For the first time ever, a monster collection of 26 new original Kolchak short fiction stories by noted authors from comics, horror fiction, and film! With the advent of the new Kolchak ABC TV show, Moonstone proudly announces new contemporary prose adventures of the original Kolchak, TV's first and foremost paranormal investigator! Plus all kinds of other cool stuff, like tales from Kolchak's untold past, monster huntings, noir thrillers, and even horror stories of more cerebral type!

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchenmaid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid’s voice. A wiser Snow White sets out to craft herself a new tale. In these eight stories and twenty-three poems, World Fantasy Award winner Theodora Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in SNOW WHITE LEARNS WITCHCRAFT re-center and empower the women at the heart of these timeless narratives.

    Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley.

    of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.Preface to Hauntings (1890) -- Amour dure (1887, 1890) -- Dionea (1890) -- Oke of Okehurst (1886, 1890) -- A wicked voice (1887, 1890) -- Prince Alberic and the snake lady (1896) -- A wedding chest (1904) -- Preface to The virgin of the seven daggers (1927) -- The virgin of the seven daggers (1896, 1909,1927) -- Appendix A: From Algernon Charles Swinburne, "Notes on designs of the old masters at Florence" (1868, 1875) -- Appendix B: From Walter Pater, "Pico della Mirandula" (1871, 1873) -- Appendix C: From Walter Pater, "Lionardo da Vinci" (1869, 1873) -- Appendix D: Vernon Lee, "Faustus and Helena: notes on the supernatural in art" (1880, 1881) -- Appendix E: A. Mary F. Robinson, "Before a bust of Venus" (1881) -- Appendix F: Eugene Lee-Hamilton, "The mandolin" (1882) -- Appendix G: A. Mary F. Robinson, "The ladies of Milan" (1889) -- Appendix H: Eugene Lee-Hamilton, "On a surf-rolled torso of Venus" (1884, 1894) -- Appendix I: Vernon Lee, "Out of Venice at last" (1925).

    Carnacki, the Ghost-Finder is a collection of supernatural detective short stories by author William Hope Hodgson.

    The genes that once created vampires. Now, all over the world, people are beginning to transform. To develop unnatural and unstoppable hungers. Are they still human? Or is there now a brand new link in the food chain?The world is filled with vampire legend. Each culture with its own unique brand of blood-thirsty killer, but the stories aren't mere myth. Strange, savage, immensely powerful, and driven by a need to feed on human blood - vampires are returning.V-Wars is the chronicle of the first vampire war. From the savage murders committed by the patient zero of the plague to full-out battles with vampire terrorist cells, these are the stories of the most terrifying war mankind has ever faced.The vampire wars have begun.The world will scream. . .

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

    Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's "The Oval Portrait" and Sheridan Le Fanu's "Carmilla" to Guy de Maupassant's "The Horla" and Mary Elizabeth Braddon's "Good Lady Ducayne." Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and rounds out the collection with Stoker's own "Dracula's Guest"-a chapter omitted from his landmark novel.Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as "dead labor, which, vampire-like, lives only by sucking living labor"; while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers young, old, and in between of why the undead won't let go of our imagination.

    "New York Times "bestselling authors Gregory Maguire, Garth Nix, Susan Beth Pfeffer, Carrie Ryan, Beth Revis, and Jane Yolen are among the many popular and award-winning storytellers lending their talents to this original and spellbinding anthology. Introduction by Genevieve ValentineThe SegmentAfter the Cure by Carrie RyanValedictorian by N. K. JemisinVisiting Nelson by Katherine LangrishAll I Know of Freedom by Carol EmshwillerThe Other Elder by Beth RevisThe Great Game at the End of the World by Matthew KresselReunion by Susan Beth PfefferBlood Drive by Jeffrey FordReality Girl by Richard BowesHow Th’irth Wint Rong by Hapless Joey @ Homeskool.guv by Richard BowesRust with Wings by Steven GouldFaint Heart by Sarah Rees BrennanThe Easthound by Nalo HopkinsonGray by Jane YolenBefore by Carolyn DunnFake Plastic Trees by Caitlín R. KiernanYou Won’t Feel a Thing by Garth NixThe Marker by Cecil Castellucci

    government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear—of darkness, of death, of a fate far worse.As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. Wolgast is determined to protect her from the horror set loose by her captors, but for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey—spanning miles and decades—toward the time an place where she must finish what should never have begun.With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterly prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

    Elrod's picked 15 of her favorite short works for this multi-genre collection spanning 15 years of publication.Also included is a never before published VAMPIRE FILES story, featuring her urban fantasy vampire PI, Jack Fleming!Each story has been polished afresh for this anthology, with pages of new material added.More information -- and previews of the stories! -- may be found at her website vampwriter-dot-com.Titles:1. A Night at the (Horse) Opera (Vampire Files, Fleming)2. The Breath of Bast (Vampire Files), Ecsott)3. Bossman (Original mystery, no vamps)4. Slaughter (Vampire Files, Fleming & Gordy)5. The Devil's Mark (Original historical vampire)6. You'll Catch Your Death (Vampire Files)7. Izzy's Shoe-In (Historical mystery introducing Izzy DeLeon, fearless girl reporter)8. The Quick Way Down (Vampire Files, Fleming and Gordy)9. The Scottish Ploy (Original romance/mystery)10. Grave-Robbed (Vampire Files, Fleming)11. The Company You Keep (Vampire Files, Gabriel Kroun)12. Death in Dover (Jonathan Barrett before he got vamped, historical mystery)13. Drawing Dead (ALL NEW VAMPIRE FILES, Fleming)14. King of Shreds and Patches (Hamlet from a different point of view, mystery)15. Fugitive (Science fiction/space opera)16. BONUS STORY! The Wind Breathes Cold (Quincey Morris: Vampire)

    Bram Stoker wrote Dracula over the course of a decade, researching historical figures and compiling notes from scattered diary entries. What was supposed to be a work of fiction holds far more truth than he realized. Dr. Jane Langford is investigating a murder-suicide unlike anything she's ever encountered before. Sleepy Boise, Idaho, is a haven to an evil that has passed unnoticed down through the centuries.