and a Professor of Life Sciences at UCLA who is immersed in the debate on religion. In Anarchy Evolution, Graffin puts forth his bold ideas about “naturalism” and the connection between science religion and art. In this provocative and timely book, Graffin tackles head on the “intellectual dishonestly” of creationism; he also shares compelling stories about his childhood and how science saved him when he ran into trouble as a teenager. Anarchy Evolution will appeal to the fans of Bad Religion (which as sold over 2.8 million albums) as well as readers of Richard Dawkins and Christopher Hitchens. The book coincides with a major national Bad Religion reunion tour that will start in October of 2010.

    But this was not always the popular response to murder. In Murder Most Foul, Karen Halttunen explores the changing view of murder from early New England sermons read at the public execution of murderers, through the nineteenth century, when secular and sensational accounts replaced the sacred treatment of the crime, to today's true crime literature and tabloid reports.The early narratives were shaped by a strong belief in original sin and spiritual redemption, by the idea that all murders were natural manifestations of the innate depravity of humankind. In a dramatic departure from that view, the Gothic imagination--with its central conventions of the fundamental horror and mystery of the crime--seized upon the murderer as a moral monster, separated from the normal majority by an impassable gulf. Halttunen shows how this perception helped shape the modern response to criminal transgression, mandating criminal incarceration, and informing a social-scientific model of criminal deviance.The Gothic expression of horror and inhumanity is the predominant response to radical evil today; it has provided a set of conventions surrounding tales of murder that appear to be natural and instinctive, when in fact they are rooted in the nineteenth century. Halttunen's penetrating insight into her extraordinary treasure trove of creepy popular crime literature reveals how our stories have failed to make sense of the killer and how that failure has constrained our understanding and treatment of criminality today.

    Charles R. Cross vividly recounts the life of Hendrix, from his difficult childhood and adolescence in Seattle through his incredible rise to celebrity in London's swinging sixties. It is the story of an outrageous life--with legendary tales of sex, drugs, and excess--while it also reveals a man who struggled to accept his role as idol and who privately craved the kind of normal family life he never had. Using never-before-seen documents and private letters, and based on hundreds of interviews with those who knew Hendrix--many of whom had never before agreed to be interviewed--Room Full of Mirrors unlocks the vast mystery of one of music's most enduring legends.

    Focusing especially on Christianity but including Judaism, Islam, Buddhism, Hinduism, and Chinese spiritualities, Armstrong examines the diminished impulse toward religion in our own time, when a significant number of people either want nothing to do with God or question the efficacy of faith. Why has God become unbelievable? Why is it that atheists and theists alike now think and speak about God in a way that veers so profoundly from the thinking of our ancestors?Answering these questions with the same depth of knowledge and profound insight that have marked all her acclaimed books, Armstrong makes clear how the changing face of the world has necessarily changed the importance of religion at both the societal and the individual level. And she makes a powerful, convincing argument for drawing on the insights of the past in order to build a faith that speaks to the needs of our dangerously polarized age. Yet she cautions us that religion was never supposed to provide answers that lie within the competence of human reason; that, she says, is the role of logos. The task of religion is “to help us live creatively, peacefully, and even joyously with realities for which there are no easy explanations.” She emphasizes, too, that religion will not work automatically. It is, she says, a practical discipline: its insights are derived not from abstract speculation but from “dedicated intellectual endeavor” and a “compassionate lifestyle that enables us to break out of the prism of selfhood.”

    68). The charge that he was a magician didn't originate with Smith. It was previously voiced by the philosopher & critic Celsus (The True Word c. 200 CE) as we know from the rebuttal authored by the Christian apologist/scholar Origen: “It was by magic that he was able to do the miracles” (Contra Celsum 1.6). Clearly, for Celsus to have repeated the story, it must have had long currency before he came to write his book. Hans Dieter Betz (1994) observes that "from early on even Jesus of Nazareth was implicated in that he was said to be mad or a magician possessed by Satan" & R. Joseph Hoffmann writes (1987) that "that the early Christian mission was advanced by the use of magic is well attested." Discovery News reported in 2008 the discovery by French marine archeologist Franck Goddio of a bowl dating "to between the late 2nd century BC & the early 1st century AD" which refers to Jesus as a magician: "DIA CHRSTOU O GOISTAIS," which, the article tells us, "has been interpreted to mean either, 'by Christ the magician' or, 'the magician by Christ.'" Assuming this references Jesus, this is the earliest known reference to Jesus as a magician.

