Everyone wondered about Shaye Archer’s past. Including Shaye. Shaye Archer’s life effectively began the night police found her in an alley, beaten and abused and with no memory of the previous fifteen years, not even her name. Nine years later, she’s a licensed private investigator, with a single goal—to get answers for her clients when there aren’t supposed to be any. And maybe someday, answers for herself. Emma Frederick thought her nightmare was over when she killed her abusive husband, but someone is stalking her and tormenting her with mementos from her past. With no evidence to support her claims, the police dismiss her claims as post-traumatic stress, but Shaye is convinced that someone is deliberately terrorizing Emma…playing a cat and mouse game with only one goal in mind. To kill Emma.

    Hired by companies seeking trustworthy employees and by the lovelorn hoping to find happiness, Anna likes to keep the real mess of other people’s lives at arm’s length and on paper. But when she is called to use her expertise on a ransom note left behind at a murder scene in the small town she and her son have recently moved to, the crime inevitably gets under Anna’s skin. Was the child kidnapped from his home by his own mother, trying to save him from his abusive father? Thirteen years ago, Anna did the same thing for her unborn son, now a troubled teen rebelling against the protected life she’s given him.The local sheriff wants no part of Anna’s brand of hocus pocus, but he’ll do whatever it takes to bring his community and his office back under control. Anna is able to discern from the note that no one in the little boy’s family has been safe for a long time. And bringing him and his mother home could be the worst possible outcome for them.

    But when she stumbles across the dead body of a respected member of the community, it’s up to her to prove a murderer is on the loose . . . Cops can make mistakes, even when they’re not rookies. If anyone knows that it’s Cass Raines, who took a bullet two years ago after an incompetent colleague screwed up a tense confrontation with an armed suspect. Deeply traumatized by the incident, Cass resigned from the Chicago PD, leaving one less female African-American on the force. Now she’s the head of a one-woman private investigation agency, taking on just enough work to pay the bills. She spends the rest of her time keeping an eye on the tenants in her little Hyde Park apartment building, biking along the lakefront, and playing chess with the only father figure she’s ever known, Father Ray Heaton. When Father Ray asks Cass to look into a recent spate of vandalism at his church, she readily agrees to handle the case. But only hours later she’s horrified to discover his murdered body in the church confessional, a dead gangbanger sprawled out nearby. She knew Pop, as she called him, had ticked off plenty of people, from slumlords to drug dealers and even some parishioners and politicians, with his uncompromising defense of the downtrodden. But a late-night random theft doesn’t seem like much of a motive at a cash-strapped parish like Saint Brendan’s. The lead detective assigned to the case is all too ready to dismiss it as an interrupted burglary gone awry, just another statistic in a violent city. But Cass’s instincts tell her otherwise, and badge or no badge, she intends to see justice done . . .

    Still, it happened so fast, and no one seems to have gotten a good look at the shooter. Was it random? Was it connected to the spate of drug violence plaguing poor areas of the country just like Acker's Gap? Or were Dean Streeter, Shorty McClurg, and Lee Rader targeted somehow?One of the witnesses to the brutal incident was Carla Elkins, teenaged daughter of Bell Elkins, the prosecuting attorney for Raythune County, WV. Carla was shocked and horrified by what she saw, but after a few days, she begins to recover enough to believe that she might be uniquely placed to help her mother do her job.After all, what better way to repair their fragile, damaged relationship? But could Carla also end up doing more harm than good―in fact, putting her own life in danger?

    The truth doesn't matter in a trial.The only thing that matters is what the prosecution can prove.Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren't that different.It's been over a year since Eddie vowed never to set foot in a courtroom again. But now he doesn't have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie's back and kidnapped his ten-year-old daughter Amy.Eddie only has 48 hours to defend Volchek in an impossible murder trial—and win—if he wants to save his daughter.Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his 'client' and ensure Amy's safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible?Lose this case and he loses everything.

    Rachel Knight is a tenacious, wise-cracking, and fiercely intelligent prosecutor in the city's most elite division. When her colleague, Jake, is found dead at a grisly crime scene, Rachel is shaken to the core. She must take over his toughest case: the assault of a young woman from a prominent family.But she can't stop herself from digging deeper into Jake's death, a decision that exposes a world of power and violence and will have her risking her reputation--and her life--to find the truth.With her tremendous expertise in the nuances of L.A. courts and crime, and with a vibrant ensemble cast of characters, Marcia Clark combines intimate detail, riotous humor, and visceral action in a debut thriller that marks the launch of a major new figure on the crime-writing scene.

    Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

    Now she must run, not only to escape the dark secrets in her past, but to outwit the man who is stalking her every move.On the other side of the country, Allison's mother is desperate for news of her daughter, who is missing, presumed dead. Maggie refuses to accept that she could have lost her only child and sets out to discover the truth.Mother and daughter must fight - for survival and to find their way through a dark web of lies and back to one another, before it's too late...

