When she discovers who snatched her single-bed cabin, it seems that fate has stepped in and booked her a one-way trip to a happily-ever-after. Josh wants nothing more than to spend two weeks fishing, ship watching and gazing at campfires. To his chagrin, the resort owners double booked his reservation with that of an oddly familiar woman he refuses to leave out in the rough waters without a raft. When destiny -- and the age-old problem of two people/one bed -- takes the wheel, Josh quickly realizes it's time to reach for his dreams with his fated-forever shipmate.

    Dane Crawford is head over heels in love with his best friend. Dare.A kiss. Sterling Cranefield is in lust with her boyfriend, until he abruptly breaks her heart.When Sterling tries to withdraw from her friends following the breakup, Dane won’t allow it. Now is his chance and he isn’t going to let it, or her, slip through his fingers.A simple game of Truth or Dare, changes everything.Dane and Sterling’s lives take a different direction than either of them thought possibleWill they cross the lines of the just friend zone?And if they do, can they find the kind of relationship that lasts forever?

    Technically brilliant, using strict, classical prosody, yet entirely modern in sensibility, Virginia Adair's poetry will play a central role in the ongoing American poetry renaissance.

    another busLucille Marshall -- involuntary manslaughterVeronica Edwards -- undeterminedWhat do all of these names have in common? They all died long before they were meant too, and they were all ME. If there's any truth to that statement at all, I can't wait to find out the reason for this!

    Figuring out how to get started is the problem. Becoming an intern at Master’s Media seems like a good place to start. Once she meets her bosses, she starts to wonder if she really knows just what she wants.Cousins Jase and Milo Masters came from nothing but now they have everything. At least that's what the world thinks. Running their own billion-dollar media empire has its perks--and its downfalls. Women throw themselves at their feet, but they know only one woman will do--for both of them.They share more than their fortune and business--they want to share Fallon. Sweet and sassy with curves worthy of more than one man's attention, they will convince her they are part of her bonus package.

    Each wilful and outspoken, Beth and Tristan are soon clashing whenever they cross paths.With the estate’s charity ball and Christmas fayre on the horizon, the two grudgingly put their differences aside and agree to work together. And as they spend more and more time in each other’s company, their uneasy truce blossoms into a strong mutual attraction.But with a young son, a fledgling business and a painful past to contend with, Beth needs someone she can rely on. And Tristan has demons of his own to face…Can Beth get her boutique up and running in time for Christmas? Will she and Tristan find happiness together?Or will the shadows of the past drive them apart…?MISTLETOE AT THE MANOR is a contemporary festive read you won’t be able to put down. Get lost among the snowy hills of Cornwall in this glittering Christmas romance, perfect for cosy winter nights.

    A potpourri of musings assembled with a hint of practical spirituality, to be savoured passably as an oracle of hearts to the many answers, whose questions our minds are yet to comprehend. Ivory Gleam is split into three chapters of learning, longing and loving. Each chapter is a journey traversing a different road to the ultimate destination of self-reflection.

    But why did he disappear for so long? What has he been hiding? And could this really be their second chance at falling in love…? Perfect for fans of Carole Mathews, Mhairi McFarlane and Carrie Hope Fletcher. Readers LOVE Belinda Missen: ‘a captivating and compelling read I highly recommend!’‘A delightfully funny, engaging and warm-hearted read’‘the characters are brilliant, the setting is gorgeous and the writing is compelling’‘A pleasant. light funny read, well written and thought-provoking.’

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    While her writings in this book radiate a fresh and new wonder, they continue to showcase Erickson's unforgettable and infectious zeal for life. The reader feels called away from the mundane and inconsequential by her trademark blend of poetic grace and electrifying enthusiasm. Rhythms and Roads will do more than enchant one's soul and inspire; it promises to awaken memories long forgotten and to breathe into them a spirit of lively possibility. This exhilarating collection is the perfect companion for anyone ready to break cages and fall into a sea of deep, soulful, courageous living.

    The Gravity Inside Us is an ode to whatever it is we carry that pulls us in and out of place, and speaks so insistently of fate. Through writing about her own experiences, this book is a reach into that space.

    This is their story--ultimately a love story--darkly funny, mournful, testy. It is about a reader who at times presides over the page like a god, and at others follows the leash of the author's voice through the dark streets of the book like a dog, and it is about a writer of determined slipperiness.  As we read, we think that each of us is The Reader, the one who knows the Real Story. But the more we think we understand, the more the story moves away from us—all is not what it seems. This eagerly awaited third volume by the poet whose work The New York Times described as "at once charmed and frightening" is a book of high-spirited subversiveness, a work of argument, seduction, and a relentless devotion to language. Then, Suddenly— bristles with the sound of the author's voice--insistent, vital, hilarious, and iconoclastic--tearing away at the confinement of the page and at the distance between the page and the reader. Emanuel's images are dazzling. She creates a performance that is fearsome and funny in its portrayal of the argument between the work of the text and the world of the body. The Gettsyburg Review has called her a writer of "exquisite craftsmanship" who can "strike from language . . . images chiseled clean as bas-relief." Then, Suddenly— is a book of spectacle and verve, part elegy, part vaudeville.

    Phipps ruminates on the ways we are shaped as humans. Is it nature or nurture? Is it fate or a happen chance? What teaches us to love our generational inheritance, no matter how harmful? Phipps takes us to the most intimate parts of family matters in hopes of underantdatning conflict as a means of overcoming.

    When they meet they find the tender beginnings of love and healing. Alice is fifteen, with hair as red as fire and skin as pale as bone, but something inside her is broken. She has acquired brain injury, the result of an assault, and her words come out slow and slurred. But when she writes, heartwords fly from her pen. She writes poems to express the words she can't say and leaves them in unexpected places around the town. Manny was once a child soldier. He is sixteen and has lost all his family. He appears to be adapting to his new life in this country, where there is comfort and safety, but at night he runs, barefoot, to escape the memory of his past. When he first sees Alice, she is sitting on the rusty roof of her river-house, looking like a carving on an old-fashioned ship sailing through the stars.

    A reissuing of The Afterlife, poetry by Larry Levis.