As a digital forensics examiner, she fights bad guys from the technical front. When a closed cold case is dug up, she finds herself becoming consumed to set things right. No amount of eighties music or repeated viewings of her favorite movie Dirty Dancing were enough to distract her. She needed a vacation in the worst of ways.When she set foot in the gorgeous tropical resort in Greece, she had no idea she'd meet a man claiming to be Hades, god of the Underworld. And she certainly had no idea that he was telling the truth. Her Greek vacation was about to become very...interactive.A Hades/Persephone re-imagining.**The Contemporary Mythos series will feature a different Greek god in each book re-exploring their myths and combining contemporary romance tropes. Though they will all stand alone, the stories will also intersect for those that read them all.**

    The series is written and show-run by Neil himself and stars David Tennant, Michael Sheen, Jon Hamm and Miranda Richardson, to name but a few.**Includes an introduction by Neil Gaiman about bringing GOOD OMENS to the screen**In 1990, dream literary collaborators Terry Pratchett and Neil Gaiman published 'the funniest book they could write' about the end of the world. Now, Neil Gaiman reinvents their groundbreaking classic for 2019 with his original shooting scripts from the show, and gives readers a unique insight into his adaptation and vision for translating this iconic novel to the screen in an introductory essay.This all-new take on a tale about representatives of good and evil who join forces to prevent the coming apocalypse (which is scheduled to happen on a Saturday, just after tea) will be a joy for fans and new readers alike.

    From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.

    Plucked from the streets of Manhattan and frightened half to death by a freaking Olympian god.And now I'm trapped in the Underworld, being forced to compete in a series of deadly trials for the position of Queen of the Underworld. Which would mean marrying Hades, the utterly terrifying Lord of the Dead. Who the hell wants a husband at all, let alone one made of smoke and riddled with death?I have to get back home, to New York and my brother. But I can't leave without completing the trials and they've been designed for a godly Queen, not Persephone - barista and botanical garden enthusiast.I'm surrounded by lethal, all-powerful maniacs. Sexy-as-hell maniacs, sure, but as dangerous as they come. And I'm going to have to prove to all of them that there's a goddess of hell inside me. It's the only way I'll survive the Hades Trials. But then what? And why, why, why am I so desperate to see under Hades smoky exterior and find out what he's hiding from me?If I win the trials, I have to marry the devil himself. But losing might mean losing my life.

    They have to—he’s cursed. Every man must respect him. Every woman must desire him. One look, and all is lost.Ember would rather carve out a piece of her soul than be enslaved by passions not her own. She turns to the dark arts to save her heart and becomes the one woman in the kingdom able to resist the Prince’s Charm.Poor girl. If Ember had spent less time studying magic and more time studying human nature, she might have guessed that a man who gets everything and everyone he wants will come to want the one woman he cannot have.Novella / 32,000 wordsWarning: This story contains sex, violence, and naughty words.It’s based on a fairytale, but it isn’t for kids.

    Tennyson's beautiful and enigmatic poem of unrequited love, set in Arthurian England, has enthralled artists for well over a century. With her luminous illustrations, Genevi?ve C?t? weaves a refreshingly modern interpretation of this beloved poem -- one that will enchant readers of all ages.' to 'This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    First performed in Paris in 1947, its action was inspired by a real-life scandal, the murder by two maids, sisters Christine and Léa Papin, of their mistress and her daughter. Genet's maids - Solange and Claire - occupy themselves, whenever their Madame is out of doors, by acting out ritualised fantasies of revenging their downtrodden status. But when the game goes beyond their control the maids are compelled to try to make their fantasy a reality.'The most extraordinary example of the whirligigs of being and appearance, of the imaginary and the real, is to be found in [Genet's] The Maids. It is the element of fake, of sham, of artificiality, that attracts Genet in the theatre.' Jean-Paul Sartre

    The constellations we recognize today were first mapped by the ancient Greeks, who arranged the stars into patterns for that purpose. In the third century BC Eratosthenes compiled a handbook of astral mythology in which the constellations were associated with figures from legend, and myths were provided to explain how each person, creature, or object came to be placed in the sky. Thus we can see Heracles killing the Dragon, and Perseus slaying the sea-monster to save Andromeda; Orion chasesthe seven maidens transformed by Zeus into the Pleiades, and Aries, the golden ram, is identified flying up to the heavens. This translation brings together the later summaries from Eratosthenes lost handbook with a guide to astronomy compiled by Hyginus, librarian to Augustus. Together with Aratuss astronomical poem the Phaenomena, these texts provide a complete collection of Greek astral myths; imaginative and picturesque, they also offer an intriguing insight into ancient science and culture.ABOUT THE SERIES: For over 100 years Oxford Worlds Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxfords commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.