Just like everyone else in town, Roy believed Carl was gone for good. But Carl has big plans for his hometown. And when he returns with a mysterious new wife and a business opportunity that seems too good to be true, simmering tensions begin to surface and unexplained deaths in the town’s past come under new scrutiny. Soon powerful players set their sights on taking the brothers down by exposing their role in the town’s sordid history.But Roy and Carl are survivors, and no strangers to violence. Roy has always protected his younger brother. As the body count rises, though, Roy’s loyalty to family is tested. And then Roy finds himself inextricably drawn to Carl’s wife, Shannon, an attraction that will have devastating consequences. Roy’s world is coming apart and soon there will be no turning back. He’ll be forced to choose between his own flesh and blood and a future he had never dared to believe possible.

    Although General Bottando of the Italian National Art Theft Squad has little confidence in Jonathan's theories, Bottando's lovely assistant, Flavia di Stefano, is intrigued by the idea of a lost classic, and by Jonathan himself. But in the midst of the painting's discovery and the resultant worldwide publicity, a new chain of events is set into action. First vandalism, then murder, surround the painting. And as new facts about its true nature emerge, Bottando sends Flavia and Jonathan to investigate--little knowing that the pair will be on the run for the truth... and for their very lives.

    A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor.But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn. Against orders and her own partner's wishes, she works both cases by day while maintaining her shift by night. As the cases entwine they pull her closer to her own demons and the reason she won't give up her job no matter what the department throws at her.

    Morse is sure the other hitchhiker can tell him much of what he needs to know. But his confidence is shaken by the cool inscrutability of the girl he's certain was Sylvia's companion on that ill-fated September evening. Shrewd as Morse is, he's also distracted by the complex scenarios that the murder set in motion among Sylvia's girlfriends and their Oxford playmates. To grasp the painful truth, and act upon it, requires from Morse the last atom of his professional discipline.

    There are people here, in plain sight, that no-one ever notices at all.DS Alexandra Cupidi has done it again. She should have learnt to keep her big mouth shut, after the scandal that sent her packing - resentful teenager in tow - from the London Met to the lonely Kent coastline. Even murder looks different in this landscape of fens, ditches and stark beaches, shadowed by the towers of Dungeness power station. Murder looks a lot less pretty.The man drowned in the slurry pit had been herded there like an animal. He was North African, like many of the fruit pickers that work the fields. The more Cupidi discovers, the more she wants to ask - but these people are suspicious of questions.It will take an understanding of this strange place - its old ways and new crimes - to uncover the dark conspiracy behind the murder. Cupidi is not afraid to travel that road. But she should be. She should, by now, have learnt.Salt Lane is the first in the new DS Alexandra Cupidi series.

    The terrifying truth about her parents and a long-ago murder is only the first in a series of shocking betrayals. Philippa quickly learns that those who delve into the secrets of the past must be on guard when long-buried horrors begin to stir.

    A graduate student at Columbia University, he grew up on the streets of New York, usually on the wrong side of the law. Then he met Joe Graham, a one-armed P.I. who introduced him to the Bank, an exclusive New England institution with a sideline in keeping its wealthy clients happy and out of trouble. They pay Neal's college tuition, and Neal gets an education that can't be found in any textbook-- from learning how to trail a suspect to mastering the proper way to search a room.Now it's payback time. The Bank wants Neal to put his skills to work in finding Allie Chase, the rebellious teenage daughter of a prominent senator. The problem: Allie has gone underground in London, and to get her back, Neal has to follow her into the punk scene, a violent netherworld where drugs run rampant and rage is the name of the game. Up against punk junkies, antique book thieves, and murderous betrayal, Neal has his work cut out for him to save Allie-- and get back above ground for good.

    Lost without his wife's love, Robicheaux's haunted soul mirrors the intensity and dusky mystery of New Orleans' French Quarter -- the place he calls home, and the place that nearly destroys him when he becomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the world of drug lords and arms smugglers, Robicheaux must face down a subterranean criminal world and come to terms with his own bruised heart in order to survive.

