The 100 Best Yo Mama Jokes.

    Enjoy these hilarious stories about stupid criminals, their hilarious attempts at crime, and bizarre mistakes they made that prevented them from getting away with their crimes.

    

    In this new Harper Paperback edition, all four shows are compiled into one phenomenally entertaining volume.Mambo Mouth (1991), Leguizamo's first show, was an off Broadway sensation. Leguizamo's portrayal of seven different Latino characters earned him both Obie and Outer Critics Circle awards. His follow up, Spic–O–Rama (1993), a "dysfunctional family comedy," presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak (1998), Leguizamo's Broadway debut, is his own coming–of–age story. A "demi–semi–quasi–pseudo–autobiography," the show was a critical and commercial success and won an Emmy when it was shown on TV. Sexaholix: A Love Story (2001), based on the sold–out national tour of John Leguizamo Live! was nominated for an Outer Critics Circle Award as well as a Tony Award.Alternately hilarious and poignant, always candid and searingly intelligent, The Works of John Leguizamo is a must–have for fans of this inimitable performer.

    When war breaks out in 1939, the Bennett family is on a tram heading down Tong Road as Neville Chamberlain addresses the nation. 'So, not quite partaking in the national mood and, as ever, unbrushed by the wings of history.'The precocious Alan yearns to see the places and lead the life he reads about in books, but not even the war provides the excitement he longs for. This is an ordinary childhood - hiking in the Dales on Sundays, trips into town with Mam - recalled with wry observation and ironic understatement, which is by turns moving and hilarious.These beautifully rendered snapshots, which include poignant portraits of his parents, confirm Bennett at the forefront of contemporary writing. Presented here as a new edition, Telling Tales will delight Bennett fans and enchant a new generation of readers.

    Along the way, readers join the author in discovering: • The scary side of fishing; • Why it’s wrong when board games become blood sports; • The unexpected connection between cooking classes and true romance; • How the author's cat convinced him to take up yoga (and why that was a terrible idea); • Golfing for the ball challenged; • The thrill of jumping out of an airplane without risking your life; • The eternal appeal of Elly May Clampett; and, • How to do nothing without feeling guilty about it.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

    His A Life in the Theatre takes us into the lives of two actors: one young and rising into the first full flush of his success; the other older, anxious and beginning to wane. In a series of short, spare, and increasingly raw exchanges, we see the estrangement of youth from age and the wider, inevitable, endlessly cyclical rhythm of the world.

    It also displays the saga of continuous failures and lesson learns going forward.The Story takes us way back to 2006. Four college students in the final year had a big dream. Despite the average academic marks and knowledge, they dared to envisage big. Although everybody laughed at them for their big fantasies, they were firm in getting their dreams to come true. In the process of getting their dream fulfilled and opening a startup, they had to face a lot of hiccups. There was a lot of confusion among themselves. The troubles and disasters transpired in the way of getting their startups.The dreams, the vision, the ideas, the blunders, the lesson learned, some quick luck is Story's main gist.After each loss, the intensity from which they come back to start another project is the Story's highlight. The Story also revolves around the personal preferences, the ego, the emotional moments of their life.The Story also conveys the cautions that most of the youngster has forgotten nowadays in the rush of opening a startup.

    The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

    Fleabag: The Scriptures includes new writing from Phoebe Waller-Bridge alongside the filming scripts and the never-before-seen stage directions from the award-winning series.

    A laugh-out-loud romantic comedy about life, love and contemporary manhood, Tom Cooper is a male Bridget Jones for our times.  ‘A gloriously self-aware, satirical romp through the terrors of relationships, family life and survival.  Philip Roth meets Cold Feet!’ Helen Lederer (Absolutely Fabulous, Losing It (P.G.Wodehouse Award nominee))   ‘Spencer Brown is endlessly inventive and delightfully, dependably silly, like a joy-seeking missile’ Richard Ayoade (The IT crowd, Submarine, The Crystal Maze) ‘An aspirational figure for the men of today’ Omid Djalili (Live at the Apollo, The Infidel) ‘Very funny. Peep Show combined with Outnumbered.  But you know.  In a book.’ Josh Howie (Josh Howie’s Losing it, BBC Radio 4) ‘Hilarious and heart-warming’ Andi Osho (Live at the Apollo, Curfew) Tom Cooper’s life has fallen apart. His wife has left, he’s stuck in an accountancy job he hates and he can’t even call on the grandparents for support – they’re too busy – after all, a Scrabble trophy doesn’t engrave itself. But when a creative position opens up at the advertising agency he works for, he sees the opportunity to turn things around. All he has to do is pitch a product to a new market, convince Maestro J he is sufficiently finger-clickingly ‘creative’, beat his weaselly co-worker/nemesis John to the job, and try not to fall for his new mentor, Amanda. Oh, and try to blend in with people 10 years younger than him, survive the office obstacle course using his imaginary agility and stop accidentally turning up to work in the exact same outfit as Doug. The Rebuilding of Tom Cooper is a laugh-out-loud comedy about life, love and 21st century manhood. 
 About the author Spencer Brown cut his teeth in the Cambridge Footlights alongside John Oliver and Matthew Holness, before becoming an internationally acclaimed stand-up comedian and TV presenter on shows including Lip Service which he hosted with Holly Willoughby. He has also appeared in cult comedies including Nathan Barley and Garth Merenghi's Darkplace, as well as starring in the films 'Shed of the Dead' and the upcoming 'The Devil went down to Islington'. He is also an award winning film maker, having written and directed The Boy with a Camera for a Face, which won multiple prizes including the Oscar qualifying Best of Fest at SLIFF.

    A romantic comedy that recognizes the absurdity of life.