    . . most thought-provoking."--BooklistIn 1997 twenty-year-old Colleen Stan left home to hitchhike from Oregon to California. Seven years later she emerged from hell, the victim of a bizarre and extraordinary crime.This is Colleen's incredible true story, told by the determined young district attorney who prosecuted the man who had forced her to endure years of sexual perversion . . . and held her captive in a coffin-like box under his and his wife's bed. A story of riveting psychological intensity and gripping courtroom drama, Perfect Victim reveals the whole truth about Collen Stan's real-life nightmare . . . and the psychopath who enslaved her body and her mind."Horrifying!"--The Cincinnati Post"Hard to put down!"--Chicago Tribune"A gripping and disturbing story of the secret life of apparently normal people. At once, horrific and engrossing."--Vincent Bugliosi, author of Helter Skelter

    On colorfully, sumptuously illustrated pages unfold the mysteries of each card’s symbolic meaning. From the Magician to the Fool, the Lovers to the Hermit, every beautifully presented entry features a picture of the card, as well as keywords and phrases, astrological affinities, and a full interpretation. In-depth advice on laying out spreads for every day, relationships, revelations, and destiny help unlock the secrets of the past, present, and future. With everything from historical background to smart tips for developing skills and knowledge, this truly is the Tarot bible newcomers can depend on!

    Together with Yoko Ono Lennon, they have also made available the full transcripts (including all the outtakes) of the television and video series The Beatles Anthology. Through painstaking compilation of sources worldwide, John Lennon's words are equally represented in this remarkable volume. Furthermore, The Beatles have opened their personal and management archives specifically for this project, allowing the unprecedented release of photographs which they took along their ride to fame, as well as fascinating documents and memorabilia from their homes and offices. What a book The Beatles Anthology is! Each page is brimming with personal stories and rare vintage images. Snapshots from their family collections take us back to the days when John Lennon, Paul McCartney, George Harrison and Richard Starkey were just boys growing up in Liverpool. They talk in turn about those early years and how they came to join the band that would make them known around the world as John, Paul, George and Ringo. Then, weaving back and forth, they tell the astonishing story of life as The Beatles: the first rough gigs, the phenomenon of their rise to fame, the musical and social change of their heyday, all the way through to their breakup. From the time Ringo tried to take this drum kit home on the bus to their much anticipated audience with Elvis, from the making of the Sgt. Pepper album to their last photo session together at John's house, The Beatles Anthology is a once-in-a-lifetime collection of The Beatles' own memories.Interwoven with these are the recollections of such associates as road manager Neil Aspinall, producer George Martin and spokesman Derek Taylor. And included in the vast array of photographs are materials from both Apple and EMI, who also opened their archives for this project. This, indeed, is the inside story, providing a wealth of previously unpublished material in both word and image.Created with their full cooperation, The Beatles Anthology is, in effect, The Beatles' autobiography. Like their music has been a part of so many of our lives, it's warm, frank, funny, poignant and bold. At last, here is The Beatles' own story.

    The company owns nothing. All our bands have the freedom to f**k off''Written in blood, The Factory non-contract set out the manifesto for one of the most influential and progressive record labels of our time...Manchester, 1976: Anthony Wilson, Granada TV presenter, is at an early Sex Pistols gig. Inspired by this pivotal moment in music history, he and his friends set up Factory Records. They go on to conquer the world with Joy Division (who become New Order) then again with the Happy Mondays.Riding high on their success and just about keeping the business afloat, the Factory directors decide to give something back to their city, to open a club - The Hacienda. Packed on opening night but losing money hand over fist for the first five years, The Hacienda and the Happy Mondays take their unique brand of hedonism to breaking point.From the dawn of punk to the death of acid house, Anthony Wilson was at the centre of it all. Love him or hate him, you can't possibly ignore him.

    But the FLDS is just one of many groups that have broken with mainstream Mormonism to follow those parts of Joseph Smith's doctrine disavowed by the LDS Church. Gaining unprecedented access to these communities, journalist Sanjiv Bhattacharya reveals a shadow country teeming with small town messiahs, dark secrets, and stories both heartbreaking and strange. Polygamy's dark side--incest, forced marriages, and physical abuse--is laid bare. But Bhattacharya also finds warmth in the fundamentalist diaspora and even finds himself taking an ideological stand for polygamy's legalization. More than just an expose of Mormon polygamy, Secrets and Wives is the personal journey of a foreign atheist and liberal, a stranger in a strange land who grapples with hard questions about marriage, monogamy, and the very nature of faith.

