Shortly after, he came back to Stratford to play Richard III – a breakthrough performance that would transform his career, winning him the Olivier and Evening Standard Awards for Best Actor. Sher’s record of the making of this historic theatrical event, Year of the King, has become a classic of theatre writing, a unique insight into the creation of a landmark Shakespearean performance.More than thirty years later, Antony Sher returned to Lear, this time in the title role, for the 2016 RSC production directed by Gregory Doran. Sher’s performance was acclaimed by the Telegraph as ‘a crowning achievement in a major career’, and the show transferred from Stratford to London’s Barbican. Once again, he kept a diary, capturing every step of his personal and creative journey to opening night.Year of the Mad King: The Lear Diaries is Sher’s account of researching, rehearsing and performing what is arguably Shakespeare’s most challenging role, known as the Everest of Acting. His strikingly honest, illuminating and witty commentary provides an intimate, first-hand look at the development of his Lear and of the production as a whole. Also included is a selection of his paintings and sketches, many reproduced in full colour.Like his Year of the King and Year of the Fat Knight: The Falstaff Diaries, this book, Year of the Mad King, offers a fascinating perspective on the process of one of the greatest Shakespearean actors of his generation.'One of the finest books I have ever read on the process of acting' Time Out on Year of the King'Antony Sher's insider journal is a brilliant exploded view of a great actor at work – modest and gifted, self-centred and selfless – a genius capable of transporting us backstage' Craig Raine, The Spectator (Books of the Year) on Year of the Fat Knight

    These four classic plays cover such taboo-breaking but timely themes as family guilt, social hypocrisy, and sexual mores.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform "A Midsummer Night's Dream" in a new replica of the famous Globe theater.Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years -- to another London, and another production of "A Midsummer Night's Dream." Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life -- in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he's so longed for in his own time?

    Inspired by the Prometheus Bound of Aeschylus, Shelley's play serves as a sort of sequel, matching its Greek predecessor in stature and pure poetic power. It depicts its philanthropist hero's ultimate triumph over the superstition and bigotry of the gods. As Shelley himself stated in his Defence of Poetry, Prometheus Unbound awakens and enlarges the mind.

    Their lives intersect in dreams, where destiny pulls them together through different times in history. Even though their meetings are more real to Lucy than the present, Lucy is uncertain if Will exists outside her mind. Lucy’s mum thinks there is something wrong when Lucy sleeps for days at a time. She is so caught up with finding a cure she doesn’t see the real problem. Lucy is bullied at school and is thinking of ending her life.When the bullying goes too far and Lucy ends up in a coma, only Will can reach her. But how do you live when the only person who can save you doesn’t exist?

    . . . A tragic and hilarious vision of life in an English country community. Butterworth’s new work was the most talked about new work of the season."—The London Paper

    Crowded in Zach's kitchen, Ruby and the rest of the partygoers laugh at Zach's parents' frenzied push to get them all inside as it starts to drizzle. But then the radio comes on with the warning, "It's in the rain! It's fatal, it's contagious, and there's no cure."Two weeks later, Ruby is alone. Anyone who's been touched by rain or washed their hands with tap water is dead. The only drinkable water is quickly running out. Ruby's only chance for survival is a treacherous hike across the country to find her father-if he's even still alive.

    Told in a succession of short and powerful poems, it takes us deep into the cyclone of the narrator’s emotions: despair, anger, guilt, resentment, and ultimately, acceptance.

    A prodigy and the daughter of a renowned scientist-whose unexplained death left her alone in the world-Lain is driven by the need to save others.When Steven, a troubled classmate, asks her to wipe a horrific childhood experience from his mind, Lain's superiors warn her to stay away. Steven's scars are too deep, they say; the risk too great. Yet the more time Lain spends with him, the more she begins to question everything about her society. As she defies the warnings and explores Steven's memories, it becomes clear that he's connected to something much bigger…something the Institute doesn't want the world to discover.Lain never expected to be a rule breaker. She certainly didn't plan on falling in love with a boy she's been forbidden to help. But then, she never expected to stumble into a conspiracy that could ignite a revolution.

    Each chapter is full of secrets, magic, and notes from Star Butterfly!This fun-packed, full-color jacketed hardcover version of The Magic Book of Spells will give fans of Star Vs the Forces of Evil all the inside information. . . and a chance to meet four never-seen-before queens.Plus, the book jacket doubles as an exclusive Mewberty Wings tarot card poster!

    Inside, the people dress, eat, and act like it’s the eighteenth century—with the added bonus of technology to make court life lavish, privileged, and frivolous. The palace has every indulgence, but for one pretty young thing, it’s about to become a very beautiful prison.When Danica witnesses an act of murder by the young king, her mother makes a cruel power play . . . blackmailing the king into making Dani his queen. When she turns eighteen, Dani will marry the most ruthless and dangerous man of the court. She has six months to escape her terrifying destiny. Six months to raise enough money to disappear into the real world beyond the palace gates.Her ticket out? Glitter. A drug so powerful that a tiny pinch mixed into a pot of rouge or lip gloss can make the wearer hopelessly addicted. Addicted to a drug Dani can sell for more money than she ever dreamed.But in Versailles, secrets are impossible to keep. And the most dangerous secret—falling for a drug dealer outside the palace walls—is one risk she has to take.