Alex Ferguson labelled him 'bargain of the century' when he reflected on the £505,000 Manchester United paid to sign him in 1991. Schmeichel became a key figure in the club's successes during the decade ahead, culminating when he captained United in the incredible, last-gasp Treble-clinching win over Bayern Munich in the 1999 Champions League final.A complex character, Schmeichel's story is no mere litany of triumphs. In the book, he recalls how he nearly died at the age of 15. The son of a Danish nurse and Polish musician, his own son Kasper has followed him to the sport's summit, winning the Premier League with Leicester and taking over in Denmark's goal.

    It will also explore the pressures of modern-day teaching, revealing exactly what it takes to wrangle a chaotic classroom (or seven) on a weekly basis. From the absolute characters found in the staffroom to school-trip mishaps and everything else inbetween, Put A Wet Paper Towel on It is a must-read for teachers and parents alike.So sit up straight, four legs on your chair, fingers on lips and get ready to take a trip down memory lane. And remember – when in doubt, just put a wet paper towel on it.

    Stuart Adamson: In a Big Country tells the story of how a teenager who was raised in a small Fife village released his first single at 19, wrote three Top 40 albums in the next three years and was written off as a has-been at 23, but then went on to form a new band and sell more than 10 million records worldwide, touring with the Rolling Stones and David Bowie. Although Stuart Adamson was one of the most respected and popular figures in the music industry, his personal life was complex - depression, alcoholism and estrangement - and ultimately tragic, ending with his suicide in a Hawaiian hotel in December 2001.

    As lead singer of the Happy Mondays, he turned Manchester into Madchester, combining all the excesses of a true rock'n'roll star with music and lyrics that led impresario Tony Wilson to describe him as 'the greatest poet since Yeats'. The young scally who left school at fifteen without ever learning his alphabet had come a very long way indeed. Huge chart success and a Glastonbury headline slot followed, plus numerous arrests and world tours - then Shaun's drug addiction reached its height, Factory Records was brought to its knees and the Mondays split.But was this the end for Shaun Ryder? Not by a long shot. Two years later he was back with new band Black Grape, and their groundbreaking debut album topped the charts in possibly the greatest comeback of all time. Even his continuing struggle with drugs did not stem the tide of critically acclaimed tracks and collaborations as he went on to prove his musical genius time and again. And then there was the jungle...Rock'n'roll legend, reality TV star, drug-dealer, poet, film star, heroin addict, son, brother, father, husband, foul-mouthed anthropologist and straight-talking survivor, Shaun Ryder has been a cultural icon and a 24-hour party person for a quarter of a century. Told in his own words, this is his story.

    He never saw a hundred dollar bill or The Godfather until he went to college.Poster comes from a family of oddsmakers who reach for the Doritos on football Sundays and scream for the point spread. He was whistling Sinatra and booking games at his Las Vegas high school.Their unlikely friendship began in college over an $8 veal parmigiana sandwich that led to a partnership in a hotel reservation business. Starting with a desk, a chair, a pillow, and a telephone, Tim and Tom grew a company that they sold during the dot.com boom for $105 million. This allows Tim to pursue his childhood dream of owning a casino and bringing back the glory days of Vegas.When Tim ups the odds and raises the limits to give gamblers the best game in town, a craps player nicknamed "Mr. Royalty," who's on one of the hottest winning streaks in history, heads for The Nugget. When he begins to take Tom and Tim for millions, the partnership is put to the test. But Tim refuses to back off on the odds or the high limits, telling his partner, "It's a ballsy proposition here. It's gonna be a roller coaster ride. But we don't have a public company to answer to. It's just you and me."When Mr. Royalty rolls twenty-two consecutive passes and rakes in a mountain of chips, he takes Tim and Tom to the brink. They must figure out a way to hold up The House.Just as they do, the roller coaster ride really gets rolling—and the ride becomes crazier than they'd ever imagined.

