In return for promised riches, the diver becomes the servant of Adrian deVille, Lord Varre, the creature who has called to him. It's a bargain the diver will come to regret. Varre enlists him in a hunt for a man named Tyler Hawthorne.Ten years later, in a canyon in the foothills above Los Angeles, Amanda Clarke has become curious about her new neighbor, Tyler Hawthorne. He's not home much, but others tell her that her new neighbor is about her age -- twenty-four. He's also wealthy, handsome, and single.Amanda soon suspects that another description can be added to the list of Tyler's attributes: con artist. When Tyler shows up at the hospice room of her friend Ron and tells the dying man he'll live, Amanda angrily resents Tyler for giving Ron false hope.Until Ron begins to recover.Although Tyler continues to puzzle her, Amanda finds herself drawn to him.Tyler finds himself drawn to Amanda as well, but he has a secret he must keep from her: he's been twenty-four for almost two hundred years.Two centuries ago, he bargained for his life. In exchange, he became a Messenger, one who hears the final thoughts of the dying and conveys those last messages to their loved ones. Since that time, his life has been nomadic and -- except for the companionship of a remarkable black dog -- solitary.The dying also convey messages to Tyler and now they are hinting that his long service may be coming to an end. He begins to hope that he can return to a normal, mortal life and allows himself to grow closer to Amanda, unaware that he is being pursued by an old enemy who will stop at nothing to destroy him and that he can only leave his role as the Messenger behind at a dreadful cost.

    His friend and one-time lover, deputy district attorney Allison Roche, wants him to slip into the mind of serial killer Henry Lake "Spanky" Spanning because after successfully damning Spanning to the electric chair for 29 murders, she has fallen in love with him and wants to be sure of his innocence.

    In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

    Nevertheless, it is often whispered by those who claim knowledge of such things, that a number of these Elder Gods - the lower rank and file, if you will - decided to hold this ground, so enamored were they by the cults who spilled blood in their names.Those times are all but forgotten, obscured by the shifting mists of history.Fast forward to today, and a wrong turn on a country lane is about to expose Jennifer Bueller, and her daughter Megan, to an unpleasant truth: Yes, times have changed, but ancient deities will adapt in order to thrive.Abandoned space gods, an unfaithful husband, a sociopath rapist, and a broken society with a social welfare system that presents horrors of its own; lastly, though by no means least in this eclectic collection of stories, a flash fiction homage to James Herbert, featuring his most infamous creation.

    A frustrated professor and his graduate student assistant accompany a group of soldiers to a remote Scottish island to learn what is buried there. A man plays an audiotape left for him by his late father and is initiated into a family story of monstrous deeds. A student learns frightening lessons in a surreal tutoring center. A young couple struggles to make their stand against a group of inhuman pursuers in a ravaged landscape. And, in a new story, an artist discovers a mysterious statue whose completion becomes his obsession.

    Four Oxrun Station horror novellas each from a different 20th century decade starting with 1950, keyed to the seasons.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    Specifically designed to challenge the creative boundaries of some of the most famed and respected horror writers working today—such as A. S. Byatt, Christopher Priest, Hanif Kureishi, Frank Cottrell Boyce, Matthew Holness, and the indomitable Ramsey Campbell—this anatomically precise experiment encapsulates what the uncanny represents in the 21st century. Masterfully narrated with the benefit of unique perspectives on what exactly it is that goes bump in the night, this chilling modern collective is not only an essential read for fans of horror but also an insightful and intriguing introduction to the greats of the genre at their gruesome best.

    In this book you'll find two ghost stories and a tale of ancestral demoniac horror. In the big white house on the hill angels are said to appear . . . When the children left the house, their toys remained . . . A confused and vengeful presence occupies the home of a first-time buyer . . .

    Psychopathy is boring. Coldness is boring. She's interested in feeling, and when her stories turn violent (as they frequently do), it's with a surreal emotional barbarity that distorts the entire world. You can mop up blood with any fabric. Maggie's concern is with the wound left behind, because the wound never leaves-it haunts. As a result, each of these stories leaves a wound of its own. Some weep, watching as you try (and fail) to recover. Others laugh. But never without feeling."-B.R. Yeager, author of Negative Space"And once finished, I felt like my tongue had been misplaced, guts heavy and expanded ... gums numb with a tongue that'd been put elsewhere, my mouth clean around a pipe weaving up through pitch and shadow ... and well past ready, primed for delight, waiting but knowing I had already been filled to skin; crying shit, hearing piss, fingernails seeping bile, pores dribbling blood, soles slopping off and out to meet a drain mid-floor ..."-Christopher Norris, author of Hunchback '88

    ..."

    as well as a host of nightmares for which no names exist. Whether set on an orbiting space station or within a haunted tenement, these terrifying tales are steeped in a passionate intensity that renders them all but unique within the genre, and all boast a sophistication that qualifies them as that rarest of rare commodities: horror for intelligent adults.

