Bloom County ran from December 8th, 1980 to August 6th, 1989 and was published in an astounding 1200 newspapers on a daily basis. The huge popularity of Bloom County spawned a merchandizing bonanza, as well as two spin-off strips, Outland and Opus.The Bloom County Library Volume 1 highlights the first time the entire run of the immensely popular Bloom County strip has been collected in beautifully designed hard cover books with exceptional reproduction.The Library of American Comics is the world's #1 publisher of classic newspaper comic strips, with 14 Eisner Award nominations and three wins for best book. LOAC has become the gold standard for archival comic strip reprints...The research and articles provide insight and context, and most importantly the glorious reproduction of the material has preserved these strips for those who knew them and offers a new gateway to adventure for those discovering them for the first time." - ScoopWinner of the 2010 Eisner Award for Best Archival Collection/Project--Strips

    Not only does this volume reprint the first two years of the strip in which King’s friendly and nostalgic imagination took shape but each book in the series features an eighty-page color introduction by Jeet Heer of Canada’s National Post. Each introduction will also feature never-before-seen archival photos and ephemera from the personal collection of King’s granddaughter. Walt & Skeezix is not just a collection of a classic comic strip—it is the story of a great American cartoonist. Few cartoon strips have this kind of longevity and quality; Gasoline Alley has been with us since 1919 and is a gentle mirror held up to ordinary American life in the early twentieth century. It started as a mild satire on the post-WWI “craze” for cars, but it wasn’t long before it developed into a quirky family story attracting an audience of more than thirty million readers in four hundred–plus newspapers. Gasoline Alley, an affectionate portrait of modern living, is remembered for being the first strip to set itself in contemporary American history. The characters of Gasoline Alley grow up, go to war, and have grandchildren. The strip always reflects the kind, sweet pace of life.

    For many years, Ernie Bushmiller 's Nancy, with its odd-looking, squat heroine, nearly abstract art, and often super-corny gags, was perceived as the stodgiest, squarest comic strip in the world. Popular with newspaper readers, true but definitely not a strip embraced by comic-strip connoisseurs, like Krazy Kat, Dick Tracy or Terry and the Pirates. But then those connoisseurs took a closer look, and began to realize that Bushmiller 's art approached its own kind of cartoon perfection, and those corny gags often achieved a striking zen quality. In its own way, it turned out Nancy was in fact the most iconic comic strip of all. (The American Heritage Dictionary actually uses a Nancy strip to illustrate its entry on comic strip. ) Charter members of the Nancy revival include Art Spiegelman, who published Mark Newgarden 's famous Love 's Savage Fury (featuring Nancy and Bazooka Joe) in an early issue of RAW; Fletcher Hanks anthologist Paul Karasik; Zippy the Pinhead creator Bill Griffith; underground publisher Denis Kitchen, who released several volumes of Nancy collections in the 1980s; Understanding Comics Scott McCloud, who created the Five-Card Nancy card game; Joe Brainard, who produced an entire Nancy book of paintings in 2008; and Andy Warhol, who produced a painting based on Nancy. Beginning in the Winter of 2011, fans will be dancing with joy as Fantagraphics unveils an ongoing Nancy reprint project. Each volume contain a whopping full four years of daily Nancy strips (a Sunday Nancy project looms in the future), collected in a fat, square (what else, for the squarest strip in the world?) package designed by Jacob (Popeye, Beasts , Willie and Joe) Covey. This first volume will collect every daily strip from 1943 to 1946. (Fantagraphics will eventually release Nancy 's first five years, 1938-1942, but given the scarcity of archival material for these years we are giving ourselves some extra time to collate it all.) This first Nancy volume will feature an introduction by another stellar Bushmiller fan, Daniel Clowes (from whose collection most of the strips in this volume were scanned), a biography of the artist, and much more.

    (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month.This volume is rounded out with Garrison Keillor's introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall, all wrapped in a gorgeous design by award-winning cartoonist Seth.

    Incorporating all the essential daily strips and full-color Sundays, The Portable Doonesbury is an unblinking analysis of history in the making. The days of the 1992 elections are covered here, including: the controversial (and newsmaking) strips about Dan Quayle's DEA file; a long look under the hood of a tiny, deeply disturbed Texas billionaire; and a consideration of the mysterious sway a dark-horse candidate from Arkansas held over political reporters. The Portable Doonesbury also encompasses the Gulf War - from B.D.'s off-shore fling with a superior officer to Duke's grand opening of Club Scud, home of the $50 hamburger. Whether read on the road or in the safety of an armchair, The Portable Doonesbury is a funny, insightful chronicle of our times.

    From the witty, shameless writing to the amusing, colorful comic illustrations, MAD is a timeless American classic. For the first time ever, here is a “greatest hits” collection of one of MAD's most popular and prolific artists—Sergio Aragonés—hand-picked by the artist and featuring his greatest work from his debut with MAD in 1963 to the present. Assembled chronologically, it's packed with memorable cartoons, insightful interviews, new cover artwork commissioned for this book, and a special pull-out poster of Sergio's “Marginals,” the wildly popular mini-cartoons that have appeared in MAD's margins for over 40 years.

    This book answers the call as it delivers the life and times of Marlys Mullen, the most beloved character in Barry's nationally syndicated comic strip, "Ernie Pook's Comeek." This is a Lynda Barry double-tall: the long-awaited collection of the best strips from her syndicated comics. Way back in the mid-1980s, comic illustrator and writer Lynda Barry introduced the character of Marlys Mullen, her crazy groovy teenage sister Maybonne, her sensitive and strange little brother Freddie, a mother like no other, and an array of cousins and friends from the 'hood. This oversized book presents the long strange journey through puberty and life that Marlys and company have experienced. Marlys's universe and galaxy are funny, rude, disturbing, tearful . . . in short, very, very Lynda Barry.

