Well, I tell you this: 'Prickly race, who know nothing except how to eat out your hearts with envy, you don't eat cunt'... Edited by Sylvere Lotringer and published in 1991, this handy, pocket-sized collection of some early and not-so-early work by the mistress of gut-level fiction-making, Hannibal Lecter, My Father gathers together Acker's raw, brilliant, emotional and cerebral texts from 1970s, including the self-published 'zines written under the nom-de-plume, The Black Tarantula. This volume features, among others, the full text of Acker's opera, The Birth of the Poet, produced at Brooklyn Academy of Music in 1985, Algeria, 1979 and fragments of Politics, written at the age of 21. Also included is the longest and definitive interview Acker ever gave over two years: a chatty, intriguing and delightfully self-deprecating conversation with Semiotext(e) editor Sylvere Lotringer--which is trippy enough in itself as Lotringer, besides being a real person, has appeared as a character in Acker's fiction. And last, but not least, is the full transcript of the decision reached by West Germany's Federal Inspection Office for Publications Harmful to Minors in which Acker's work was judged to be not only youth-threatening but also dangerous to adults, and subsequently banned. Acker is the sort of the writer that should be read first at 16, so that you can spend the rest of your life trying to figure her out; she confuses, infuriates, perplexes and then all of a sudden the writing seems to be in your bloodstream, like some kind of benign virus. She's definitely not for the easily offended--but then, there are worse things in life than being offended. Such as the things that Acker writes about...

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It is with a mixture of grief and joy that Hirsch examines what he calls the minor triumphs, the major failures of his life so far, in lines that reveal a startling frankness in the man composing them, a fearlessness in confronting his own internal divisions: I lived between my heart and my head, / like a married couple who can't get along, he writes in Self-portrait. These poems constitute a profound, sometimes painful self-examination, by the end of which the poet marvels at the sense of expectancy and transformation he feels. His fifteen-year-old son walking on Broadway is a fledgling about to sail out over the treetops; he has a new love, passionately described in I Wish I Could Paint You; he is ready to live, he tells us, solitary, bittersweet, and utterly free. More personal than any of his previous collections, Special Orders is Edward Hirsch's most significant book to date. The highway signs pointed to our happiness; the greasy spoons and gleaming truck stops were the stations of our pilgrimage. Wasn't that us staggering past the riverboats, eating homemade fudge at the county fair and devouring each other's body? They come back to me now, delicious love, the times my sad heart knew a little sweetness. from The Sweetness

    These include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information.In addition to the listings, Poet's Market offers articles on the Craft of Poetry, Business of Poetry, and Promotion of Poetry--not to mention new poems from today's best and brightest poets, including Beth Copeland, Joseph Mills, Judith Skillman, Laurie Kolp, Bernadette Geyer, and more. Learn the habits of highly productive poets, the usefulness of silence, revision tricks, poetic forms, ways to promote a new book, and more.You also gain access to:Lists of conferences, workshops, organizations, and grantsA free digital download of Writer's Yearbook featuring the 100 Best Markets*Includes access to the webinar "How to Build an Audience for Your Poetry" from Robert Lee Brewer, editor of Poet's Market*

    Walden, Thoreau's book about his experience published in 1854, has become one of the most highly respected works in American literature.In Thoughts from Walden Pond, Charles Gurche's brilliant photographs from the diverse regions of America are paired with excerpts from Thoreau's masterpiece. The pictures with the text transport us to a state of heightened awareness and impart an almost cellular sense of the importance of wild places. Dona Budd's introductory essay offers an engrossing biography of Thoreau along with her insightful reflections on Walden.

    But before she can complete a mission in that besieged city, Aliisza finds herself in the one place a demon would never want to go, no matter how sure she is of her wits and cunning: the very heart of Celestia. But Aliisza soon discovers that being held captive in Celestia is just a distraction for a far deeper and more deadly scheme. One that threatens all of the Forgotten Realms® world. One that, as much as she hates to admit it, the angels of Celestia really should know about. But how is she going to convince the angels that she, a demon, could have more in mind than destruction?The Empyrean Odyssey features the return of popular characters Alissza and Kaanyr Vhok, from Thomas Reid’s Insurrection, the first book in The New York Times bestselling series R.A. Salvatore’s The War of the Spider Queen. Forgotten Realms fans won’t want to miss the truly Realms-shaking events of this epic tale of two fiends struggling to escape the heart of a deeply troubled Celestia.

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    Sin City: The Babe Wore Red and Other Stories is a collection of three complete tales of the town without pity and the tough guys and hot dames who live there.In The Customer is Always Right, a man and woman fall in love, but one falls harder than the other. It's true love Sin City style. On the opposite side of the coin, a working girl from Old Town gives her client a quick lesson in business, And What's Behind Door Number Three... isn't something you should negotiate for. And in the lead story, The Babe Wore Red, Dwight finds himself in frighteningly familiar territory with a too-much woman with too few answers, and a fully loaded shotgun aimed at his skull. Sex always makes Dwight stupid, so is he setting himself up for an idiot's death? God only knows.All three stories have appeared in quiet, little places where you probably couldn't find them, and all three are self-contained. For introducing new readers to the streets of Sin City, or for filling the weeks between issues of The Big Fat Kill, Sin City: The Babe Wore Red can't be beat.

    John of the Cross (1542-1591) is regarded as one of the greatest poets of the Spanish language and among the greatest mystical poets of any language. Drawn to the contemplative life, he joined St. Teresa of Avila in her reform of the discalced Carmelites. John considered his poetry to be the most authentic expression of his theology and his ineffable mystical experience.St. Teresa of Avila (1515-1582) is famous for her extraordinary accomplishments in the reform of the Carmelite order and the founding of new monasteries, for her prose writings on the spiritual life, prayer and contemplation, and for her extraordinary sanctity. Her poetry has not received the same acclaim and attention as John's. But like him, she used poetry as a way of expressing the ineffable - the divine flame of love which consumed her.In preparing these translations, the primary emphasis has been placed on accurately preserving the meaning of the original poems, while retaining their rhyming schemes and utilizing meters as close to the original as possible. Each page of English translation faces the original Spanish text of the poems.

    

    It’s a book with the flow of poetry but the ebb of short stories – rightfully called “Shoetry”. This creation takes you to the roots of humanity - stripping back the veneers of life, society and interaction to see people and their ways in an entirely new light.

    Just as there are certain laws that govern nature, there are laws that govern performance and achievement. Unfortunately, people are either unaware of them, and therefore do not align themselves accordingly, or they simply are not applying them. As a result, many people chase after goals, but find that the results they desire constantly elude them. If you want to be someone, achieve something, or get somewhere in life, you must understand the governing laws that turn dreams into reality. Over the last few hundred years of recorded history, common denominators that lead to personal success have consistently surfaced. TJ has gathered these distinctions into a single book to share with you. The pages of this book are filled with moving stories and examples of success and failure that will inspire all who read them. TJ shows you what habits must be formed and what steps must be taken to achieve any goal you set. Simple and concise, If You Think You Can! is the source that will help you achieve whatever you want.

    Inspirational

    / The elms made tents of solace over grimy / streets and alley cats purred me to sleep.” She writes in graphic, unflinching language about the poor, banished now by politicians because they are no longer “real people like corporations.” There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers “exactly how I loved each.” She continues to celebrate Jewish holidays in compellingly original ways and sings praises of her marriage and the small pleasures of daily life.This is a stunning collection that will please those who already know Marge Piercy’s work and offer a splendid introduction to it for those who don’t.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.