    In Glasgow, the city with the worst slums in Europe, a city of hard men, powerful villains, bitter victims and cynical policemen, Laidlaw uses unconventional methods.

    Comparing Vittorini's work to Picasso's, Italo Calvino described Conversations as "the book-Guernica."The novel begins at a time in the narrator's life when nothing seems to matter; whether he is reading newspaper posters blaring of wartime massacres, lying in bed with his wife or girlfriend, or flipping through the pages of a dictionary it is all the same to him—until he embarks on a journey back to Sicily, the home he has not seen in some fifteen years. In traveling through the Sicilian countryside and in variously hilarious and tragic conversations with its people—his indomitable mother in particular—he reconnects with his roots and rediscovers some basic human values.In the introduction Hemingway wrote for the American debut of Conversations (published as In Sicily by New Directions in 1949) he remarked: "I care very much about Vittorini's ability to bring rain with him when he comes, if the earth is dry and that is what you need." More recently, American critic Donald Heiney wrote that in this one book, Vittorini "like Rabelais and Cervantes...adds a new artistic dimension to the history of literature."

    Arthur Calgary discovers that he alone could have provided an alibi in a scandalous murder trial. It ended in the conviction of Jacko Argyle. The victim was Jacko's own mother, and to make matters worse, he died in prison. But the young man's innocence means that someone else killed the Argyle matriarch, and would certainly kill again to remain in the shadows. Shaded in the moral ambiguity of murder, the provocative psychological puzzler of guilt, vengeance, and blood secrets is among Agatha Christie's personal favorites.

    The body was found in the salon, an elegant room with a grand piano and a Louis XIV escritoire. The shutters were still closed and the dead end of a record of Rigoletto was still turning.There are some obvious suspects, yet the clothes of none of them show any signs of blood. And what were the tensions that must have torn at this family? It’s only when a second murder takes place that the method of the first becomes startlingly clear. Moody, sharp-tongued and worrying constantly about his health, Inspector Evariste Clovis Désiré Pel ensures that no case goes unsolved, in these mordantly witty French mysteries.

    James, Robert Barnard and other literate writers in the genre will welcome US publication of this prize-winning author's first work. In postwar Tokyo, the K Apartment House for ladies is about to be moved intact in a highly publicized engineering feat. Then, flashback seven years to one of its occupants and her confederate--a man dressed in woman's clothes--as they bury a child's body in an unused communal bath beneath the building. A second flashback tells of the kidnapping of four-year-old George Kraft, son of an American army officer and his Japanese wife. The stage is set. The actors are a few of the present-day occupants of the K apartments--single, lovely, obsessed, neurotic--each life a novel in itself, told in a spare, unembellished style that never lapses into the sentimental. Manipulated by hidden strings, their actions and reactions lead to suicide, murder, and some final surprising revelations. This is a fresh, original novel, superbly crafted and riveting from start to finish.

    Razor-sharp dialogue. Plots that catch and hold like a noose. These are the hallmarks of crime legend Ruth Rendell. From Doon with Death, now in a striking new paperback edition, is her classic debut novel -- and the book that introduced one of the most popular sleuths of the twentieth century.There is nothing extraordinary about Margaret Parsons, a timid housewife in the quiet town of Kingsmarkham, a woman devoted to her garden, her kitchen, her husband. Except that Margaret Parsons is dead, brutally strangled, her body abandoned in the nearby woods. Who would kill someone with nothing to hide? Inspector Wexford, the formidable chief of police, feels baffled -- until he discovers Margaret's dark secret: a trove of rare books, each volume breathlessly inscribed by a passionate lover identified only as Doon. As Wexford delves deeper into both Mrs. Parsons’ past and the wary community circling round her memory like wolves, the case builds with relentless momentum to a surprise finale as clever as it is blindsiding. In From Doon with Death, Ruth Rendell instantly mastered the form that would become synonymous with her name. Chilling, richly characterized, and ingeniously constructed, this is psychological suspense at its very finest.

    They served together in the war as part of a shadowy unit called the Magic Men.Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind.Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in danger…