The eleven stories in this volume are drawn from Dahl's popular adult short stories and were chosen for their quirky, twisted, and haunting plots -- sure to please Dahl teenage fans.Contents vii • Introduction (Skin and Other Stories) • (2000) • essay by Wendy Cooling1 • Skin • non-genre • (1952) • short story by Roald Dahl22 • Lamb to the Slaughter • non-genre • (1953) • short story by Roald Dahl35 • The Sound Machine • (1949) • short story by Roald Dahl53 • An African Story • (1946) • short story by Roald Dahl71 • Galloping Foxley • non-genre • (1953) • short story by Roald Dahl90 • The Wish • (1948) • short story by Roald Dahl95 • The Surgeon • non-genre • (1988) • novelette by Roald Dahl129 • Dip in the Pool • non-genre • (1952) • short story by Roald Dahl144 • The Champion of the World • non-genre • (1959) • novelette by Roald Dahl179 • Beware of the Dog • non-genre • (1944) • short story by Roald Dahl195 • My Lady Love, My Dove • non-genre • (1952) • short story by Roald Dahl

    Varied in their settings and characters, they are nevertheless the quintessence of all that is most distinguished, and witty, in her art. We meet women, children and men, often ostensibly ordinary, who follow their paths of ruthlessness and ambition, each in pursuit of happiness, love, or power - each a classic creation.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    Daisy Johnson’s series of ghost stories set in a hotel on the Fens.

    The publisher has even added a few of Ms. Christie's supernatural stories to entice you.The stories are: (1) Double Sin, (2) Wasp's Nest, (3) The Theft of the Royal Ruby, (4) The Dressmaker's Doll, (5) Greenshaw's Folly, (6) The Double Clue, (7) The Last Séance, and (8) Sanctuary.Of the eight, Hercule Poirot stars in #1, #2, #3, and #6. Miss Marple is the lead in #5 and #8. And there are two Christie standalones, not part of any novel or short story series, #4 and #7."The Theft of the Royal Ruby" is actually an expanded version of 1923's "The Adventure of the Christmas Pudding." A young prince from the Middle East, during a visit to London, has dabbled with the wrong woman and lost a magnificent jewel which only Hercule Poirot may be able to recover. Talking of dabbling, that is what Miss Marple does in "Sanctuary." She offers advice to her goddaughter on a religious matter; a man has died in the woman's church under mysterious circumstances. Readers are also sure to enjoy "The Last Séance" in which a young medium holds one too many.Librarian's note: this entry is for the collection of short stories, "Double Sin and Other Stories." Individual entries for each of the stories, including the title story, can be found elsewhere on Goodreads. The entries for Hercule Poirot short stories can be found by searching: "a Hercule Poirot Short Story." For Miss Marple, "a Miss Marple Short Story," and for Christie short stories without such leading characters, "an Agatha Christie Standalone Short Story."

    An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite.In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

    Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    He struggles to come to terms with the forces that brought him down.

    Until one December dawn, when the ducks and the little duck girl, not so little any more, return to the village after several years of absence and light up Maash's life again.The year is 2019, the Indian Parliament has passed the Citizenship Amendment Act and the question of identity-- especially religious identity--is at the forefront of everything. Suddenly, everyone wants to know: who is this duck girl, where does she come from, who does she pray to? In a matter of days, Maash finds himself in the middle of a conflict he couldn't have foreseen.Set in Kaikurussi - the near idyllic village which Anita Nair introduced to readers worldwide in her first novel The Better Man, The Little Duck Girl is a state-of-the-nation story that sensitively but unflinchingly explores the idea of who we are as a people.

