Thus each rare new story from her pen has been greeted with hurrahsas well they should be, because she's one of the most skillful, caustic, and emphatic cartoon storytellers of her generation. This new book presents the biggest, richest and most delightful collection of Tyler's work to date featuring many new and previously unpublished works.In "Migrant Mother" Tyler tells the grueling story of a cross-country trip with the flu and her terrible twos toddler using her trademark combination of rueful humor and emphathy. The full-color "Just A Bad Seed" is a meditation on a problem child who might not be such a problem after all, while "The Return of Mrs. Kite" chronicles a family crisishow her widowed grandmother fell in with a beau of questionable character. "Gone" (also in full color) is a stirring meditation on all kinds of loss, and "Why I'm A-gin' Southern Men" is a classic rant that dissects that particular breed of maleor at least a certain subspecies of "ex"eswith pitiless wit.Other stories include "Sweet Miss Lee" (a reminiscence of an immigrant roommate and her fate), "There's Something Wrong with a Perfect Lawn" (a tale of suburban obsessiveness), "Little Crosshatch Mind" (where artistic impulses come from), and "Uncovered Property" (discovering the power of sexuality at an early age).Tyler works equally well in delicately crisp black-and-white penstrokes and lushly watercolored paintings (this book will feature 60 pages of her stunning full-color work). All told, the three-dozen stories here will cement Tyler's reputation as a cartoonist to be reckoned with. 136 pages, 60 pages in color.

    Toland’s story is both deeply personal and epic in scope, as his search for identity plays out against the brutal fight over segregation, an unplanned pregnancy and small-town bigotry, aided by an unforgettable supporting cast.

    Oh, and it also has a lot of sex.

    Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family's daring escape after the fall of South Vietnam in the 1970s and the difficulties they faced building new lives for themselves. At the heart of Bui's story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent — the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through.With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. The Best We Could Do brings to life her journey of understanding and provides inspiration to all who search for a better future while longing for a simpler past.

    The place, the Apache nations, a region torn apart by decades of war. Goyahkla, a young brave, has lost his family and everything he loves. After having a vision, he approaches the Apache leader Cochise to lead an attack against the Mexican village of Azripe. It is this wild display of courage that transforms the young brave Goyahkla into the Native American hero Geronimo. But the Apache Wars rage on. As they battle their enemies, lose loved ones, and desperately cling to their land and culture, they utter, "Indeh," or "the dead." When it appears that lasting peace has been reached, it seems like the war is over. Or is it? INDEH captures the deeply rich narrative of two nations at war--as told through the eyes of Naiches, the son of the Apache leader Cochise, and Geronimo, as they try to find peace and forgiveness. INDEH not only paints a picture of some of the most magnificent characters in the history of our country, but it also reveals the spiritual and emotional cost of the Apache Wars. Based on exhaustive research, INDEH offers a remarkable glimpse into the raw themes of cultural differences, the horrors of war, the search for peace, and, ultimately, retribution. The Apache left an indelible mark on our perceptions about the American West, and INDEH shows us why.

    This iconic journey changed the world forever, and the truths revealed continue to influence every corner of the globe today.A young man in line for the throne is trapped in his father's kingdom and yearns for the outside world. Betrayed by those closest to him, Siddhartha abandons his palace and princely title. Alone and face-to-face with his demons, he becomes a wandering monk and embarks on a spiritual fast that carries him to the brink of death. Ultimately recognizing his inability to conquer his body and mind by sheer will, Siddhartha transcends his physical pain and achieves enlightenment.Although we recognize Buddha today as an icon of peace and serenity, his life story was a tumultuous and spellbinding affair filled with love and sex, murder and loss, struggle and surrender. From the rocky terrain of the material world to the summit of the spiritual one, Buddha captivates and inspires—ultimately leading us closer to understanding the true nature of life and our selves.

    But you never really get away from war. So it feels inevitable when his old army buddy Jason comes calling, with a lucrative military contract for a mining job in an obscure South-East Asian country called Quanlom. They'll have to operate under the radar--Quanlom is being torn apart by civil war, and the US military isn't strictly supposed to be there.With no career prospects and a baby on the way, Mark finds himself making the worst mistake of his life and signing on with Jason. What awaits him in Quanlom is going to change everything. What awaits him in Quanlom is weirdness of the highest order: a civil war led by ten-year-old twins wielding something that looks a lot like magic, leading an army of warriors who look a lot like gods.What awaits him in Quanlom is an actual goddamn dragon.From world-renowned artists Asaf and Tomer Hanuka (twins, whose magic powers are strictly confined to pen and paper) and Boaz Lavie, The Divine is a fast-paced, brutal, and breathlessly beautiful portrait of a world where ancient powers vie with modern warfare and nobody escapes unscathed.

