In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

    Here there be monsters! And witches! These are tales of monstrous mothers and dark desires. Love, grief, death; and the exquisite pain and joy of life. With transcendent prose, Chronister chronicles the lives of powerful women and children; wicked witches and demons. These are the traumatic ghosts we all carry, and Chronister knows what it means to be human and humane. Powerful and hypnotic, these are tales you won’t forget, from a vibrant new voice.

    In the tradition of Defoe, Stevenson, Hawthorne, Coleridge, Poe, and other master writers, these frightful stories conjure the creaks and shadows of the very places where they came to life: haunted St. Andrews, the Isle of Eigg, Kellie Castle, Balcarres House, Durie House ("which has the most persistent of all country-house spectres"), and Kirk's own ancestral spooky house in Mecosta, Michigan.

    She had a face of feral sweetness, its color yellow; her eyes were long and dark, her mouth a taut bow, her nostrils upturned as if she were scenting the wind."In "How Shall I Know You?," a melancholic and ailing writer reluctantly travels east of London to give a lecture before a literary society. Mr. Simister, the organization's secretary, lures the world-weary novelist turned biographer with promises of a modest stipend and lodging at a charming bed-and-breakfast for her trouble. Nevertheless, on that rainy day she meets Mr. Simister at the train station, she wonders why she ever agreed to come in the first place. Driving past steel-shuttered windows and Day-Glo banners, Mr. Simister takes the writer to her hotel for the evening, which turns out to be crumbling and isolated rather than picturesque. As she crosses the threshold into the dank stench of Eccles House she is faced with the feral porter, Louise, and suffers through an evening that may be more than she bargained for.From Hilary Mantel's brilliant and darkly comic collection of contemporary stories, The Assassination of Margaret Thatcher, comes a tale told with her distinctive blend of subversive wit and gimlet-eyed characterization. "How Shall I Know You?" showcases the extraordinary genius of Hilary Mantel, called one of our "greatest living novelists" (NPR).

    But there’s a catch. He also inherits his dearly departed Aunt Leila – who is determined to soften her nephew’s cynical ways, even from beyond the grave…

    It originally appeared in 1950 in Collier's Weekly. It is also the subject of an Alexisonfire song. The protagonist, Professor Arthur Barnhouse, develops the ability to affect physical objects & events thru the force of his mind. He calls his power 'dynamo-psychism'. He makes the mistake of telling the government about his power. When they try to turn him into a weapon, Barnhouse decides that he is the first weapon with a conscience, & goes into hiding. While in this reclusive state the Professor uses his 'dynamo-psychic' powers to destroy large quantities of weapons, & other things used in states of war. He realizes tho, that he will die eventually & decides to pass down his "powers" to an ex-student. The story is told as a report by this ex-student, hence the title.

    With this anthology, we wanted to give women the chance to take something back to show their skills and storytelling abilities, but to also create striking stories that resonate profoundly with readers: Protagonists who take no shit; women who save themselves; women who slay the beast; women who become the monster.

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    Tales of everyday people caught up in indomitable situations. Dread-inducing moments with an air of plausibility—while you hope to god they aren’t actually true. Urban legends, modern folklore, or creepypasta. Whatever you call them, they represent shards of our deepest anxieties as individuals, as a society.Corpse Cold: New American Folklore evokes the spirit of the campfire tales you heard as a kid. This 20-story anthology offers refreshing, mature reinterpretations of time-tested stories, and wholly original legends that explore the twisted labyrinth of modern myth. Each tale is brought to life and made all the more unsettling by the striking, grisly illustrations of artist Chad Wehrle.

    Jinnistan is a gripping collection of South Asian short horrors featuring paranormal entities in all shapes and forms- including the form of a loved one, perhaps your neighbor... even your child. So close the curtains, grab your chai and get ready to read spine-chilling tales based on true events.

    The Dark takes a look at the tormented and unquiet dead; the darkness in us, the living; and the sometimes tenuous boundary between the two.

    A collection of eighteen mystery stories.

    In this novella, Trans-Siberian Orchestra creator Paul O'Neill spans generations, from WWII Germany to the modern inner-city, and fearlessly dives into the darkest places of the human condition to spin a modern parable about how, even in the grip of great evil, redemption is possible and the spark of hope can burn brightly.