To me, he is unquestionably one of ‘the greats.'" —Chris WareSkibber Bee ByeRon Regé, Jr., creates his own visual poetry that sets him apart from other cartoonists as one of the most original artists to enter the medium in the past decade. His storytelling is neither linear nor altogether accessible; however, his recognizable thin line and cute characters draw you into a dreamlike, sensitive fantasy world that, as odd as it seems, is entirely realistic.

    This novel tells the story of a mysterious tribal figure named Kokomo, who falls asleep to dream a wild picaresque interlude starring Jimbo and Bob War.

    As this cartoon silhouette of a mouse ignominiously suffers at every turn, the spaces between the panels create despair and a Beckett-like rhythm of hope deceived and deferred (but never quite extinguished), buoying Quimby from page to page.Like Ware's first book, Jimmy Corrigan, Quimby is saturated with Ware's genius, including consistently amazing graphics, insanely perfectionist production values, cut-out-and-assemble paper projects, and the formal complexity of his narratives that have earned him the reputation as one of the most prodigious artists of his generation.

    Who would have thought a simple quest for food would be so difficult? This completely wordless story is perfect for children ages 5 and older. Grown-ups'll love it, too.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    weekly newspapers, including the L.A. New Times and Seattle Stranger. This first collection, designed by Chip Kidd and Millionaire, reprints every strip from its 1994 inception through early 2000. Maakies features the nautical adventures of an alcoholic crow and suicidal ape, and includes an introduction by Andy Dick.

    The latter three-quarters will collect his acclaimed short stories from MOME, as well as several little-seen stories from elsewhere, and a new 20-page story.The Unclothed Man in the 35th Century A.D. is Shaw’s first book since his breakthrough graphic novel of 2008, Bottomless Belly Button, which was named Publishers Weekly’s best graphic novel of 2008, one of Entertainment Weekly’s top ten books of 2008, and one of Amazon.com’s top ten graphic novels of the year, amongst numerous other accolades.The book also collects Shaw’s acclaimed, genre-bending short stories from MOME, including “Look Forward, First Son of Terra Two,” a remarkable story of two lovers traveling in opposite directions… in time. Also featured: “Galactic Funnels,” the 2008 Ignatz Award nominee for “Outstanding Story,” about the parasitic relationship between an artist and his lover/mentor; “Satellite CMYK,” a sci-fi mindwarp that ingeniously drives the narrative through Shaw’s masterful control of color, and “Making the Abyss,” a fictionalized story of a surreal film set filled with nuclear tanks, hot tubs, and blind ambition.“Like the very best illustrated fiction, Shaw’s work moves between pathos and humor, between the fantastic and the familiar.”—The Christian Science Monitor“Shaw’s style deftly combines cartoon drawings with a slavish attention to detail…Masterfully using the comics medium to juggle all the different characters, weaving their stories together seamlessly.”—Publishers Weekly

    might be the best choice." This first book by C.F. (also known in the East Coast underground music scene as Kites) is perhaps the most anticipated graphic novel debut of the year. Coming out of the fabled Providence, Rhode Island, art and noise scene, "Powr Mastrs" is an intense fantasy story projected to run to 10 volumes. In it, C.F. narrates the story of a tribe of mystical warriors whose power relations are constantly in flux. As power shifts, so do physical and psychological identities. In this first volume, we are introduced to the central characters and the complex geographies in which they wander. Overflowing with graphic ideas, from the intricately designed costumes each character wears to C.F.'s exacting architectural detail, "Powr Mastrs" is rendered in a distinctive pencil line that has already attracted much attention in sources like the groundbreaking comics anthology, "Kramers Ergot,"

    He’s also its would-be poet laureate. Would-be, that is, were it not for the “florid banalities” of his archrival, Ida Wentz, pub­lished ad nauseam in the Ice Haven Daily Progress. Among Wilder’s other fellow Ice Havians are the love­lorn Violet Vanderplazt and Vida Wentz; the adorable interracial moppets Carmichael and Paula; the Blue Bunny, newly sprung from prison and the bitterest rabbit in town; and poor little David Goldberg, miss­ing for more than a week now. . . . The lives of the men and women of Ice Haven are woven into a multilayered tale that, while it owes a debt to Our Town, is ultimately based on and inspired by . . . Leopold and Loeb. No kidding. Only Daniel Clowes could do it and, luckily for us, he has.

    Ganges tries to decide what to do when confronted with "The Litterer"; gets into an argument with his wife Wendy about The Beatles' "She's Leaving Home"; indulges in some whimsical "Time Travelling" while on a walk around his neighborhood; and more! Huizenga's elegant neo-clear-line style brings a crispness and humor to these low-key slice-of-life stories, and the gray-blue duotone he has picked gives the art a new depth and complexity

    This beautiful minimalist story, collected here for the first time, is the culmination of ten years and more than six hundred pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe. A downed plane is thought to be a bird and the unexploded bomb that came from it is mistaken for a giant egg by the group of birds whose lives the story follows. The indifferent, stranded pilot is of great interest to the birds—some doggedly seek his approval, while others do quite the opposite, leading to tensions in the group. Nilsen seamlessly moves from humor to heartbreak. His distinctive, detailed line work is paired with plentiful white space and large, often frameless panels, conveying an ineffable sense of vulnerability and openness.Big Questions has roots in classic fables—the birds and snakes have more to say than their human counterparts, and there are hints of the hero’s journey, but here the easy moral that closes most fables is left open and ambiguous. Rather than lending its world meaning, Nilsen’s parable lets the questions wander where they will.

    He's a thoroughly modern "involved" Dad. Watch him stagger through the pee, the poo, and the puke in a sleep-deprived haze. Observe as he becomes a second class citizen in his X-chromosome controlled domicile. And feel as Simon tries to juggle career ambitions and his family in an act worthy of the best circus performers. No, you're not alone; this is what it's like for everyone.

    The comics here are sophisticated, unusual narratives about animal musicians, mischievous children, cavemen and heavenly bodies.

    He has been a basement- dweller, gallery troll, and a purveyor of forbidden notions. Originally distributed into the world as Xeroxed pamphlets, these “underground comix” reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespassamong the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea Eustachia. Recoil at the doings of a dwarfish malefactor in Hail Jeffrey, or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed.The author instructs you not misuse this tome. Poke it gently with a long stick, if you must. Careful, it might ruin the carpet. Placate it with a belly-rub or sweet pastry before it attacks the children. Don’t worry, your tongue won’t stick. If it fits, don’t shove it in too quickly. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.FOLLY: The Consequences Of Indiscretion. By one of the most inscrutable and discomforting cartoonists alive.

    The otherworldly pantomime about a girl, her squid, and the creatures and calamities they experience together, is inspired by Forsythe's time spent as an ex-pat living in South Korea.