    unsparing, honest' GQ magazineKieron Dyer's memoir, Old Too Soon, Smart Too Late, is the first intimate and unsparing portrait of the failures and excesses of the generation of English footballers made rich beyond their wildest dreams by the post-1990 World Cup boom in the game and the explosion of the Premier League. It shares the same brutal honesty and self-awareness of the bestselling No Nonsense by Joey Barton and GoodFella by Craig Bellamy.In the public mind, Kieron Dyer came to symbolise so much of what was self-destructive about a group of football players known collectively as the 'Baby Bentley generation'. Nicknamed 'The King of Bling' by the tabloid press, Dyer was caught up in many of the scandals that characterised the history of a talented crop of players who promised so much and delivered so little, a generation whose wages and lavish lifestyles began to alienate them from the fans who once worshipped them.The brash young man is gone now, and in his place is the quiet, caring, wise man who was such a favourite on I'm a Celebrity, Get me Out of Here! in 2015. Dyer narrates, in uncompromising detail, how a generation of talented English footballers, taken out of working class childhoods and presented with a world of glitz, glamour, wealth and temptation, failed to cope with the riches that were presented to them and often fell apart.Old Too Soon, Smart Too Late is about a moment in time, a social and historical record of English football at the start of its gold rush. For Dyer, the end of the book brings a measure of personal redemption and peace but for the English game, there is only a lingering sense of waste and regret for an opportunity lost.

    Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in history. He was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is composed of the memoir he was writing before his tragic death, pages that brings us into Prince’s childhood world through his own lyrical prose. The second part takes us into Prince’s early years as a musician, before his first album released, through a scrapbook of Prince’s writing and photos. The third section shows us Prince’s evolution through candid images that take us up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, as he retells the autobiography we’ve seen in the first three parts as a heroic journey.The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his short but profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to each of the book’s images. This work is not just a tribute to Prince, but an original and energizing literary work, full of Prince’s ideas and vision, his voice and image, his undying gift to the world.

    I wasn’t submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up, yet I was very serious.’ BRAVE, BEAUTIFUL AND BORN TO BE PUNK DEBBIE HARRY is a musician, actor, activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life – until now.In an arresting mix of visceral, soulful storytelling and stunning visuals that includes never-before-seen photographs, bespoke illustrations and fan art installations, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It recreates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie.Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s break-up as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps – a memoir as dynamic as its subject.

     Free BONUS Inside! Amelia Earhart was a legend—but perhaps an unlikely one at that. You see, Amelia Earhart was not always the dashing heroine that most of us associate with her name. She began life as a rather shy girl, who often found herself having to hide from her troubled upbringing. As her family life spiraled out of control, Amelia Earhart was forced to move from state to state, town to town, never getting the chance to put down roots. The high school she graduated from was one of many she attended, and a caption by her photo for that semester’s yearbook seems to have said it all. It read, “the girl in brown who walks alone.” But even as her peers scoffed at the girl in brown slacks who walked a lonely path, Amelia Earhart was charting a course for a tremendous destiny. In this book, we will follow all of the hurdles that this heroine surmounted in order to become one of the most famous pilots of all time. Discover a plethora of topics such as A Turbulent Childhood First Transatlantic Flight Earhart in the White House Amelia Earhart's Disappearance Theories and Explanations And much more! So if you want a concise and informative book on Amelia Earhart, simply scroll up and click the "Buy now" button for instant access!

    Actor. Cancer survivor. Mother of twins through surrogacy. Woman of no fixed address. This is the story of Lisa Ray. An unflinching, deeply moving account of her nomadic existence: her entry into the Indian entertainment industry at sixteen; her relationship with her Bengali father and Polish mother; life on the movie sets and her brush with the Oscars; her battle with eating disorders; being diagnosed with multiple myeloma at thirty-seven; her spiritual quest; lovers and traitors, mentors and dream-makers; and the heartaches and triumphs along the way. It is also about Lisa's quest for love. Funny, charming, and gut-wrenchingly honest all at once, Close to the Bone is Lisa Ray's brave and inspiring story of a life lived on her terms.

