It felt like it did not count. Like we were unfinished. Incomplete. There was always a gap at the table, room to set places for others. Visitors were few and far between. Mostly, there was only me.Only is a memoir of an unconventional childhood that explores what it means to be an Only Child -- as both child and adult. Also what it means to be the daughter of two people damaged by trauma and tragedy, particularly a domineering and explosive father. Secrets are revealed and differences settled.Caroline Baum's moving and gripping memoir is for everyone who has felt they are the fulcrum of a seesaw, the focus of all eyes and expectations, torn between love and fear, obedience and rebellion, duty and the longing to escape. It is also for anyone who has felt the burden of trying to be a Good Daughter -- what that means and why it is so hard. Revelatory, lyrical and unflinching.‘With a glamorous mother and a successful father, Caroline Baum’s prosperous childhood seems like the epitome of privilege. Yet below the shimmering surface, rolling currents from scarred pasts buffet her girlhood, creating dislocations that resonate into adulthood. This beautifully rendered, searingly honest account becomes, in the end, a testimony to the enduring power of love, no matter how imperfectly enacted or expressed.’ GERALDINE BROOKS, author of The Secret Chord

    What’s it like to work in a morgue? This book describes, first hand, coping with mutilated or decomposed bodies and the carnage of large-scale disasters like the Bali bombings. Equally as traumatic, the suicides, accidental drownings, car accidents and murders. But forensic counsellors do much more, witnessing autopsies, attending crime scenes and coronial enquiries. It’s all in a day’s work. Find out what it’s like behind the scenes. Those working at the morgue come face to face with death on a daily basis, and forensic counsellors like John have to find the compassion and kindness to ease the grief of those left behind.

    A poll fought between two wildly ambitious men who want to win their first election, whatever it takes. Mark Di Stefano finds out what is happening behind the scenes and how the two campaigns manufacture, massage and manipulate their parties, policies and principles. What a time to be alive documents the daily ride of an historic election campaign, week by long week, taking you into the bizarre world of staged photo ops, booze-drenched regrets and dirty direct messages. The exposure of the unscripted moments with political leaders, their over-worked staff and secretive minders, shows how the sausage that is this Australian election, is made and reveals what is really inside.

    So one day, armed only with a backpack and fantasies of the open road, he hitchhikes off into the awesome emptiness of Australia's outback.        What follows is a hilarious, hair-raising ride into the hot red center of a continent so desolate that civilization dwindles to a gas pump and a pub. While the outback's terrain is inhospitable, its scattered inhabitants are anything but. Horwitz entrusts himself to Aborigines, opal diggers, jackeroos, card sharks, and sunstruck wanderers who measure distance in the number of beers consumed en route. Along the way, Horwitz discovers that the outback is as treacherous as it is colorful. Bug-bitten, sunblasted, dust-choked, and bloodied by a near-fatal accident, Horwitz endures seven thousand miles of the world's most forbidding real estate, and some very bizarre personal encounters, as he winds his way to Queensland, Alice Springs, Perth, Darwin--and a hundred bush pubs in between.        Horwitz, the Pulitzer Prize-winning author of two national bestsellers, Confederates in the Attic and Baghdad Without a Map, is the ideal tour guide for anyone who has ever dreamed of a genuine Australian adventure.

    A passionate and urgently needed call to arms, Fight Like A Girl insists on our right to be angry, to be heard and to fight. It'll change lives.' Emily Maguire, author of An Isolated IncidentA friend recently told me that the things I write are powerful for her because they have the effect of making her feel angry instead of just empty. I want to do this for all women and young girls - to take the emptiness and numbness they feel about being a girl in this world and turn it into rage and power. I want to teach all of them how to FIGHT LIKE A GIRL. Clementine FordOnline sensation, fearless feminist heroine and scourge of trolls and misogynists everywhere, Clementine Ford is a beacon of hope and inspiration to thousands of Australian women and girls. Her incendiary debut Fight Like A Girl is an essential manifesto for feminists new, old and soon-to-be, and exposes just how unequal the world continues to be for women. Crucially, it is a call to arms for all women to rediscover the fury that has been suppressed by a society that still considers feminism a threat.Fight Like A Girl will make you laugh, cry and scream. But above all it will make you demand and fight for a world in which women have real equality and not merely the illusion of it.