    As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren’t a little different than what her grandmother led her to believe.

    This beautifully illustrated compendium of first-person comics about the trials of the single life, school, stress, junk food, shaving, and maintaining a healthy self-image. Cassandra Calin's comics frequently highlight the humorous gap between expectations and reality, especially when it comes to appearance and how much she can accomplish in one day.

    Here is stunning evidence that Sid Jacobson and Ernie Colón, with more than sixty years of experience in the comic-book industry between them, were right: far, far too few Americans have read, grasped, and demanded action on the Commission’s investigation into the events of that tragic day and the lessons America must learn.Using every skill and storytelling method Jacobson and Colón have learned over the decades, they have produced the most accessible version of the 9/11 Report. Jacobson’s text frequently follows word for word the original report, faithfully captures its investigative thoroughness, and covers its entire scope, even including the Commission’s final report card. Colón’s stunning artwork powerfully conveys the facts, insights, and urgency of the original. Published on the fifth anniversary of the terrorist attacks on the United States, an event that has left no aspect of American foreign or domestic policy untouched, The 9/11 Report puts at every American’s fingertips the most defining event of the century.

    The narrator is smitten by Chloe on a Paris-London flight, and by the time they've reached the luggage carousel, he knows he is in love. He loves her chestnut hair and pale nape and watery green eyes, the way she drives a car and eats Chinese food, the gap that makes her teeth Kantian and not Platonic, her views on Heidegger's Being and Time - although he hates her taste in shoes. On Love plots the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, through the (Groucho) "Marxist" stage of coming to terms with being loved by the unattainable beloved, through a fit of anhedonia, defined in medical texts as a disease resulting from the terror brought on by the threat of utter happiness, and finally through the nausea induced and terrorist tactics employed when the beloved begins, inexplicably, to drift away. Alain de Botton is simultaneously hilarious and intellectually astute, shifting with ease among such seminal romantic texts as The Divine Comedy, Madame Bovary, and The Bleeding Heart, a self-help book for those who love too much. He is schematically flawless, funny, funky, and totally engaging. Filled with profound observations and useful diagrams, On Love displays and examines for all of us the pain and exhilaration of love, asking, "Can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams? Can we not be excused a certain superstitious faith in a creature who will prove the solution to our relentless yearnings?"

    He takes you underground to a safe space, feeds you, offers you a place to sleep, and then announces that he'll take the first watch. It's not long before the peril of the jagged landscape has located you and your newfound protector and is scratching at the door.What transpires is a moment-to-moment struggle for survival - The Road meets Dawn of the Dead. Daybreak is seen through the eyes of a silent observer as he follows his protector and runs from the shadows of the imminent zombie threat. Brian Ralph slowly builds the tension of the zombies on the periphery, letting the threat—rather than the actual carnage—be the driving force. The postapocalyptic backdrop features tangles of rocks, lumber, I-beams, and overturned cars that are characters in and of themselves. A New York Times Graphic Novel Bestseller and YALSA Great Graphic Novel For Teens, Daybreak is an art-house take on the classic zombie genre.

    In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face.In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.

    His father created the Tommy Taylor fantasy series, boy-wizard novels with popularity on par with Harry Potter. The problem is Dad modeled the fictional epic so closely to Tom's real life that fans are constantly comparing him to his counterpart, turning him into the lamest variety of Z-level celebrity. In the final novel, it's even implied that the fictional Tommy will crossover into the real world, giving delusional fans more excuses to harass Tom.When an enormous scandal reveals that Tom might really be a boy-wizard made flesh, Tom comes into contact with a very mysterious, very deadly group that's secretly kept tabs on him all his life. Now, to protect his own life and discover the truth behind his origins, Tom will travel the world, eventually finding himself at locations all featured on a very special map -- one kept by the deadly group that charts places throughout world history where fictions have impacted and tangibly shaped reality, those stories ranging from famous literary works to folktales to pop culture. And in the process of figuring out what it all means, Tom will find himself having to figure out a huge conspiracy mystery that spans the entirety of the history of fiction.Collecting: The Unwritten 1-5

    Revel in the opulence of this over-sized hardback! Revel in it! Collects issues 1 through 11.