    ClubA Washington Post Notable BookAn NPR Great Read of 2013From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship.Vampires in the lemon grove --Reeling for the Empire --Seagull army descends on Strong Beach, 1979 --Proving up --Barn at the end of our term --Dougbert Shackleton's rules for Antarctic tailgating --New veterans --Graveless doll of Eric Mutis

    Moms and dads making long commutes. Teenagers headed to the beach. Bands on their way to the next gig. Truckers pulling long hauls. Families driving cross country to visit their kin.But there are others, too. The desperate and the lost. The cruel and the criminal.Theirs is a world of roadside honky-tonks, truck stops, motels, and the empty miles between destinations. The unseen spaces.And there are even stranger things. Places that aren’t on any map. Wayfaring terrors and haunted legends about which seasoned and road-weary travelers only whisper.But those are just stories. Aren’t they?Find out for yourself as you get behind the wheel with some of today’s finest authors of the dark and horrific as they bring you these harrowing tales from the road.Tales that could only be spawned by the endless miles of America’s lost highways.So go ahead and hop in. Let’s take a ride.Line-up: Introduction by Brian Keene doungjai gam & Ed Kurtz — “Crossroads of Opportunity” Matt Hayward — “Where the Wild Winds Blow” Joe R. Lansdale — “Not from Detroit” Kristi DeMeester — “A Life That is Not Mine” Robert Ford — “Mr. Hugsy” Lisa Kröger — “Swamp Dog” Orrin Grey — “No Exit” Michael Bailey — “The Long White Line” Kelli Owen — “Jim’s Meats” Bracken MacLeod — “Back Seat” Jess Landry — “The Heart Stops at the End of Laurel Lane” Jonathan Janz — “Titan, Tyger” Nick Kolakowski — “Your Pound of Flesh” Richard Thomas — “Requital” Damien Angelica Walters — “That Pilgrims’ Hands Do Touch” Cullen Bunn — “Outrunning the End” Christopher Buehlman — “Motel Nine” Rachel Autumn Deering — “Dew Upon the Wing” Josh Malerman — “Room 4 at the Haymaker” Rio Youers — “The Widow” Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths. Interview with the editor:So what makes Lost Highways: Dark Fictions From the Road so special?Lost Highways comes at the theme of road stories with the desire to push the boundaries of what that theme means. Because of that, it collects authors of diverse levels of experience and notoriety in the worlds of horror and dark fiction. This brings together voices like Joe R. Lansdale, Cullen Bunn, Josh Malerman, Damien Angelica Walters, Rio Youers, Bracken MacLeod, Rachel Autumn Deering, Matt Hayward, doungjai gam with Ed Kurtz, and Kristi DeMeester. All of these unique voices bring a fresh and often unexpected take on the theme.What made you think of this theme for the anthology?Road trips can be fun but they can also be long and boring.

    A gasp of pleasure. The exquisite danger of nakedness...In Little Deaths some of the most gifted writers inside and outside the horror genre have come together to peer into this realm of desire and dread, love and violence, tenderness and shame in a stunning collection that takes its title from the French phrase for orgasm: le petit mort.The lady of situations / Stephen Dedman --Hungry skin / Lucy Taylor --Becky lives / Harry Crews --The swing / Nicholas Royle --Lover doll / Wayne Allen Sallee --The careful geometry of love / Kathe Koja and Barry N. Malzberg --The pain barrier / Joel Lane --Ménage à trois / Richard Christian Matheson. On Amen's shore / Clive Barker --Fever blisters / Joyce Carol Oates --An outside interest / Ruth Rendell --And Salome danced / Kelley Eskridge --That old school tie / Jack Womack --Ice palace / Douglas Clegg --Serial monogamist / Pat Cadigan --Dying in Bangkok / Dan Simmons