Omnibus collection of four early Bachman novels (Rage, The Long Walk, Roadwork, The Running Man) and the essay "Why I Was Bachman"

    A book put together with the sole purpose of reminding readers what the horror genre is really about. Each author was told they could write about any subject matter they wanted so long as it was set in a world of horror. The only rule they had: No Paranormal Romance. Vampires do not sparkle, werewolves do not date, Witches do not scour Tinder for Virgins and ghosts do not declare their undying love whilst tidying the apartment... This is horror... Featuring work from: Brian Lumley, Adam Nevill, Guy N. Smith Ramsey Campbell, Gary McMahon, Shaun Hutson, J. R Park, Peter McKeirnon, Jim Goforth, Wrath James White, Craig Saunders, Matt Hickman, Sam West, Kit Power, Daniel Marc Chant, Matt Shaw, Adam Millard, Anton Palmer, Clare Riley Whitfield, Jaime Johnesee, Jeff Strand, Andrew Freudenberg, Michael Bray Shane McKenzie.

    The Dark takes a look at the tormented and unquiet dead; the darkness in us, the living; and the sometimes tenuous boundary between the two.

    What if the prophecies of Revelation hit today? What sort of craziness and evil would ensue? With this list of excellent authors contributing, it’s sure to be a Hell of a read! Wrath James White Sam West The Sisters of Slaughter Jeff Strand K Trap Jones C Derick Miller Christine Morgan Patrick C. Harrison III John Wayne Comunale Hyäne Sawbones Delphine Quinn James Watts Wile E. Young Chris Miller Mark Deloy Richard Raven

     Including never-before published stories by: Neil Gaiman, Steve Rasnic Tem, Kathe Koja, David J. Schow, Bentley Little, Poppy Z. Brite, Joe R. Lansdale, Jack Ketchum, Melanie Tem, Tanith Lee, Caitlin R. Kiernan, Lea Silhol, Freda Warrington, Elizabeth Massie, Brett Alexander Savory, Katherine Ramsland, Yvonne Navarro, Thomas S. Roche, Michael Marano, John Shirley, Brian Hodge, and Elizabeth Engstrom ...all at their most brilliant and most outrageous. Here are dangerous games between lovers, howls from the dark, voyeurs and their victims, disturbed wishes and bitter dreams. Unflinching, uncommon, and underground, these tales vibrate with new life.

    A woman chases the ghost of her neglectful father to a vanished amusement park at the end of the Long Beach pier. Two recently retired teachers learn just how much Los Angeles has taken from them.In these atmospheric, wide-ranging, surprisingly playful, and deeply mournful stories, grandkids and widows, ice cream-truck drivers and judges, travelers and invalids all discover -- and sometimes even survive -- the everyday losses from which the most vengeful ghosts so often spring.

    Taff, is a tribute to horror’s longstanding short fiction legacy, featuring 12 terrifying original stories from today's most noteworthy authors, with an introduction by bestselling author Josh Malerman and an afterword by Ramsey Campbell.Created as an homage to the 1980 classic horror anthology, Dark Forces, edited by Kirby McCauley, this collection contains 12 original novelettes showcasing today’s top horror talent. Dark Stars features all-new stories from award-winning authors and up-and-coming voices like Stephen Graham Jones, Priya Sharma, Usman T. Malik, Caroline Kepnes, and Alma Katsu, with seasoned author John F.D. Taff at the helm. An afterword from original Dark Forces contributor Ramsey Campbell is a poignant finale to this bone-chilling collection.Within these pages you’ll find tales of dead men walking, an insidious secret summer fling, an island harboring unspeakable power, and a dark hallway that beckons. You’ll encounter terrible monsters—both human and supernatural—and be forever changed. The stories in Dark Stars run the gamut from traditional to modern, from dark fantasy to neo-noir, from explorations of beloved horror tropes to the unknown—possibly unknowable—threats.It’s all in here because it’s all out there, now, in horror.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    It's easy to see why when you read his latest tour de force, Nightshade, a chillingly creepy tale that will have you looking over your shoulder every chance you get. Stunningly crafted, with a plot that has more twists than a bag full of pretzels, Nightshade promises to be Saul's most compelling novel yet. And given his backlist of grimly horrifying but riveting fare, that's no small accomplishment. In a small New England town, Joan Hapgood is content with her life until the events of one fateful afternoon trigger a long string of tragedies that threaten both her future and her sanity. It starts when Joan's mother, Emily, who has been steadily deteriorating under the effects of Alzheimer's disease, accidentally starts a fire while trying to cook. To say Joan's relationship with her mother is strained would be a gross understatement. In Emily's eyes, Joan has always been a poor second to her sister, Cynthia, who was beautiful, devoted, and bright. Despite Cynthia's death many years before, Joan still lives in her big sister's shadow whenever Emily is around. Not only has Joan never been pretty enough, bright enough, or loving enough, but she has a bastard son whose father remains unknown -- all unforgivable sins to Emily.Against the wishes of her husband, Bill, and her son Matt, Joan moves her mother into the Hapgood family home where she and Bill have lived for ten years. Emily's insistence that Cynthia is not only still alive, but present, combined with her viciously acerbic attitude toward Matt and Joan, strains Joan's marriage to the breaking point, forcing Bill to move out. Given that Bill is the only father Matt has ever known, the boy takes the separation hard, becoming understandably angry. When Bill ends up dead during a hunting trip -- possibly shot by Matt himself -- the town begins to wonder just how angry Matt has become.The death of Bill Hapgood is followed by several mysterious disappearances, including that of Joan's mother, Emily. In each case, the bulk of the evidence points to young Matt, and soon the entire town is close to forming a lynch mob. Matt himself isn't sure what the truth is, for he keeps suffering odd fugue states and imagining that he sees, hears, and smells his dead Aunt Cynthia. For Joan, the intense grief brought on by her husband's death must be set aside as she fights to prove her son's innocence. But no one suspects the real truth, which is so bizarre, so horrifyingly twisted, it will haunt those who survive forever.For those who like their plot lines well-crafted and convoluted, Nightshade is sure to please. From the unnerving first pages of the prologue to the final sentence on the last page, Saul tosses in enough red herrings and ambiguities to keep readers guessing. Horror fans won't be disappointed either; while the body count is a bit lighter than in some of Saul's other works, there is plenty of blood and gore to be had, and a ghost or two (or are they?) to liven things up.—Beth Amos

