The co mpanion will interest tourists, students and business travel lers to Japan. '

    Linking Europe, India, and the Far East, the route passed through many countries and many settlements, from the splendid city of Samarkand to tiny desert hamlets. Susan Whitfield creates a rich and varied portrait of life along the greatest trade route in history in a vivid, lively, and learned account that spans the eighth through the tenth centuries. Recounting the lives of ten individuals who lived at different times during this period, Whitfield draws on contemporary sources and uses firsthand accounts whenever possible to reconstruct the history of the route through the personal experiences of these characters.Life along the Silk Road brings alive the now ruined and sand-covered desert towns and their inhabitants. Readers encounter an Ulghur nomad from the Gobi Desert accompanying a herd of steppe ponies for sale to the Chinese state; Ah-long, widow of a prosperous merchant, now reduced to poverty and forced to resort to law and charity to survive; and the Chinese princess sent as part of a diplomatic deal to marry a Turkish kaghan. In the process we learn about women's lives, modes of communication, weapons, types of cosmetics, methods of treating altitude sickness in the Tibetan army, and ways that merchants cheated their customers. Throughout the narrative, Whitfield conveys a strong sense of what life was like for ordinary men and women on the Silk Road--everyone from itinerant Buddhist monks, to Zoroastrians and Nestorian Christians seeking converts among the desert settlers, to storytellers, musicians, courtesans, diviners, peddlers, and miracle-workers who offered their wares in the marketplaces and at temple fairs. A work of great scholarship, Life along the Silk Road is at the same time extremely accessible and entertaining.

    Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters -- in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter.The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for "Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained "typewriter girls" and "typewriter boys." Still later was the "Double Pigeon" typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of "predictive text."Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an "object history" but grappling with broad questions of technological change and global communication, shows how this happened.

    In one hundred brief, reader-friendly chapters, alphabetized by subject, "China A to Z" introduces a general audience to contemporary Chinese society, as well as its venerable history. Discover: ? Why Chinese names are written in reverse order ? What to bring when visiting a Chinese household ? What the current relationship is between Japan and China ? Why you should wrap gifts in red or pink paper, and never send white flowers With the 2008 Summer Olympics being held in Beijing, thousands of Chinese adoptions occurring each year, and China becoming the fourth most popular international destination, the need for information about this complex country is greater than ever.

    For the young shepherd boy Dshurukuwaa, the confrontation comes in stages. First his older siblings leave the family yurt to attend a distant boarding school, followed by the death of his beloved grandmother and with it, the connection to the tribe’s traditions and deep relationship to the land. But the greatest tragedy strikes when his dog — “all that was left to me” — dies after ingesting poison set out by the boy’s father to protect the herd from wolves. His despairing questions to the Heavenly Blue Sky are answered only by the silence of the wind.The first and only member of the Tuvans to use written language to tell stories, Galsan Tschinag chronicles their traditions in this fascinating, bittersweet novel.

    From Australia to Zambia and everywhere in between, these true stories are full of bust-a-gut laughter. Nothing helps a travel story more than something going wrong — the frustration, embarrassment, and inconvenience provide great material for stories once the anguish has faded. The adventurers here encounter just about every unexpected mishap imaginable.

    She’s since returned to the United States, but this distillation of incisive—and irreverent—insights, now updated with a new preface, is just as illuminating today. And perhaps even more so, in the wake of Brexit and the attendant national identity crisis.While there may be no easy answer to the question of how, exactly, to understand the English, The Anglo Files—part anthropological field study, part memoir—helps point the way.

    Through his best-selling works, he helped transform an isolated feudal nation into a full-fledged international force.In Outline of a Theory of Civilization, the author's most sustained philosophical text, Fukuzawa translates and adapts a range of Western works for a Japanese audience, establishing the social, cultural, and political avenues through which Japan could connect with other countries. Echoing the ideas of Western contemporaries such as Ralph Waldo Emerson and Walt Whitman, Fukuzawa encouraged a grassroots elevation of the individual and national spirit, as well as free initiative in the private domain. Fukuzawa's bold project articulated thoughts that, for him, bolstered the material evidence of Western civilization. He argued that the essential difference separating Western countries from Japan and Asia was the extent to which citizens acted like free and responsible individuals.This careful new translation, accompanied by a comprehensive critical introduction, highlights the truly transnational aspects of Outline of a Theory of Civilization and its status as a foundational text of modern Japanese civilization. Approaching Fukuzawa's progressive thought with a fresh eye, these scholars elucidate the monumental and peerless quality of his work.

    As the holocaust approached, many Jewish families in Germany fled to one of the only open ports available to them: Shanghai. Once called "the armpit of the world," Shanghai ultimately served as the last resort for tens of thousands of Jews desperate to escape Hitler's "Final Solution." Against this backdrop, 11-year-old Ursula Bacon and her family made the difficult 8,000-mile voyage to Shanghai, with its promise of safety. But instead of a storybook China, they found overcrowded streets teeming with peddlers, beggars, opium dens, and prostitutes. Amid these abysmal conditions, Ursula learned of her own resourcefulness and found within herself the fierce determination to survive.