    Since adolescence, he had read about serial killers and imagined becoming one. Soon after killing the family, he murdered a young woman and then another, until he had ten victims. He named himself “B.T.K.” (bind, torture, kill) and wrote notes that terrorized the city. He remained on the loose for thirty years. No one who knew him guessed his dark secret. He nearly got away with his crimes, but in 2004, he began to play risky games with the police. He made a mistake. When he was arrested, Rader’s family, friends, and coworkers were shocked to discover that B.T.K. had been among them, going to work, raising his children, and acting normal. This case stands out both for the brutal treatment of victims and for the ordinary public face that Rader, a church council president, had shown to the outside world. Through jailhouse visits, telephone calls, and written correspondence, Katherine Ramsland worked with Rader himself to analyze the layers of his psyche. Using his drawings, letters, interviews, and Rader’s unique codes, she presents in meticulous detail the childhood roots and development of one man’s motivation to stalk, torture, and kill. She reveals aspects of the dark motivations of this most famous of living serial killers that have never before been revealed. In this book Katherine Ramsland presents an intelligent, original, and rare glimpse into the making of a serial killer and the potential darkness that lives next door.

    And yet Kermit Gosnell was no obvious criminal. The abortion doctor was a pillar of his community, an advocate for women’s “reproductive health,” and a respected member of Philadelphia’s professional elite. His Women’s Medical Society Clinic looked like admirable community outreach by a brave doctor committed to upholding women’s rights. Meanwhile, inside the filthy building, Gosnell was casually murdering born-alive infants, butchering women, and making a macabre collection of severed babies’ feet. His accomplices in crime were a staff of dropouts, drug addicts, and unlicensed medical professionals posing as doctors. But even more important to his decades-long crime spree were his enablers in the outside world—from the state bureaucrats who had copious evidence that Gosnell was breaking the law but did nothing to the politicians whose fervent support for abortion rights kept health inspectors away. The “pro-choice” political, bureaucratic, and media establishment smiled on Gosnell—and gave him carte blanche to kill. Even law enforcement seemed to not care. Philadelphia Police Homicide Unit received a complaint about Gosnell years before he was caught, gave it a cursory look, and ignored the evidence. Two women and hundreds of babies died after they closed the case. Luckily, Detective Jim Wood—a narcotics detective—opened a drug case against Gosnell. What he found when he served his warrant left even the most grizzled members of the police force stunned. Now Ann McElhinney and Phelim McAleer, the veteran investigative journalists and filmmakers behind FrackNation, dig into Gosnell’s crimes. A record-breaking crowdfunding campaign financed their Gosnell movie starring young Superman Dean Cain, but in the research for the film, McElhinney and McAleer uncovered fascinating and previously unreported revelations that couldn’t be included in the film. Gosnell: The Untold Story of America’s Most Prolific Serial Killer contains the full results of their investigation.

    They were far more representative of magical practice than the arcane delvings of astrologers and necromancers. Mostly unsensational in their approach, cunning-folk helped people with everyday problems: how to find lost objects; how to escape from bad luck or a suspected spell; and how to attract a lover or keep the love of a husband or wife.While cunning-folk sometimes fell foul of the authorities, both church and state often turned a blind eye to their existence and practices, distinguishing what they did from the rare and sensational cases of malvolent witchcraft. In a world of uncertainty, before insurance and modern science, cunning-folk played an important role that has previously been ignored.

    It contains scrupulously documented accounts of ghosts, monsters, murderers, and hoaxes so improbable they will fascinate believers, skeptics, and anyone interested in the more obscure corners of American history and culture. "Robert Schneck is one of the best of a new breed of investigators into the relatively unknown byways of our cultural history. Because he is thoroughly familiar with his subject, writes with deceptive ease and a clarity that both amuses and educates, and because he never forgets that at the heart of even the strangest or most frightening of mysteries there are real human beings with a story to tell, I recommend him as a trusted guide." - Bob Rickard, Fortean Times Robert Damon Schneck is a freelance writer and contributor to Fortean Times, Fate, and other magazines. Friends describe him as a "loveable, nocturnal, monomaniac."

    When teenager and amateur photographer Marc Canter set out to document his best friend Saul Hudson's rise as a rock guitarist in 1982, he never imagined he was documenting the genesis of the next great rock 'n' roll band. His friend became the legendary guitarist Slash, and Canter found himself witnessing the creation of Guns N' Roses front and center. The candid shots contained in Reckless Road, taken as the band toured in 1985-1987 and made the legendary album Appetite for Destruction, capture their raw, blood-sweat-and-tears performances as well as their intimate moments. Containing original gig memorabilia including show flyers, ticket stubs, set lists, press clippings, and handwritten lyrics as well as in-depth interviews with band members and the people closest to them, Reckless Road offers an explicit, first-person perspective readers won't find anywhere else. This book covers the first 50 gigs that Guns N Roses did. with 1000 plus unseen photos. Interviews with over 20 people including band members, roadies strippers, girlfriends, Tom Zutaut the A&R guy that signed the band, Mike Clink the guy who produced the record, Steve Thompson & Mike Barbiero the guys that mixed the record, and close friends of the band. The book is well designed and is a must for any GNR fan. This book covers 10 of the 12 songs off Appetite for Destruction the first time they were played!