Drawn from Debi's own experiences and with a moving testimony at the end of the book explaining how depression has affected her and how she continues to cope, Debi hopes that by sharing her own experience she can help others who suffer from depression, and to find that subtle shift that will show the way out.'I have used dragons to represent depression. This is partly because of their legendary ability to turn a once fertile realm into a blackened, smoking ruin and partly because popular mythology shows them as monstrous opponents with a tendency to pick fights with smaller creatures. I'm not particularly brave or resourceful, and after so many years battling my beasts, I have to admit to a certain weariness, but I will arm-wrestle dragons for eternity if it means that I can help anyone going through a similar struggle.'

    Her artwork brought attention to Mexican and indigenous culture with images renowned in celebrating the female form.Brown's story recounts Frida's beloved pets—two monkeys, a parrot, three dogs, two turkeys, an eagle, a black cat, and a fawn—and playfully considers how Frida embodied the many wonderful characteristics of each animal.

    Many people die, but the Yamaki family and Miyajima survive. One day, a truck comes to take Miyajima away. The little tree is on its way to the National Arboretum in Washington as a gift of friendship from Japan to America. Miyajima is very proud, but also sad to leave the Yamaki family. At the end of the book, Masaru, the elderly grandfather of the family, and his ten-year-old grandson Akira, make a surprise visit to Washington to visit their much missed and beloved family member.

    Berr brought a keen literary sensibility to her writing, a talent that renders the story it relates all the more rich, all the more heartbreaking. The first day Berr has to wear the yellow star on her coat, she writes, “I held my head high and looked people so straight in the eye they turned away. But it’s hard.” More, many more, humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and ends with the chilling words: “Horror! Horror! Horror!” Berr and her family were arrested three weeks later. She went — as was discovered later — on the death march from Auschwitz to Bergen-Belsen, where she died of typhus in April 1945, within a month of Anne Frank and just days before the liberation of the camp.The journal did eventually reach her fiancé, and for over fifty years it was kept private. In 2002, it was donated to the Memorial of the Shoah in Paris. Before it was first published in France in January 2008, translation rights had already been sold for twelve languages.

    The neighborhood children join the Robinson kids for swimming and boating. But oddly, Jackie never goes near the water. In a dramatic episode that first winter, the children beg to go ice skating on the lake. Jackie says they can go--but only after he tests the ice to make sure it's safe. The children prod and push to get Jackie outside, until hesitantly, he finally goes. Like a blind man with a stick, (contd.)

    Whenever she could afford it, Anna May slipped off to the movies, escaping to a world of adventure, glamour, and excitement. After seeing a movie being filmed in her neighborhood, young Anna May was hooked. She decided she would become a movie star!Anna May struggled to pursue an acting career in Hollywood in the 1930s. There were very few roles for Asian Americans, and many were demeaning and stereotypical. Anna May made the most of each limited part. She worked hard and always gave her best performance. Finally, after years of unfulfilling roles, Anna May began crusading for more meaningful roles for herself and other Asian American actors.Anna May Wong--the first Chinese American movie star--was a pioneer of the cinema. Her spirited determination in the face of discrimination is an inspiration to all who must overcome obstacles so that their dreams may come true.

    Through family connections, a Jewish teenager named Anatol Chari became a ghetto policeman. Because they were sometimes viewed as collaborators, ghetto policemen who survived the war kept their past a secret. In From Ghetto to Death Camp, Chari reveals that hidden story, describing the policemen’s duties—guarding food, rounding up prisoners for transport—and the privileges it brought them. Those privileges ended when the ghetto population was transported to Auschwitz. As a slave laborer, Chari went on to various work camps, endured long marches and an Allied bombing raid, and ended up in the Bergen-Belsen death camp. To survive the camps, he now says, you needed help, smarts, and most of all luck. He depicts a seemingly senseless world where guards could be decent or cruel, where some prisoners were sent to hospitals and others to gas chambers, and where food was everything. Written with remarkable honesty and unexpected wit, this unique memoir is in many ways a reflection on the human condition.

    But the times Anne lived in and wrote of in her diary made her simple life extraordinary. In over one hundred photographs, many which have never been published, this poignant memoir brings to life the harrowing story of one young Jewish woman's struggle to survive during a period of history which must never be forgotten.

    Timid, scrawny Willie Beech -- the abused child of a single mother -- is evacuated to the English countryside. At first, he is terrified of everything, of the country sounds and sights, even of Mr. Tom, the gruff, kindly old man who has taken him in. But gradually Willie forgets the hate and despair of his past. He learns to love a world he never knew existed, a world of friendship and affection in which harsh words and daily beatings have no place. Then a telegram comes. Willie must return to his mother in London. When weeks pass by with no word from Willie, Mr. Tom sets out for London to look for the young boy he has come to love as a son.

    we had the first air raid of the war on London. My room is just opposite the police station, so I got the full benefit of the sirens. It made me leap out of bed...' The war continued for five more years, but Vere's comments on her work, friends, what was happening to London and the news ('We hold our breath over Crete', 'There is to be a new system of Warning') combine to make Few Eggs and No Oranges unusually readable. It is a long - 600 page - book but a deeply engrossing one. The TLS remarked: 'The diaries capture the sense of living through great events and not being overwhelmed by them... they display an extraordinary - though widespread - capacity for not giving way in the face of horrors and difficulties.' 'A classic book that still rings vibrant and helpful today... a heartwarming record of one articulate woman's coping with the war,' wrote the Tallahassee Democratic Review.

    There she is trained to be a "proper German" for adoption by a German family, and all the while she struggles to remember her true identity.

    Sam's class is knitting socks for soldiers and Sam is a terrible knitter. Keiko is a good knitter, but some kids at school don't want anything to do with her because the Japanese have bombed Pearl Harbor and her family is Japanese American. When Keiko's family is forced to move to a camp for Japanese Americans, can Sam find a way to demonstrate his friendship?-- "Journal"

    His illustrations evoke the horror and beauty of blazing buildings and the comforts of childhood amid the shortages.

    Their account is complete, covering the lives of Anne's parents, Edith and Otto; Anne's first years in Frankfurt; the rise of Nazism; the Franks' immigration to Amsterdam; war and occupation; Anne's years in the Secret Annex; betrayal and arrest; her deportation and tragic death in Bergen-Belsen; the survival of Anne's father; and his recovery and publication of her astounding diary.

    When a Nazi death squad raided his village at the outset of World War II, Jewish five-year-old Alex Kurzem escaped. After surviving the Russian winter by foraging for food and stealing clothes off dead soldiers, he was discovered by a Nazi-led Latvian police brigade that later became an SS unit. Not knowing he was Jewish, they made him their mascot, dressing the little ?corporal? in uniform and toting him from massacre to massacre. Terrified, the resourceful Alex charmed the highest echelons of the Latvian Third Reich, eventually starring in a Nazi propaganda film. When the war ended he was sent to Australia with a family of Latvian refugees. Fearful of being discovered?as either a Jew or a Nazi?Alex kept the secret of his childhood, even from his loving wife and children. But he grew increasingly tormented and became determined to uncover his Jewish roots and the story of his past. Shunned by a local Holocaust organization, he reached out to his son Mark for help in reclaiming his identity. A survival story, a grim fairy-tale, and a psychological drama, this remarkable memoir asks provocative questions about identity, complicity, and forgiveness.