    The implications and challenges associated with this fact are enormous. But how did we get here?From the origins of urbanization in Mesopotamia to the global metropolises of today, great cities have marked the development of human civilization. The Great Cities in History tells their stories, starting with the earliest, from Uruk and Memphis to Jerusalem and Alexandria. Next come the fabulous cities of the first millennium: Damascus and Baghdad, Teotihuacan and Tikal, and Chang’an, capital of Tang Dynasty China. The medieval world saw the rise of powerful cities such as Palermo and Paris in Europe, Benin in Africa, and Angkor in southeast Asia. The last two sections bring us from the early modern world, with Isfahan, Agra, and Amsterdam, to the contemporary city: London and New York, Tokyo and Barcelona, Los Angeles and Sao Paulo.The distinguished contributors, including Jan Morris, Michael D. Coe, Simon Schama, Orlando Figes, Felipe Fernandez-Armesto, Misha Glenny, Susan Toby Evans, and A. N. Wilson, evoke the character of each place—people, art and architecture, government—and explain the reasons for its success.

    This illuminating anthology provides a window into the country from the perspective of thirty-two expatriates from seven different nations - artists, entrepreneurs, Peace Corps volunteers, archaeologists, missionaries, and others - who established lives in Turkey for work, love, or adventure. Through narrative essays covering the last four decades, these diverse women unveil the mystique of the "Orient," describe religious conflict, embrace cultural discovery, and maneuver familial traditions, customs, and responsibilities. Poignant, humorous, and transcendent, the essays take readers to weddings and workplaces, down cobbled Byzantine streets, into boisterous bazaars along the Silk Road, and deep into the feminine stronghold of steamy Ottoman bathhouses. The outcome is a stunning collection of voices from women suspended between two homes as they redefine their identities and reshape their worldviews.Coining the "expat harem" as a distinct community, the editors also boldly reclaim the concept of an Eastern harem-long the subject of erroneous Western stereotype. "Much like the imported brides of fifteenth-century sultans, our expat harem is conjured by the shared circumstance of being foreign-born and female in a land laced with a harem tradition," Ashman and Gokmen declare."Our writers are inextricably wedded to Turkish culture, embedded in it, yet alien nonetheless."

    In this surprising collection of pieces, almost half of which are original to this anthology, some of our most lively, provocative writers explore the many folds of fat that make up reality.From David Sedaris's hilarious assessment of his father's fat prejudices in "A Shiner Like A Diamond" to Anne Lamott's self-prescribed cathartic weight loss remedies in "Hunger", Pam Houston's rich literary panorama in "Out of Habit I Start Apologizing," and psychiatrist Irving Yalom's deeply moving confrontation of his own biases in "Fat Lady," each piece in its unique way deals with fat as a matter of fact.Sometimes funny, sometimes angry, often illuminating and always engaging, these writers make a new and compelling case for why we should make room for a bigger behind.

    The eight-hour work day, the Ponzi scheme and the rhythm and blues have risen from its streets. But Chicago is not just a city of the past. In this dynamic issue, GRANTA brings the one-time industrial hub to life through the eyes of exciting new writers, from home grown stars like George Saunders and Dave Eggers, to immigrants who have come to the city from Bosnia, China and Ethiopia.In this issue, Aleksandar Hemon plays football with Italians and Tibetans along Lake Shore Drive. Chicago born MacArthur 'genius' grant-winning photographer Camilo José Vegara captures the demolition of the city's massive public housing estates. Richard Powers recollects the flood of 1992. Don DeLillo remembers Nelson Algren. Alex Kotlowitz explores the cost of urban violence and Dinaw Mengestu describes moving back home to run his dying father’s messenger business. Plus a sneak preview of Peter Carey's new novel.Finally, Nobel Laureate Wole Soyinka meditates on the meaning of the city's most visible son, Barack Obama. Out of these stories, which will be wrapped in a beautiful cover by Chris Ware, will arise a vivid portrait of a city remaking itself: a city shredded by violence but poised for a new future; a city that once again has a legitimate claim to being the home of the world's best writers.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    In this new edition Joseph S. M. Lau and Howard Goldblatt have selected fresh works from familiar authors and have augmented the collection with poetry, stories from the colonial period in Taiwan, literature by Tibetan authors, samplings from the People's Republic of China during the Cultural Revolution, stories by post-Mao authors Wang Anyi and Gao Xingjian, literature with a homosexual theme, and examples from the modern "cruel youth" movement. Lau and Goldblatt have also updated their notes and their biographies of featured writers and poets. Now fully up to date, this critical resource more than ever provides readers with a thorough introduction to Chinese society and culture.