    In a churchyard, villagers gather on the night when the ghosts of those who will die in the coming year are thought to be seen. Here, where the estuary leads out to the sea, superstitions still hold sway.Standing alone is the taxidermist's daughter. At 17, Constantia Gifford lives with her father in a decaying house: it is all that is left of Gifford's once world-famous museum of taxidermy. The stuffed animals that used to grace every parlour are out of fashion, leaving Gifford a disgraced and bitter man.The bell begins to toll and all eyes are fixed on the church. No one sees the gloved hand pick up a flint. As the last notes fade into the dark, a woman lies dead.While the village braces itself against rising waters and the highest tide of the season, Connie struggles to discover who is responsible, but finds herself under suspicion. Is Constantia who she seems - is she the victim of circumstances or are more sinister forces at work? And what is the secret that lies at the heart of Gifford House, hidden among the bell jars of her father's workshop?Told over one summer, The Taxidermist's Daughter is the haunting new novel from the bestselling author of Labyrinth, Sepulchre, Citadel and The Winter Ghosts.

    Ostracised by her colleagues, her family and her partner, she begins to wonder if she really is losing her mind.And then she meets the next victim.So compulsive you can't stop reading.So chilling you won't stop talking about it.A pitch-black and devastatingly original psychological thriller.

    Built in 1770, the newly renovated inn hosts a roster of special events celebrating books, genres, and authors. It's the perfect literary retreat--until a rare book dealer turns up dead in the carriage house during a celebration of Golden Age mystery author Josephine Tey.The victim's daughter points the finger at forty-two-year-old widow and former schoolteacher Charlotte Reed, who inherited the B&B from her great-aunt Isabella. Charlotte is shocked to discover that the book dealer suspected Isabella of being a thief who founded Chapters on her ill-gotten gains. Charlotte has successfully learned the B&B business in a year, but nothing has prepared her to handle a death on the premises. Armed with intelligence and courage and assisted by her vibrant older neighbor, a visiting author, and members of a local book club, Charlotte is determined to prove her innocence and to clear her great-aunt's name. But the murderer is still at large, and equally determined to silence anyone who might discover the truth behind the book dealer's death. Now, Charlotte must outwit an unknown killer--or end up writing her own final chapter.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    Then one afternoon, Evie disappears, and as a rabid, giddy panic spreads through the balmy suburban community, everyone turns to Lizzie for answers. Was Evie unhappy, troubled, or upset? Had she mentioned being followed? Would she have gotten into the car of a stranger?Compelled by curiosity, Lizzie takes up her own furtive pursuit of the truth. Haunted by dreams of her lost friend and titillated by her own new power as the center of the disappearance, Lizzie uncovers secret after secret and begins to wonder if she knew anything at all about her best friend.

    Kat was named the prime suspect and, on a string of circumstantial evidence, charged and tried. While the jury found her innocent, not everyone else agreed, and her only choice was to go into hiding. But she carried a dark secret with her, one that made her worry she might actually have had something to do with Sara’s death . . .Now, years later, Kat is still haunted by her sister’s unsolved murder and continues to receive chilling anonymous letters, but she has tried to move on with her life. Until, on the tenth anniversary of Sara’s death, she receives a letter that makes the past impossible to ignore: "What about justice for Sara?" What about justice for Sara? And for herself? Kat realizes that going back to Liberty, Louisiana, might be the only way to move forward and find some peace. And there’s a killer out there who was never caught.But the town she’s come back to is hardly different from the one she left. The secrets and suspicions still run deep. Kat has an ally in Detective Luke Tanner, son of the former Liberty police chief, but he may be her only one. With plenty of enemies, no one to trust and a killer determined to keep a dark secret buried, Kat must decide if justice is worth fighting—and dying—for.

    The last of her line, she faces a momentous choice: expose a long-held family secret, or take it with her to her grave.Olivia has in her possession letters from her deceased cousin Catherine, a nun, now being considered for beatification by the Catholic Church—the final step before sainthood. In her lifetime, Sister Catherine had founded seven hospitals for disabled children. Now the cure of a four-year-old boy dying of brain cancer is being attributed to her. After his case was pronounced medically hopeless, the boy’s desperate mother had organized a prayer crusade to Sister Catherine, leading to his miraculous recovery.The letters Olivia holds are the evidence that Catherine gave birth at age seventeen to a child, a son, and gave him up for adoption. Olivia knows the identity of the young man who fathered Catherine’s child: Alex Gannon, who went on to become a world-famous doctor, scientist, and inventor holding medical patents.Now, two generations later, thirty-one-year-old pediatrician Dr. Monica Farrell, Catherine’s granddaughter, stands as the rightful heir to what remains of the family fortune. But in telling Monica who she really is, Olivia would have to betray Catherine’s wishes and reveal the story behind Monica’s ancestry.The Gannon fortune is being squandered by Alex’s nephews Greg and Peter Gannon, and other board members of the Gannon Foundation, who camouflage their profligate lifestyles with philanthropy.Now their carefully constructed image is cracking. Greg, a prominent financier, is under criminal investigation, and Peter, a Broadway producer, is a suspect in the murder of a young woman who has been extorting money from him.The only people aware of Olivia’s impending choice are those exploiting the Gannon inheritance. To silence Olivia and prevent Monica from learning the secret, some of them will stop at nothing—even murder.Clark’s riveting new novel explores the juxtaposition of medical science and religious faith, and the search for identity by the daughter of a man adopted at birth.