    The absurdity of both life and death are on full display; in "Zombies," the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In "Knock, Knock," a son hopes to tell one last off-color joke to a father in his final moments, while in "Tunnel of Love," a massage therapist runs the curious practice of providing 'relief' to dying clients. And in "Expedition," fans will be thrilled to find to see a side of Tyler Durden never seen before in a precursor story to Fight Club.Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk. They have all the impact of a sharp blow to the solar plexus, with considerable collateral damage to the funny bone.

    Welcome to another kind of terror as Peter Straub leads us into the outer reaches of the psyche. Here the master of the macabre is at his absolute best in seven exquisite tales of living, dying and the terror that lies in between…No one tells a story like Peter Straub. He dazzles with the richness of his plots and the eloquence of his prose. He startles you into laughter in the face of events so dark that you begin to question your own moral compass. Then he reduces you to jelly by spinning a tale so terrifying – and surprising – that you have to sleep with the lights on. Now, with these seven acclaimed stories he has given us his finest and most imaginatively unsettling collection yet.‘WHEN STRAUB TURNS ON ALL HIS JETS, NO ONE IN THE SCREAM FACTORY CAN EQUAL HIM.’STEPHEN KING

    Behind a dusty Georgia carny show... In a mausoleum in Baton Rouge, or in an alley in Calcutta... Here wanderers come to rest, the lost and lonely press their bodies up against each other, the heat rises, flesh yields, bones are bared, blood spills. This is the landscape of today's most brilliant young horror writer, Poppy Z. Brite.Now, in a collection that sings like cutting edge rock 'n' roll and shows the deft touch of a master storyteller, Poppy Z. Brite weaves her unique spell of the sensual, the frightening, and the forbidden....

    But you don't want to read them.So if you're looking to laugh, gasp, gag, or do all three at the same time, making sort of a weird sound that hurts your lungs and elicits odd glances from nearby pedestrians, don't miss Gleefully Macabre Tales!

    You never even had a chance.Perpetual Motion Machine Publishing brings you Lost Signals, a tome of horror fiction featuring radio waves, numbers stations, rogue transmissions, and other unimaginable sounds you only wish were fiction. Forget about what’s hiding in the shadows, and start worrying about what’s hiding in the dead air.Edited by Max Booth III and Lori Michelle, featuring a front cover design by Matthew Revert and 25 interior illustrations by Luke Spooner, this 130,000 word collection is a must-have for any serious fan of horror.

    Stine, Holly Black, Brett Helquist, and many more. You’ll never look at your closest door, your cat, your sock drawer, or even yourself in the mirror the same way again.

    . . and trust as essential to survival as it is hard-earned.Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first story he ever published, “The Trail of the Apache”—Elmore Leonard once again demonstrates the superb talent for language and gripping narrative that have made him one of the most acclaimed and influential writers of our time.