    He was managed by the mob, hung with Hendrix, trashed thousands of hotel rooms, unwittingly paid for an unknown Led Zeppelin to support him on tour, taught John Bonham (as well as Fred Astaire) a thing or two about drumming, and took part in Zeppelin’s infamous deflowering of a groupie with a mud shark. After enrolling in Rod Stewart’s Sex Police, he hung out with Kojak, accidentally shared a house with Prince, became blood brothers with Ozzy Osbourne, and got fired by Sharon. He formed an all-blond hair metal band, jammed with John McEnroe and Steven Seagal, became a megastar in Japan, got married five times, slept with 4,500 groupies—and, along the way, became a rock legend by single-handedly reinventing hard rock and heavy metal drumming.             Carmine Appice has enjoyed a jaw-dropping rock-and-roll life—and here he is telling his scarcely believable story. Cowritten with Ian Gittins, the coauthor with Nikki Sixx of the New York Times bestseller The Heroin Diaries, Stick It! is one of the most extraordinary and outrageous rock-and-roll biographies of our time.

    Growing up, his dad would drive him up and down to London for auditions, sometimes three or four times a week, only to be met with constant rejections. Even the teenage distractions of girls, forming his own pop group, attempted (and failed) shoplifting, or the endless detentions he'd get from exasperated teachers didn't put him off. He knew where he wanted to be and he'd keep on trying until he got there, and here is the story of how he did it. From his time as one of the founding players of his school's first ever rugby team to nationwide fame as the loveably loud Smithy in the award-winning Gavin and Stacey, this is a tenderly—and very funnily—told story of what it’s like to try, try, and try again and get there in the end.

    En route, John Cleese describes his nerve-racking first public appearance, at St Peter’s Preparatory School at the age of eight and five-sixths; his endlessly peripatetic home life with parents who seemed incapable of staying in any house for longer than six months; his first experiences in the world of work as a teacher who knew nothing about the subjects he was expected to teach; his hamster-owning days at Cambridge; and his first encounter with the man who would be his writing partner for over two decades, Graham Chapman. And so on to his dizzying ascent via scriptwriting for Peter Sellers, David Frost, Marty Feldman and others to the heights of Monty Python.Punctuated from time to time with John Cleese’s thoughts on topics as diverse as the nature of comedy, the relative merits of cricket and waterskiing, and the importance of knowing the dates of all the kings and queens of England, this is a masterly performance by a former schoolmaster.

    . . Now in his eighth decade, Whitehall is a fine raconteur, gloriously unreconstructed and still deeply suspicious of modernity' Daily Mail Standing in front of a full-length mirror in my dressing room at ITV studios, waiting to go on to the set of Backchat, I had a brief conversation with my reflection.'Michael, what the f*** do you think you're doing?'Theatrical agent Michael Whitehall spent a career pushing others into the spotlight. He had been involved behind the scenes with the careers of many prominent actors, including Colin Firth, Richard Griffiths, Daniel Day-Lewis, Tom Courtenay, Ian Ogilvy, Judi Dench, Edward Fox, Michael Fassbender, Angela Thorne and Nigel Havers.But then, much to his surprise, his son Jack becomes a successful comedian and actor and decides that his new comedy partner should be his father. Whitehall Snr. finds himself reluctantly appearing on stage and then television, cast as the archetypal grumpy old man and thrust, in his early seventies, into a whole new career in front of the camera. Minor fame comes at a sedate pace: one of the highlights being a record £300,000 win for charity with Jack on Channel 4's The Million Pound Drop.In this enchanting memoir Whitehall looks back on his life, from growing up in suburban London in the 1940s and '50s with his saintly father and social climbing-mother, who coined the phrase 'à la carte' to describe people who were posher than she was and whose company she craved, to falling into a career as a successful theatrical agent and producer. As he says, 'Actors can be egotistical, greedy and vain, but they're not half as bad as agents and producers.'Charming, gossipy and above all very funny, Backing Into The Spotlight is no ordinary show business memoir.

    There is no mention of my time as a lumberjack, and my career as a double-agent remains a closed book. Anyway, this is the much more exciting story of how I, Ronald Balfour Corbett, the son of a baker in Edinburgh, became convinced that I had to become an actor. It is the story of how I pursued that goal and eventually achieved it, along the way finding fame as one of the Two Ronnies, and encountering an extraordinary cast of characters." - Ronnie Corbett