Lovecraft and his successors. Here in the library, under lock and key, are some of the world’s most dangerous books, most famously the dreaded Necronomicon of the mad Arab, Abdul Alhazred. There was a notably unpleasant incident in the late 1920s, when a certain Wilbur Whateley tried to steal that particular volume, and met a hideous fate. Fortunately, that time at least, the head librarian and his colleagues were able to save the Earth from the dreadful danger of the Dunwich Horror. How safe are Miskatonic’s security precautions and what has perhaps disappeared from, or appeared in the collection since? What other creepy, maddening, extra-dimensional, or even sentient tomes reside on those forbidden shelves? What strange events have taken place among the stacks? Is there an inter-library loan system? Who, or what, comes after miscreants who fail to return books on time? In the modern, digital age, what would happen if some of the content escaped over the Internet? Are some of the books, or all of them, little more than slowly ticking time bombs? And what, dare we ask, can be found in the Cooking Section? If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had? A feast of bibliographical horrors by Don Webb, Adrian Cole, Dirk Flinthart, Harry Turtledove, P.D. Cacek, Will Murray, A.C. Wise, Marilyn Mattie Brahen, Douglas Wynne, Alex Shvartsman, James Van Pelt, Robert M. Price, and Darrell Schweitzer. If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had?

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .

    A Human Stain by Kelly Robson is a disturbing horror novelette about a British expatriate at loose ends who is hired by her friend to temporarily care for his young, orphaned nephew in a remote castle-like structure in Germany.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Where nature rubs against small towns, in mountains and woods and bedrooms, here is strangeness seen through a poet’s eye.They say there are always greener pastures. These stories consider the cost of that promise.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    But now the lab in which she was created is under siege and the scientists have turned on their animal creations. Flying through tunnels, dodging bullets, and changing her colors and patterning to avoid capture, the Strange Bird manages to escape.But she cannot just soar in peace above the earth. The sky itself is full of wildlife that rejects her as one of their own, and also full of technology—satellites and drones and other detritus of the human civilization below that has all but destroyed itself. And the farther she flies, the deeper she finds herself in the orbit of the Company, a collapsed biotech firm that has populated the world with experiments both failed and successful that have outlived the corporation itself: a pack of networked foxes, a giant predatory bear. But of the many creatures she encounters with whom she bears some kind of kinship, it is the humans—all of them now simply scrambling to survive—who are the most insidious, who still see her as simply something to possess, to capture, to trade, to exploit. Never to understand, never to welcome home.With The Strange Bird, Jeff VanderMeer has done more than add another layer, a new chapter, to his celebrated novel Borne. He has created a whole new perspective on the world inhabited by Rachel and Wick, the Magician, Mord, and Borne—a view from above, of course, but also a view from deep inside the mind of a new kind of creature who will fight and suffer and live for the tenuous future of this world.

    In the foreground is a caper story; in the background, a poetically expressed, apocalyptic history of Liverpool." —The Daily TelegraphThat woman with the grey hair and the specs and the kind face and the accent all like his grandmother, his nain in hospital and when she can talk that is what she sounds like. Don'thitmepleasedon'thitme. These women falling, sliding off this earth and not just from violence but the one commonality that turns life to a wreck—age.After their botched and brutal mission to punish a one-armed man in a small Welsh village, Darren and Alastair head back to Liverpool to report to their mob boss. On the way home, Darren robs a rural postal office in Wales that serves as a bank and needlessly cracks the skull of a little old postal lady. Darren's eyes are full of fire. "We're rich, Alastair!" But Alastair sees his own nain in this elderly woman and falls victim to his conscience. Darren has finally gone too far.As Alastair and Darren weave their way through the lowlife milieu of Liverpool, we hear many voices: the alky, the crack addict, the busman, the whores, the gangsters, and Darren's many victims. But we also hear the voices of their ancestors going back generations of unthinkable grief and poverty.A fascinating sequel to Niall Griffiths' Stump, which Irvine Welsh calls "a magnificent novel of loss and obsession . . . [by] a major talent."

    Each track has a mysterious name and a strangely powerful effect on the band's fans.A curious music blogger decides to investigate the phenomenon up close by following Beautiful Remorse on tour across Texas and Kansas, realizing along the way that the band's lead singer, is hiding an incredible, impossible secret.

    P. Lovecraft was the eerily prescient genius who first electrified readers in Weird Tales magazine. His tales changed the face of horror forever and inspired the bloodcurdling offerings of a new generation. These brilliant dark visionaries forge grisly trails through previously uncharted realms of mortal terror.  THE PLAIN OF SOUND by Ramsey Campbell: In the beginning they could find no source for the throbbing vibrations; in the end they could find no escape. THE HORROR ON THE BEACH by Alan Dean Foster: Along the coast of Santa Barbara, the mighty Pacific Ocean can no longer contain—or conceal—an ancient, insatiable evil stirring in its depths.THE KISS OF BUGG-SHASH by Brian Lumley: It mattered not how innocent the students’ motives seemed; the demon had been summoned, and the price had to be paid—every last red drop of it.THE FISHERS FROM OUTSIDE by Lin Carter: A man obsessed with unlocking the secrets of a race older than time would not be disappointed—doomed perhaps, devoured possibly, but definitely not disappointed.  AND TWENTY-ONE MORE TALES OF FEAR . . .  THE STONE ON THE ISLAND by Ramsey Campbell THE STATEMENT OF ONE JOHN GIBSON by Brian Lumley DEMONIACAL by David Sutton THE SLITHERER FROM THE SLIME by H. P. Lowcraft THE DOOM OF YAKTHOOB by Lin Carter THE KEEPER OF THE FLAME by Gary Myers DEAD GIVEAWAY by J. Vernon Shea THOSE WHO WAIT by James Wade THE KEEPER OF DARK POINT by John Glasby THE BLACK MIRROR by John Glasby I’VE COME TO TALK WITH YOU AGAIN by Karl Edward Wagner THE HOWLER IN THE DARK by Richard L. Tierney THE WHISPERERS by Richard A. Lupoff LIGHTS! CAMERA! SHUB-NIGGURATH! by Richard A. Lupoff SAUCERS FROM YADDITH by Robert M. Price VASTARIEN by Thomas Ligotti THE MADNESS OUT OF SPACE by Peter H. Cannon ALIAH WARDEN by Roger Johnson THE LAST SUPPER by Donald R. Burleson THE CHURCH AT GARLOCK’S BEND by David Kaufman THE SPHERES BEYOND SOUND (THRENODY) by Mark Rainey

    It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues the villagers. The newspaper asks, “Who will be smitten by this fatal madness next?” Through it all, Comyns’ unique voice weaves a narrative as wonderful as it is horrible, as beautiful as it is cruel. Originally published in England in 1954, this “overlooked small masterpiece” is a twisted, tragicomic gem.

    But then, so is God.As a massive blizzard descends on New England, four troubled strangers find themselves stranded at an old roadside motel on a desolate highway in the middle of nowhere. But there’s a killer on the road. Something is stalking them, a maniac within the storm. Known as The Dealer, he is a deranged and inhumanly sadistic serial killer mercilessly butchering everything in his path to fulfill his ancient demonic rituals and depraved destiny. Four doomed souls with nothing left to lose will have one chance to survive, one cold and violent night to stop The Dealer. But how do you stop destiny? How do you rewrite what a greater power has already preordained? How do you kill something that may not be alive?In a spray of bloody ice and snow, the horrifying truth behind The Dealer and the stranded strangers is revealed, and nothing will ever be the same again.Game on.

    Kiernan, Molly Tanzer, Lois H. Gresh, Nancy Kilpatrick, Elizabeth Bear, Gemma Files and many more fully color illustrated by Daniele Serra, Dreams from the Witch House highlights some of the very best women writers of weird fiction and Lovecraftian horror. The history of the Old World is shrouded in secrecy. Creatures and forces unimaginable inhabited this realm for eons, long before any human navigated the surface of the earth. As the Old Ones have slumbered or observed from afar, humans have assembled civilization upon this fragile planet. Yet the whispers from the elders have been growing stronger, their energy once again seeping into the world. These whispers are being felt throughout the earth; from the roots of our flora to the dreams of our children. They are preparing us for what is to come. In Dreams from the Witch House: Female Voices of Lovecraftian Horror the most intuitive dreamers have been assembled to give us glimpses into these ancient terrors and their whispered warnings. Featuring authors Joyce Carol Oates, Caitlín R. Kiernan, Lois Gresh, Gemma Files, Nancy Kilpatrick, Elizabeth Bear, Storm Constantine and others accompanied by the lavish artwork of Daniele Serra, Dreams from the Witch House: Female Voices of Lovecraftian Horror is a representation of some of the finest cosmic horror and weird fiction from female authors in the field today.

    Opening the flaps on this unique little book, readers will find themselves immersed in the strange world of best-selling Haruki Murakami's wild imagination.The story of a lonely boy, a mysterious girl, and a tormented sheep man plotting their escape from a nightmarish library, the book is like nothing else Murakami has written. Designed by Chip Kidd and fully illustrated in full color throughout, this small format, 96-page volume is a treat for book lovers of all ages.

    In this collection there are tales of Hyperborea, Zothique, Averoigne, Atlantis, Xiccarph, and other vanished worlds of Smith's unparalleled creation. Here are such unforgettable tales as Vulthoom, The Colossus of Ylourgne, The Charnel God, The Black Abbot of Puuthuum, The Weaver in the Vault, and others.None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer, dead or living - H.P. LovecraftHe had a monstrously vivid imagination, a keenly ironic sense of humour, and an uninhibited bent for the macabre. - L. Sprague de CampCover illustration by Brice Pennington

    They don't know each other and they don't know how they got there. Their only refuge from the heat and sun is the ghost town shimmering on the horizon.Once inside the ghost town they become pawns in a twisted game. They must figure out the clues, the connection they all have to each other, and the rules of this game if they have any hope of surviving.