style retellings and illustrated profiles of key figures, The Black Panther Party captures the major events, people, and actions of the party, as well as their cultural and political influence and enduring significance.

    Under the Twitter (@pants) and Instagram handle @PantsPants, Josh Mecouch has a large following who delight in his bizarre and unique illustrations. Now, Conquer the Day invites fans into the larger Pants universe, introducing new characters and never-before-seen art. Pairing encouraging affirmations with emotive black-and-white illustrations—highlighted with the occasional splash of color—Josh takes us on a journey into the world of self-improvement. The contrast between the positive affirmations and the visceral style of the illustrations point to the tension between our hopes and aspirations and the reality of our day-to-day lives as we strive to realize our best selves.Unlock the power of affirmations:I exhale weakness and inhale confidence.I am sexy and people want to be around me.My path to sucess success is inevitable.I focus on what I can control. I organize my socks.

    Thompson collaborator Ralph Steadman delivers a heaping helping of anti-American vitriol with trademarked bombast, based on his travels throughout the Land of the Free and Home of the Brave.

    I was a very ugly child. My appearance has not improved so I guess it was a lucky break when he was attracted by my youthfulness." So begins the wrenching diary of Minnie Goetze, a fifteen-year-old girl longing for love and acceptance and struggling with her own precocious sexuality. Minnie hates school and she wants to be an artist, or maybe a speleologist, or a bartender. She sleeps with her mother's boyfriend, and yet is too shy to talk with boys at school. She forges her way through adolescence, unsupervised and unguided, defenseless, and yet fearless.The story unfolds in the libertine atmosphere of the 1970s San Francisco, but the significance of Minnie's effort to understand herself and her world is universal. This is the story of an adolescent troubled by the discontinuity between what she thinks and feels and what she observes in those around her. The Diary of a Teenage Girl offers a searing comment on adult society as seen though the eyes of a young woman on the verge of joining it.In this unusual novel, artist and writer Phoebe Gloeckner presents a pivotal year in a girl's life, recounted in diary pages and illustrations, with full narrative sequences in comics form.

    But she had graduated university with no plans. She was an artist who hadn't drawn in five years. She was lost. What's more, she'd been avoiding admitting to herself something that all of those around her knew; that her boyfriend, Richard, had some serious problems with alcohol. Looking for a fresh start, the two of them quit their jobs and embarked on a journey to Mexico for what what they expected to be an adventure of a lifetime. It led to experiences that changed both of their lives and to Kat rediscovering a love of art, a lifelong attachment to Mexico and the strength to move on. The debut graphic novel from Katriona Chapman is a beautifully illustrated recounting of a trip she made around Mexico back in 2003, interspersed with pages of her sketchbook from that time, as well as explorations of the cultural and bio-diversity of Mexico and its fascinating history. Follow Me In is part memoir, part coming of age story, part love letter to Mexico, and is undoubtedly a major work from one of the best illustrators and comics makers in the UK.

    Her drawings brilliantly capture the unique experience of motherhood and the huge range of emotions that it brings.In this warm and witty book, Maria writes candidly about what becoming a mother has meant for her. Interspersing her words with brilliant cartoons, she delivers a marvellously entertaining snapshot of life as a modern-day parent. Her sharp observations cover everything from the sleep-deprived early days of having newborn twins, to the reality of being a working mum; from just getting out of the house to slowly getting your social life back.Upbeat and humorous, this is a wonderful book for parents and parents-to-be.

    Selling in the millions each year for the past six decades, comic books have figured prominently in the childhoods of most Americans alive today. In Comic Book Nation, Bradford W. Wright offers an engaging, illuminating, and often provocative history of the comic book industry within the context of twentieth-century American society.From Batman's Depression-era battles against corrupt local politicians and Captain America's one-man war against Nazi Germany to Iron Man's Cold War exploits in Vietnam and Spider-Man's confrontations with student protestors and drug use in the early 1970s, comic books have continually reflected the national mood, as Wright's imaginative reading of thousands of titles from the 1930s to the 1980s makes clear. In every genre—superhero, war, romance, crime, and horror comic books—Wright finds that writers and illustrators used the medium to address a variety of serious issues, including racism, economic injustice, fascism, the threat of nuclear war, drug abuse, and teenage alienation. At the same time, xenophobic wartime series proved that comic books could be as reactionary as any medium.Wright's lively study also focuses on the role comic books played in transforming children and adolescents into consumers; the industry's ingenious efforts to market their products to legions of young but savvy fans; the efforts of parents, politicians, religious organizations, civic groups, and child psychologists like Dr. Fredric Wertham (whose 1954 book Seduction of the Innocent, a salacious exposé of the medium's violence and sexual content, led to U.S. Senate hearings) to link juvenile delinquency to comic books and impose censorship on the industry; and the changing economics of comic book publishing over the course of the century. For the paperback edition, Wright has written a new postscript that details industry developments in the late 1990s and the response of comic artists to the tragedy of 9/11. Comic Book Nation is at once a serious study of popular culture and an entertaining look at an enduring American art form.

    The first volume of a new series dedicated to exploring iconic moments in World War II history, Omaha Beach on D-Day is a fresh and captivating new take on one of the most important moments in World War II: the Allied forces storming the beach at Normandy.The photograph at the heart of this book is Robert Capa's world-famous shot of the Allied landing in 1944, and the authors of this remarkable work have gathered interviews, testimonials, contact sheets, and over forty pages of photographic archives from the Magnum Photos agency to fill in the history behind a single moment, captured forever on film.Using a combination of traditional comics narrative, photography, and nonfiction text, Omaha Beach on D-Day is a rich and accessible fresh take at a crucial moment in 20th century history.