    He’s also its would-be poet laureate. Would-be, that is, were it not for the “florid banalities” of his archrival, Ida Wentz, pub­lished ad nauseam in the Ice Haven Daily Progress. Among Wilder’s other fellow Ice Havians are the love­lorn Violet Vanderplazt and Vida Wentz; the adorable interracial moppets Carmichael and Paula; the Blue Bunny, newly sprung from prison and the bitterest rabbit in town; and poor little David Goldberg, miss­ing for more than a week now. . . . The lives of the men and women of Ice Haven are woven into a multilayered tale that, while it owes a debt to Our Town, is ultimately based on and inspired by . . . Leopold and Loeb. No kidding. Only Daniel Clowes could do it and, luckily for us, he has.

    This new hardcover edition reprints every single “Nuts” story from the Lampoon (rescuing over two dozen pages from oblivion) and reinstitutes the color in the “Christmas” and “Halloween” episodes, and for that matter the 3-D in the 3-D episode (“I wish to God I’d never seen all this space.”)If you don’t remember what it was like being a child, this book will bring it all back… for good or for ill!

    Embrace it.A bear flies through space. A hamster suffers a breakdown. Elsewhere, a garden snake is arrested by animal control and jailed for home invasion, while a child marvels at the wonder of nature as worms emerge from the ground and begin looking for vodka (as they always have). These are common occurrences in the world of Reza Farazmand’s wildly popular webcomic, Poorly Drawn Lines. Traveling from deep space to alternate realities to the bottom of the ocean, this eponymous collection brings together fan favorites with new comics and original essays to share Farazmand’s inimitable take on love, nature, social acceptance, and robots.

    Malkasian creates, as she did in the critically acclaimed Percy Gloom, a fully realized, multi-layered world, inhabited by vividly realized characters. After a brutal injury in battle, Lester has no memory of his prior life. For the next thirty years his wife does everything to keep him from remembering—and re-constructing—a society, Blessedbowl, that elevates him as a hero. Blessedbowl is a cultural convergence of lies, memories, stories, and beliefs. Its people thrive on ideas of persecution, exceptionality, and enemies, convinced that war lurks just outside their walls. They have come to depend on Lester, their greatest war hero, to lead the charge once the Final Battle begins. What kind of enemy could topple such a people and its walls? Mere memory, it seems, as Lester gradually emerges from his amnesia. Temperance is an eyewitness’s account of recovery and awakening. The graphic novel works on two levels. It considers the concepts of violence, stories, and belief, and their place in holding a culture together, slyly echoing contemporary political issues in a nation at a stressful time currently at war with a ubiquitous enemy. Secondly, the fissures in Lester and Minerva’s marriage is echoed in the greater political upheaval around them. Malkasian creates a densely textured social context, masterfully conveying the idiosyncratic physical domain with its spiraling structures and quasi-medieval architecture along with intimate yet plastic portraits of her characters in a rich, tonal pencil line. Temperance is a galvanizing work of empathy and violence by one of today’s the most thoughtful and accomplished cartoonists.

    The staid, pale, Victorian inhabitants of the mansion alternately stare and glare at the doubtful guest as it tears out whole chapters from books, peels the soles of its white canvas shoes, and broods while lying on the floor ("inconveniently close to the drawing-room door"). Strangely, or rather, typically, as this is a Gorey book, the stymied occupants never ask the guest to leave--and in 17 years it has still "shown no intention of going away."

    In addition to superb storytelling and wonderful entertainment, he left behind a character who was not only rich in his stories, but one for whom the stories themselves were rich. Modern master Don Rosa, beginning in 1994, undertook the task of recounting Uncle Scrooge's past in a serialized epic. The wonderful result of his efforts is now collected in trade paperback form by Gemstone Publishing as THE LIFE & TIMES OF SCROOGE McDUCK.A collection of the celebrated 12-part Eisner Award-winning series that details the life of the young Uncle Scrooge. The story was originally serialized in the United States in Uncle Scrooge comics. Now it has been collected in one all-encompassing popularly-priced volume.

    All of Fritz's appearances are collected here for the first time.

    It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works he had set on Dropsie Avenue, the mythical street of his youth in Depression-era New York City.As the dramas unfold in A Contract With God, the first book in this new trilogy, it is at 55 Dropsie Avenue where Frimme Hersh, the pious Jew, first loses his beloved daughter, then breaks his contract with his maker, and ends up as a slumlord; it is on Dropsie Avenue where a street singer, befriended by an aging diva, is so beholden to the bottle that he fails to grasp his chance for stardom; and it is there that a scheming little girl named Rosie poisons a depraved super’s dog before doing in the super as well.In the second book, A Life Force, declared by R. Crumb to be "a masterpiece," Eisner re-creates himself in his protagonist, Jacob Shtarkah, whose existential search reflected Eisner’s own lifelong struggle. Chronicling not only the Crash of 1929 and the Great Depression but also the rise of Nazism and the spread of left-wing politics, Eisner combined the miniaturist sensibility of Henry Roth with the grand social themes of novelists such as Dos Passos and Steinbeck.Finally, in Dropsie Avenue: The Neighborhood, Eisner graphically traces the social trajectory of this mythic avenue over four centuries, creating a sweeping panorama of the city and its waves of new residents—the Dutch, English, Irish, Jews, African Americans, and Puerto Ricans—whose faces changed yet whose lives presented an unending "story of life, death, and resurrection."The Contract With God Trilogy is a mesmerizing, fictional chronicle of a universal American experience and Eisner’' most poignant and enduring literary legacy.