    A violent haunting. A house with a bloody history. Jake Nolan left it all behind, but now he must return. Jake has it all — a new home, an amazing girlfriend, and nearing a promotion at work. Best of all, he feels he’s finally moved on from the horrors of his traumatic past. But when he learns that his estranged brother, Trevor, has moved back into their haunted childhood home, Jake knows his past is not quite finished with him yet. Jake rushes to the old house in Rose Grove — a small town with a tragic history — to pull his brother from that dangerous place. But it’s too late. There, he finds Trevor trying to make contact with the spirit that tormented them years ago. And Trevor refuses to leave. He is determined to cleanse the house and remove the entity. But the supernatural activity becomes too much to handle, and Jake knows they are both unprepared for the fight. Worse, the entity targets Daniel, Jake’s young nephew, and wants to bring him harm. And when the intelligent haunting shows signs of demonic infestation, Jake realizes they aren’t dealing with a mere ghost. Jake attributes the evil spirit for driving his parents to an early grave. Now it wants to claim the rest of the family, and the only way Jake and Trevor will survive is to send the entity back to hell. A Haunting in Rose Grove is a supernatural horror novel for readers who love stories about haunted houses and battles with the demonic — the truest form of evil that exists in our world. You are only one click away from enjoying this scary tale. Start reading today!

    Benson The Shuttered RoomAmbrose Bierce An Inhabitant of CarcosaCharles Birkin Is there Anybody there?Algernon Blackwood The WhisperersL.M. Boston CurfewA.M. Burrage I'm Sure it was No. 31Ramsay Campbell The GuideR. Chetwynd-Hayes The Limping GhostWilkie Collins Mrs Zant and the GhostBasil Copper The House by the TarnRalph A. Cram In Kropfsberg KeepDaniel Defoe The Ghost in all the RoomsCharles Dickens The Bagman's UncleArthur Conan-Doyle The Bully of Brocas CourtAmelia B. Edwards In the ConfessionalShamus Frazer The Tune in Dan's CafJohn S. Glasby Beyond the BourneWilliam Hope Hodgson The Valley of Lost ChildrenFergus Hume The Sand-WalkerHenry James The Real Right ThingM.R. James The Haunted Dolls' HouseRoger Johnson The Wall-PaintingRudyard Kipling TheyD.H. Lawrence The Last LaughMargery Lawrence Robin's RathJ. Sheridan Le Fanu The DreamR.H. Malden The SundialRichard Marsh The Fifteenth ManJohn Metcalfe Brenner's BoyEdith Nesbit Uncle Abraham's RomanceFitz-James O'Brien What was It?Vincent O'Sullivan The Next RoomRoger Pater The Footstep of the AventineEdgar Allan Poe William WilsonForrest Reid CourageMrs J.H. Riddell The Last of Squire EnnismoreL.T.C. Rolte The Garside Fell DisasterDavid G. Rowlands The Tears of St. AgathaSaki The Soul of LaploshkaSapper The Old Dining-RoomMontague Summers The Between-MaidMark Twain A Ghost StoryMark Valentine The FollyH. Russell Wakefield Out of the Wrack I RiseKarl Edward Wagner In the PinesManly Wade Wellman Where Angels FearEdward Lucas White The House of the NightmareOscar Wilde The Canterville GhostWilliam J. Wintle The Spectre Spiders

    The second collection drawn together by editor Wendy Martin, these twenty-four exquisite examples of contemporary writing feature stories by Joyce Carol Oates, Margaret Atwood, Mary Gaitskill, Alice Munro, Sandra Cisneros, and Lorrie Moore (to name a few).We Are the Stories We Tell is also available from Pantheon.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    From Neil Gaiman and M. R. James to Muriel Spark and E. Nesbit, there are stories here to make the hardiest soul quail - so find a comfy chair, lock the door, ignore the cold breath on your neck and get ready to welcome in the real spirits of Christmas.

    Jekyll and Mr. HydeMedical school students Fettes and Macfarlane are charged with the unenviable task of receiving and paying for the institution’s research cadavers. When Fettes recognizes the dead body of a woman he saw alive and well just the day before, he suspects murder. Macfarlane, however, insists that the authorities would never believe they had nothing to do with her death. Reluctantly, Fettes agrees to keep quiet, but soon regrets his decision when another familiar corpse turns up—and takes on a life of its own.