Nothing, in short, to signify the deep change that each member of the Harrelson household will undergo. Parents Gene and Helen turn away from each other and look inward, losing themselves in private fantasies. Ten-year-old Crispy devises elaborate strategies for her escape from the suffocating clutch of the Harrelson home and into the waiting arms of pop star Marky Mark.But the heart of this family portrait is younger brother Stephen, who, along with his quirky and creative friend Nicole, crafts an alternative reality in which their comic book hero, Wolf Boy, battles the forces of evil, champions the powers of good, and fights to keep his family intact. Through Wolf Boy, Stephen finds an outlet for his grief and a concrete expression for his place in a family spiraling out of control and for all the natural yearnings and hopes of a typical thirteen-year-old. Wolf Boy’s adventures are featured throughout the book, introducing a graphic-novel subplot that adds humor and visual interest and stretches the limits of the conventional novel.With warmth, humor, hope, and empathy, Evan Kuhlman’s debut novel is truly unforgettable and signals a fresh new voice in today’s fiction.

    

    It was nominated for all three major American book awards: the National Book Critics Circle Award, the Pulitzer Prize for Poetry, and the American Book Award.

    Whether in business or his personal life. Not many people tell him, “No.” Until Kourtney Deen, a striking beauty, refused to sell her business to him so that he could put up a luxury spa and golf course. Business is business that’s what Zac has always believed. He refuses to get caught in the marriage trap like his cousins. However, the day he meets the feisty shop owner face to face, he can’t resist the attraction he has for her. Kourtney refuses to allow herself to get distracted. No matter how tall, grey-eyed and handsome he maybe. That road has already been traveled. Years ago, she made some mistakes and had to make some tough choices. Now, the only two things she cares about are her daughter and the success of her shop. In Zac’s structured life, things have always gone how he planned it, but one unexpected event leads to another. When he discovers that nothing is what it seems and there are secrets, yet revealed, he learns quickly that it is not his wallet he has to lean on, but his heart.

    Her arresting, edgy poems about aging and grief are surprising and invigorating: a defiant balm. At the same time, she revels in the quirkiness and whimsy of the natural world: the vision of a fly, the naming of an eggplant, and a woman who — not unhappily — finds that cockroaches are drawn to her.“God draws a life. And then begins to rub it out / with the eraser on his pencil.” Lorna Crozier draws a world in What the Soul Doesn’t Want, and then beckons us in. Crozier’s signature wit and striking imagery are on display as she stretches her wings and reminds us that we haven’t yet seen all that she can do.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    As an impoverished writer in need of rejuvenation, Miller travelled to Greece at the invitation of his friend, the writer Lawrence Durrell. The text is inspired by the events that occurred. The text is ostensibly a portrait of the Greek writer George Katsimbalis, although some critics have opined that is more of a self-portrait of Miller himself.[1] Miller considered it to be his greatest work.

    Compiled by poets who have been at the center of the Nuyorican Poets Cafe in New York City, Aloud! showcases the work of the most innovative and accomplished word artists from around America.

    S. Eliot, Marianne Moore, many other notables.

    Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision these observations become higher meditations on the world and our place in it.Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life emerge as fellow travelers and guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

    Poet Laureate Billy Collins comes a twelfth collection of poetry offering nearly fifty new poems that showcase the generosity, wit, and imaginative play that prompted The Wall Street Journal to call him America's favorite poet.The Rain in Portugal, a title that admits he's not much of a rhymer, sheds Collins's ironic light on such subjects as travel and art, cats and dogs, loneliness and love, beauty and death. His tones range from the whimsical "the dogs of Minneapolis . . . / have no idea they're in Minneapolis" to the elegiac in a reaction to the death of Seamus Heaney. A student of the everyday, here Collins contemplates a weather vane, a still life painting, the calendar, and a child lost at a beach. His imaginative fabrications have Shakespeare flying comfortably in first class and Keith Richards supporting the globe on his head. By turns entertaining, engaging, and enlightening, The Rain in Portugal amounts to another chorus of poems from one of the most respected and familiar voices in the world of American poetry.On Rhyme It's possible that a stitch in time might save as many as twelve or as few as three, and I have no trouble remembering that September has thirty days. So do June, November, and April. I like a cat wearing a chapeau or a trilby, Little Jack Horner sitting on a sofa, old men who are not from Nantucket, and how life can seem almost unreal when you are gently rowing a boat down a stream. That's why instead of recalling today that it mostly pours in Spain, I am going to picture the rain in Portugal, how it falls on the hillside vineyards, on the surface of the deep harbors where fishing boats are swaying, and in the narrow alleys of the cities where three boys in tee shirts are kicking a soccer ball in the rain, ignoring the window-cries of their mothers.

    The book was awarded the Eminescu Gold Medal' in 2000, when Eminescu was declared 'UNESCO-Year-2000-Poet-Of-The-Year'. The volume includes some the 'national' poet's time-honored gems like Luceafarul/The Evening Star, Glossa, Scrisoarea I / First Epistle Satire, Stelele-n Cer/Stars in the Sky, La Steaua/Onto the Star, among others.

    I don't want to think of him, but I can't help it, and sometimes at night my old heart beats so hard and so fast I think it will tear itself right clear of my chest." A haunting recollection of a mysterious boyhood event, The Man in Black Suit read by John Cullum leads off this masterful collection from Stephen King. Other dark tales include: All That You Love Will Be Carried Away read by Peter Gerety, in which a man checks into a Lincoln, Nebraska Motel 6 to find the meaning in his life; That Feeling, You Can Only Say What It Is in French read by Becky Ann Baker presents the ultimate case of déejàa vu; and The Death of Jack Hamilton read by Arliss Howard -- a blistering tale of Depression-era outlaws on the run. Whether writing about encounters with the dead, the near dead, or about the mundane dreads of life, Stephen King's The Man In The Black Suit: Four Dark Tales is intense, eerie and instantly compelling.

    A unique, clever, and original collection, Dillard’s characteristic voice sounds throughout the pages.

    In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind.