In the days following the end of the Second World War, the world seems to offer itself up, and the two women are on the cusp of their 'real lives': Helena is off to Hollywood and a new marriage, while Nick is heading for a reunion with her own young husband, Hughes, about to return from the war. Soon the gilt begins to crack. Helena's husband is not the man he seemed to be, and Hughes has returned from the war distant, his inner light curtained over. On the brink of the 1960s, back at Tiger House, Nick and Helena—with their children, Daisy and Ed—try to recapture that sense of possibility. But when Daisy and Ed discover the victim of a brutal murder, the intrusion of violence causes everything to unravel. The members of the family spin out of their prescribed orbits, secrets come to light, and nothing about their lives will ever be the same.Brilliantly told from five points of view, with a magical elegance and suspenseful dark longing, Tigers in Red Weather is an unforgettable debut novel from a writer of extraordinary insight and accomplishment.

    That they eat, sleep, and work side by side in the gossip-ridden mill town of Shirley Falls—a location fans of Strout will recognize from her critically acclaimed novel, The Burgess Boys—only increases the tension. And just when it appears things can't get any worse, Amy's sexuality begins to unfold, causing a vast and icy rift between mother and daughter that will remain unbridgeable unless Isabelle examines her own secretive and shameful past.A Reader's Guide is included in the paperback edition of this powerful first novel by the author who brought Olive Kitteridge to millions of readers.

    . .'When first-year student Zoë Barry walks into Professor David Connolly's office and tentatively says these words, he is left reeling. But it is the lives of his family - particularly his wife Caroline - which are turned upside down by the arrival of this stranger.A daughter, a sister, a friend . . . an enemy?Though no one knows quite who Zoë is, she is soon entangled in their lives. Yet her stories don't ring true and Caroline is determined to learn if the girl is the unlucky innocent she claims to be or someone with a far darker agenda.A deadly cuckoo in the nest . . .Because by letting Zoë in, David and Caroline aren't just leaving themselves vulnerable. They're risking the most precious thing in the world - the lives of their children . . .

    Amid heated public debate, the two seemingly glamorous teens were dubbed ‘The Ice Cream Girls’ by the press and were dealt with by the courts.Years later, having led very different lives, Poppy is keen to set the record straight about what really happened, while married mother-of-two Serena wants no one in her present to find out about her past. But some secrets will not stay buried – and if theirs is revealed, everything will become a living hell all over again...

    Peter’s own journey is obstructed by playground bullies, masochistic lovers, Christian ex-gays, and the ever-present shadow of his Chinese father.At birth, Peter had been given the Chinese name Juan Chaun, powerful king. The exalted only son in the middle of three daughters, Peter was the one who would finally embody his immigrant father's ideal of power and masculinity. But Peter has different dreams: he is certain he is a girl.Sensitive, witty, and stunningly assured, Kim Fu’s debut novel lays bare the costs of forsaking one’s own path in deference to one laid out by others. For Today I Am a Boy is a coming-of-age tale like no other, and marks the emergence of an astonishing new literary voice.

    She's sent her family away for Christmas and invited a number of mystery guests to come and stay. But who are all these people, and why aren't they spending the festive season with their own loved ones?As the big day draws closer and Lola's personal family dramas threaten to unravel her plans, she discovers that at a special time of year, magic can happen in every family – especially your own.From the bestselling author of At Home with the Templetons comes a funny, sad and moving novel about memories and moments and the very meaning of life.

    This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men—the resurrectionists—whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity. Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.

    She’s accepting a delivery from IKEA in her shared studio apartment when her uncle calls to break the news: Helen’s adoptive brother is dead.According to the internet, there are six possible reasons why her brother might have killed himself. But Helen knows better: she knows that six reasons is only shorthand for the abyss. Helen also knows that she alone is qualified to launch a serious investigation into his death, so she purchases a one-way ticket to Milwaukee. There, as she searches her childhood home and attempts to uncover why someone would choose to die, she will face her estranged family, her brother’s few friends, and the overzealous grief counselor, Chad Lambo; she may also discover what it truly means to be alive.