    They plotted. They schemed. They unleashed chaos.Australia lost two prime ministers in three years in a period of political bloodshed that took the nation's government to the brink of collapse - until an extraordinary election changed everything.Venom is the secret history of the brutal power play to lead the government. It sheds new light on the fall of Tony Abbott, the rise of Malcolm Turnbull and the electrifying leadership spill that brought parliament to a halt in August 2018. In a day-by-day account, it reveals the strategy Scott Morrison used to defeat his opponents and claim ultimate authority.David Crowe reported these events for the Sydney Morning Herald and The Age as they unfolded. Using more than one hundred interviews with the participants, he tells an epic story of revenge, hatred and the ruthless pursuit of power. And he asks whether the future holds any peace when the past is so full of poison.PRAISE'David Crowe is both wise guide and sage interpreter in this gripping journey through the angry years of Australian politics' Chris Uhlmann'David Crowe writes with precision and clarity - dissecting the characters, deep rivalries and ideological wars that churned through three Liberal Prime Ministers' Patricia Karvelas'A compelling read about a time of Liberal madness' Michelle Grattan'Crowe's book is as good a piece of modern political history as you'll find. It has some failings' Dennis Atkins, The Australian'... a 21st-century contribution to the [revenge tragedy] genre' Jeff Sparrow, Sydney Morning Herald / The Age

    Sarah Krasnostein's The Trauma Cleaner is a love letter to an extraordinary ordinary life. In Sandra Pankhurst she discovered a woman capable of taking a lifetime of hostility and transphobic abuse and using it to care for some of society's most in-need people.Sandra Pankhurst founded her trauma cleaning business to help people whose emotional scars are written on their houses. From the forgotten flat of a drug addict to the infested home of a hoarder, Sandra enters properties and lives at the same time. But few of the people she looks after know anything of the complexity of Sandra's own life. Raised in an uncaring home, Sandra's miraculous gift for warmth and humour in the face of unspeakable personal tragedy mark her out as a one-off.

    Unpacking the small towns around where she lives and the communities that keep them going through threat and times of plenty. With half her year spent in Canberra, reporting from Parliament House, and half her year in the sticks, she really does have a unique perspective. The Great Divide between city and country is only one subject that arises. The National Party talks about farmers, but what about those who live in regional towns? Her forensic focus in the nearby towns is on ordinary lives not often seen, and the conversations in this book are broad, national and at times international; immigration, transport, health, the NBN, globalization, and tariffs. Gabrielle also draws on her own observations about community. Newcomers initially face strong distrust based on money or race, but once you are accepted, there is a strong belonging and interaction, much more so than her experience in the city. Middle class people in the city, like Gabrielle, show compassion for poverty or racial difference, but there is little interaction with the "other." That is the gift the country gave her. Gabrielle has spent 30 years covering politics and lived 20 of those years in the country. Her kids were raised in country schools where she did her time on school councils, watching the lives of fellow parents and their kids from the poorest to the richest rural families. Gabrielle served on community groups grappling with loss of population, economic recession and mundane parking issues. She has witnessed fiery town meetings dealing with bank closures and doctor shortages. She has felt parents' extraordinary losses to ordinary causes like car accidents, drugs, and crime in a small town. And all this while documenting the modern Australian political story. This book is both the broad and the narrow, the personal and the public. There is no other book like this in Australia and Gabrielle is the only person to write it.

    She says what she thinks. In an era when public figures talk about themselves as brands, this is almost radical. In her memoir, Jane tells us that: her life is not perfect; she has given up trying to control anything; her children are not geniuses; Julia Gillard is fine but she's not a saint; and in her long career in advertising she was bullied by some of the wittiest men in Australia. She also talks frankly about her battle with anxiety. For the anxious among us - one in three Australian women are affected - this memoir offers hope. By example, Jane shows us that anxiety is not a life sentence; it can be managed so long as it is identified and treated; it should not prevent us doing the things in life that bring reward and recognition, and on the other side of anxiety lies the ultimate reward: the freedom to say and do as we please.

