Her father is recovering from being a prisoner-of-war. The small town and the varied happenings and activities of country life help them to recover from past unhappiness, and bond more closely as a family.

    When a hungry nightingale threatens to eat him for breakfast unless he can measure her song, the inchworm calls on his craft and skill to creatively solve the dilemma.

    Sure, she wears weird clothes and she lives in a dumpy house, but if Sara-Kate's as bad as everyone says, how could she take such good care of the elf village in her backyard? She and Hillary spend hours fixing the tiny stick houses and the miniature Ferris wheel so the elves won't move away. But as Hillary is drawn further into Sara-Kate's world, she learns there are other mysteries besides the elves. Why doesn't anyone ever see Sara-Kate's mother? And why isn't anyone allowed in her house? This updated edition will bring new life to Janet Taylor Lisle's best-selling novel.

    One day on a walk through Paris (a "twelve little girls in two straight lines" kind of walk), Madeline slips and falls off a bridge right into the Seine. Everyone feared she would be dead, "But for a dog / That kept its head," saving her from a "watery grave." What choice do Madeline and the girls have but to take the heroic pooch home, feed her biscuits, milk, and beef, and name her Genevieve? Sadly, when Lord Cucuface gets wind of the new dog, he decrees that no dogs will be allowed in the "old house in Paris that was covered with vines," and kicks Genevieve out on the street. Madeline vows vengeance, and the girls scour Paris looking for the pup: "They went looking high / and low / And every place a dog might go. / In every place they called her name / But no one answered to the same." As we've come to expect from Bemelmans, all's well that ends well chez Clavel, and young readers will be tickled by this heartwarming, quirky dog story with a surprise finale. (Ages 4 to 8) --Karin Snelson

    He has become fascinated with the potter’s craft; he wants nothing more than to watch master potter Min at work, and he dreams of making a pot of his own someday. When Min takes Tree-ear on as his helper, Tree-ear is elated–until he finds obstacles in his path: the backbreaking labor of digging and hauling clay, Min’s irascible temper, and his own ignorance. But Tree-ear is determined to prove himself–even if it means taking a long, solitary journey on foot to present Min’s work in the hope of a royal commission . . . even if it means arriving at the royal court with nothing to show but a single celadon shard.

    It is Kitten's first full moon, and when she sees it she thinks it is a bowl of milk in the sky. And she wants it. Does she get it? Well, no . . . and yes. What a night!A brief text, large type, and luminescent pictures play second fiddle to the star of this classic picture book—brave, sweet and lucky Kitten! "Henkes's text, reminiscent of Margaret Wise Brown's work in the elemental words, rhythms, and appealing sounds, tells a warm, humorous story that's beautifully extended in his shimmering, gray-toned artwork."—ALA BooklistWinner of the Caldecott Medal, an ALA Notable Book, a New York Times Best Illustrated Book, and winner of the Charlotte Zolotow AwardSupports the Common Core State Standards

    But is it magical enough to help her pig, Timmy, win a blue ribbon on Fair Day?

    But when they turn to leave, rising floodwaters block their path out. The boys are trapped! Before long, news of the missing team spreads, launching a seventeen-day rescue operation involving thousands of rescuers from around the globe. As the world sits vigil, people begin to wonder: how long can a group of ordinary kids survive in complete darkness, with no food or clean water? Combining firsthand interviews of rescue workers with in-depth science and details of the region's culture and religion, author Christina Soontornvat--shows how both the complex engineering operation above ground and the mental struggles of the thirteen young people below proved critical in the life-or-death mission.

    Through energy and encouragement, CJ's nana helps him see the beauty and fun in their routine.This beautifully illustrated, emotive picture book explores urban life with honesty, interest and gratitude.Last Stop on Market Street has won multiple awards and spent time at the number one spot in the New York Times Bestseller List.

    Interspersed with fun facts, her enthusiastic commentary about her feathered neighbors - what they look like, how they behave, where they nest, where they sleep - pairs swimmingly with cheerful watercolor illustrations.

    And he determined that one day his camera would capture for others the wonder of the tiny crystal. Bentley's enthusiasm for photographing snowflakes was often misunderstood in his time, but his patience and determination revealed two important truths: no two snowflakes are alike; and each one is startlingly beautiful. His story is gracefully told and brought to life in lovely woodcuts, giving children insight into a soul who had not only a scientist's vision and perseverance but a clear passion for the wonders of nature. Snowflake Bentley won the 1999 Caldecott Medal.

    Come down to the shore with this rich and vivid celebration of the ocean! With watercolors gorgeous enough to wade in by award-winning artist Meilo So and playful, moving poems by Kate Coombs, Water Sings Blue evokes the beauty and power, the depth and mystery, and the endless resonance of the sea.

    But water doesn't always look the same, it doesn't always feel the same, and it shows up in lots of different shapes. Water can be a lake, it can be steam, it can be a tear, or it can even be a snowman.As the girl discovers water in nature, in weather, in her home, and even inside her own body, water comes to life, and kids will find excitement and joy in water and its many forms.

    She goes on to explain that even one tree is nice, if it is the only one you happen to have.Some of the reasons why trees are so good to have around are funny. Some are indisputable facts. But in all of them there is a sense of poetic simplicity and beauty which will be sure to entrance any young child. Whether he knows one tree or many, he will relish the descriptions of the delights to be had in, with, or under a tree.Marc Simont's joyous pictures, half of them in full color, accentuate the child-like charm of the words. And each painting of a tree or trees shows just how very nice they can be.

    In his room, he imagines sailing far away to a land of Wild Things. Instead of eating him, the Wild Things make Max their king.