    But that’s before she sees the perfect child. There he sits in his stroller, angelic and beautiful, magnetic and serene– and he makes Jane question everything she has and everything she thought she wanted. Suddenly all she can see are babies and pregnant woman everywhere. Were there always so many of them? And while there was once a man in her life–her one true love, Sam, gone from this world too soon–there is no man now. Jane must make a choice: possibly become a bitter and childless old lady, letting her biological clock tick on ’till menopause, or tend the ache in her heart now, by becoming a single mother. As Jane struggles to make the most important decision of her life, friends and family offer no shortage of opinions. There’s Ray, her “hubstitute” and gay best friend who would be jealous of any kid who got Jane as a mom; Sheila, her sister, who went from zero to sixty when she eloped with Raoul–who had two young twin sons– and has mixed feelings about being a new mommy; her strict, Catholic father who can’ t imagine what level of hell Jane would banish herself to if she becomes a single mother; and the women of Families with Children from China who are preparing to adopt orphan daughters–without a man in sight. Just as she thinks she’s made up her mind, Jane discovers one small wrench in her plans: handsome, charming, funny Peter, who just happens to be (unhappily) married. . . . And Baby Makes Two is a heartbreakingly honest, wonderfully addictive, and funny novel about love and loss, family and friendship. Judy Sheehan, co-creator of the smash hit Tony n’ Tina’s Wedding, has perfectly captured the delights and dilemmas of the scariest job in the world: motherhood.From the Hardcover edition.

    His mother, June, hardly welcomes him back with open arms. Her husband's own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down.An expansive tour de force, Olympus, Texas cleverly weaves elements of classical mythology into a thoroughly modern family saga, rich in drama and psychological complexity. After all, at some point, don't we all wonder: What good is this destructive force we call love?

    Scott Coffman, a middle school teacher, has been fostering an eight-year-old boy while the boy’s mother serves a jail sentence. Scott and Mara both have five days left until they must say good-bye to the ones they love the most.Through their stories, Julie Lawson Timmer explores the individual limits of human endurance and the power of relationships, and shows that sometimes loving someone means holding on, and sometimes it means letting go.

    Two years after their twin daughters died in a flash flood, Terry and Laura Sheldon, a Vermont state trooper and his wife, take in a foster child. His name is Alfred; he is ten years old and African American. And he has passed through so many indifferent families that he can’t believe that his new one will last. In the ensuing months Terry and Laura will struggle to emerge from their shell of grief only to face an unexpected threat to their marriage; Terry’s involvement with another woman. Meanwhile, Alfred cautiously enters the family circle, and befriends an elderly neighbor who inspires him with the story of the buffalo soldiers, the black cavalrymen of the old West. Out of the entwining and unfolding of their lives, The Buffalo Soldier creates a suspenseful, moving portrait of a family, infused by Bohjalian’s moral complexity and narrative assurance.

    When that dream crashed, she turned to stealing from rich kids in L.A. alongside her wily Irish boyfriend, Lachlan. Nina learned from the best: Her mother was the original con artist, hustling to give her daughter a decent childhood despite their wayward life. But when her mom gets sick, Nina puts everything on the line to help her, even if it means running her most audacious, dangerous scam yet. Vanessa is a privileged young heiress who wanted to make her mark in the world. Instead she becomes an Instagram influencer--traveling the globe, receiving free clothes and products, and posing for pictures in exotic locales. But behind the covetable façade is a life marked by tragedy. After a broken engagement, Vanessa retreats to her family's sprawling mountain estate, Stonehaven: A mansion of dark secrets not just from Vanessa's past, but from that of a lost and troubled girl named Nina. Nina, Vanessa, and Lachlan's paths collide here, on the cold shores of Lake Tahoe, where their intertwined lives give way to a winter of aspiration and desire, duplicity and revenge. This dazzling, twisty, mesmerizing novel showcases acclaimed author Janelle Brown at her best, as two brilliant, damaged women try to survive the greatest game of deceit and destruction they will ever play.

    Her memory loss is caused by an emotional trauma she knows nothing about, and only when handsome, quiet Grady Goodall arrives at the hospital does she learn she has a home, a career, and a wedding just two months away. What went wrong? Grady seems to care for her, but Lucie is no more sure of him than she is of anything. As she collects the clues of her past self, she unlocks the mystery of what happened to her. The painful secrets she uncovers could hold the key to her future—if she trusts her heart enough to guide her.

    By turns darkly comic and heartbreakingly sad, Sweetland is a deeply suspenseful story about one man's struggles against the forces of nature and the ruins of memory. For twelve generations, when the fish were plentiful and when they all-but disappeared, the inhabitants of this remote island in Newfoundland have lived and died together. Now, in the second decade of the 21st century, they are facing resettlement, and each has been offered a generous compensation package to leave. But the money is offered with a proviso: everyone has to go; the government won't be responsible for one crazy coot who chooses to stay alone on an island.  That coot is Moses Sweetland. Motivated in part by a sense of history and belonging, haunted by memories of the short and lonely time he spent away from his home as a younger man, and concerned that his somewhat eccentric great-nephew will wilt on the mainland, Moses refuses to leave. But in the face of determined, sometimes violent, opposition from his family and his friends, Sweetland is eventually swayed to sign on to the government's plan. Then a tragic accident prompts him to fake his own death and stay on the deserted island. As he manages a desperately diminishing food supply, and battles against the ravages of weather, Sweetland finds himself in the company of the vibrant ghosts of the former islanders, whose porch lights still seem to turn on at night.