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

    They opened up new worlds and cast light on all the complexities she encountered in this one.She was whisked away to Narnia – and Kirrin Island – and Wonderland. She ventured down rabbit holes and womble burrows into midnight gardens and chocolate factories. She wandered the countryside with Milly-Molly-Mandy, and played by the tracks with the Railway Children. With Charlotte’s Web she discovered Death and with Judy Blume it was Boys. No wonder she only left the house for her weekly trip to the library or to spend her pocket money on amassing her own at home.In Bookworm, Lucy revisits her childhood reading with wit, love and gratitude. She relives our best-beloved books, their extraordinary creators, and looks at the thousand subtle ways they shape our lives. She also disinters a few forgotten treasures to inspire the next generation of bookworms and set them on their way.Lucy brings the favourite characters of our collective childhoods back to life – prompting endless re-readings, rediscoveries, and, inevitably, fierce debate – and brilliantly uses them to tell her own story, that of a born, and unrepentant, bookworm.

    These essays traverse cities and spaces, bodies and histories, moving through forms and modes to find a closer kind of truth. Blueberries is ripe with acid, promise, and sweetness.

    What is required, in fact, is a radical reinterpretation of what language is. Steven Roger Fischer begins his book with an examination of the modes of communication used by dolphins, birds and primates as the first contexts in which the concept of "language" might be applied. As he charts the history of language from the times of Homo erectus, Neanderthal humans and Homo sapiens through to the nineteenth century, when the science of linguistics was developed, Fischer analyses the emergence of language as a science and its development as a written form. He considers the rise of pidgin, creole, jargon and slang, as well as the effects radio and television, propaganda, advertising and the media are having on language today. Looking to the future, he shows how electronic media will continue to reshape and re-invent the ways in which we communicate."[a] delightful and unexpectedly accessible book ... a virtuoso tour of the linguistic world."—The Economist"... few who read this remarkable study will regard language in quite the same way again."—The Good Book Guide

    We know, for example, that there are a few core truths to science of happiness. We know that being kind and altruistic makes us happy, that turning off devices, talking to people, forging relationships, living with meaning and delving into the concerns of others offer our best chance at achieving happiness. But how do we retain happiness? It often slips out of our hands as quickly as we find it. So, when we are exposed to, or learn, good things, how do we continue to burn with them?And more than that, when our world goes dark, when we're overwhelmed by illness or heartbreak, loss or pain, how do we survive, stay alive or even bloom? In the muck and grit of a daily existence full of disappointments and a disturbing lack of control over many of the things that matter most - finite relationships, fragile health, fraying economies, a planet in peril - how do we find, nurture and carry our own inner, living light - a light to ward off the darkness?Absorbing, achingly beautiful, inspiring and deeply moving, Julia Baird has written exactly the book we need for these times.

    Madame President is the inspiring, often heartbreaking story of Sirleaf’s evolution from an ordinary Liberian mother of four boys to international banking executive, from a victim of domestic violence to a political icon, from a post-war president to a Nobel Peace Prize winner. Pulitzer Prize–winning journalist and bestselling author Helene Cooper deftly weaves Sirleaf’s personal story into the larger narrative of the coming of age of Liberian women. The highs and lows of Sirleaf’s life are filled with indelible images; from imprisonment in a jail cell for standing up to Liberia’s military government to addressing the United States Congress, from reeling under the onslaught of the Ebola pandemic to signing a deal with Hillary Clinton when she was still Secretary of State that enshrined American support for Liberia’s future. Sirleaf’s personality shines throughout this riveting biography. Ultimately, Madame President is the story of Liberia’s greatest daughter, and the universal lessons we can all learn from this “Oracle” of African women.